Charles Henry Bourne Quennell Collection
Charles Henry Bourne Quennell was a versatile artist known for his diverse range of subjects
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Charles Henry Bourne Quennell was a versatile artist known for his diverse range of subjects, capturing the essence of various historical periods and architectural wonders. In his painting "A Factoryscape in the Potteries" (1938), he skillfully portrays the bustling industrial landscape with intricate details that transport viewers to a bygone era. Similarly, in "Exterior of Orford Castle, Suffolk (the Battlements restored)" (1931), Quennell showcases his talent for architectural accuracy, bringing to life the grandeur and history of this medieval fortress. One cannot overlook Quennell's fascination with historical events as depicted in "The Norman Ship (based on the Bayeux Tapestry)" (1931) and "Coronation of Harold" (1931). Through these artworks, he pays homage to significant moments from England's past, meticulously recreating scenes that evoke a sense of nostalgia and admiration for our heritage. Quennell also captures lighter moments in history such as "Boys playing at Riding at the Quintain" (1931), where he illustrates youthful exuberance inspired by an ancient manuscript. His attention to detail is equally evident in "A Mediaeval Windmill" (1931), where every blade and cog are intricately rendered. In addition to historical themes, Quennell delves into maritime artistry with pieces like "The Tea Clipper Spindrift" (1938) and "The Cutty Sark in Falmouth Harbour" (1938). These paintings showcase his ability to capture the majesty and gracefulness of sailing vessels while transporting us back to an era when ships ruled the seas. Not limited solely to history or seascapes, Quennell also explores contrasting interiors through works like "Contrasted Interiors: Regency - Mecklenburgh Square, Bloomsbury" (1938). Here we see his keen eye for detail as he juxtaposes different architectural styles, highlighting the beauty in diversity.