Birds Eye View Collection (page 18)

Cranborne Manor, from The English Manor House (b/w photo)
CLF294527 Cranborne Manor, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info.: originally one of King John's hunting lodges)

Aerial view of Cirencester Park and the town of Cirencester, from Country Houses of the Cotswolds (b/w photo)
CLF320737 Aerial view of Cirencester Park and the town of Cirencester, from Country Houses of the Cotswolds (b/w photo) by English Photographer

Onion finials form a cresting to the roof, Sezincote, from Country Houses of the Cotswolds (b/w photo)
CLF320601 Onion finials form a cresting to the roof, Sezincote, from Country Houses of the Cotswolds (b/w photo) by English Photographer

The eastern service wing at Castle Howard, North Yorkshire, from The Country Houses of Sir John Vanbrugh by Jeremy
CLF327736 The eastern service wing at Castle Howard, North Yorkshire, from The Country Houses of Sir John Vanbrugh by Jeremy Musson, published 2008 (b/w photo) by English Photographer

Cirencester Park, from The Ancient and Present State of Gloucestershire by Sir Robert Atkyns, printed 1712 (engraving)
CLF320621 Cirencester Park, from The Ancient and Present State of Gloucestershire by Sir Robert Atkyns, printed 1712 (engraving) by Kip

Rome, from The Pincio, Piazza Del Popolo, 1933 (oil on canvas)
7415303 Rome, from The Pincio, Piazza Del Popolo, 1933 (oil on canvas) by Leech, Beatrice Mary Seccombe (1880-1945); 29x44.5 cm; Manchester Art Gallery

Glasgow Exhibition, 1888 (oil on canvas)
3550989 Glasgow Exhibition, 1888 (oil on canvas) by Lavery, John (1856-1941); 61x45.7 cm; Glasgow Museums, UK; (add.info.: Framed: 858 x 704 x 40 mm;unframed)

Bird's-eye view of the Paris Expositon of 1900 (chromo)
541524 Bird's-eye view of the Paris Expositon of 1900 (chromo) by French School, (19th century); (add.info.: the Eiffel Tower in the background.); Universal History Archive/UIG

The Black Church, Biserica neagra, View of Brasov, Brasov, Transylvania, Romania
aerial, aerial photo, aerial photograph, aerial photography, aerial photos, aerial shot, air, airs, architectural photograph, architectural view, balkan, balkan peninsula, bird's eye view

Former Kronstadt City Hall, Casa Primariei, now Historical Museum, in the Old Town on Piata Sfatului Square
administration building, administrative building, administrative buildings, aerial, aerial photo, aerial photograph, aerial photography, aerial photos, aerial shot, air, airs

View of Brasov, Brasov, Transylvania, Romania
aerial, aerial photo, aerial photograph, aerial photography, aerial photos, aerial shot, air, airs, architectural photograph, architectural view, balkan, balkan peninsula, bird's eye view

In the picture the Black Church, Biserica neagra, view of Brasov, Brasov, Transylvania, Romania
aerial, aerial photo, aerial photograph, aerial photography, aerial photos, aerial shot, air, airs, architectural photograph, architectural view, balkan, balkan peninsula, bird's eye view

Bird's-eye view of Dresden, c. 1855, Saxony, Germany, Historic, digitally restored reproduction from an 18th or
1900s, 19th-century, aerial, aerial photo, aerial photograph, aerial photography, aerial photos, aerial shot, art work, arts, artwork, artworks, bird's eye view, birds-eyes-view, black

Bird's eye view of Vienna, c. 1890, digitally restored reproduction of a 19th century original
1900s, 19th-century, accurate, aerial, aerial photo, aerial photograph, aerial photography, aerial photos, aerial shot, archive, bird's eye view, birds-eyes-view, black, black-and-white

Jedburgh From A Height (w/c on paper)
7091038 Jedburgh From A Height (w/c on paper) by Pearson, William (1772-1849); 23.9x51.5 cm; Manchester Art Gallery, UK; (add.info.: By William Pearson); © Manchester Art Gallery

Flat landscape with a view to distant hills, 1648 (oil on panel)
3927270 Flat landscape with a view to distant hills, 1648 (oil on panel) by Koninck, Phillips de (1619-88); 29.8x40.8 cm; Manchester Art Gallery

Panorama overlooking Istanbul and the Bosphorus, c. 1890 (b/w photo)
STC258395 Panorama overlooking Istanbul and the Bosphorus, c.1890 (b/w photo) by Sebah & Joaillier (fl.1888-1950); Private Collection; (add.info)

Corpus Christi College, Oxford, from Oxonia Illustrated, published 1675 (engraving)
STC172923 Corpus Christi College, Oxford, from Oxonia Illustrated, published 1675 (engraving) by Loggan, David (1633/35-92); Private Collection; (add.info.: founded by Richard Fox (1448-1528)

Spring, 1898 (oil on canvas)
7379801 Spring, 1898 (oil on canvas) by Malczewski, Jacek (1854-1929); 240 x 116 cm; National Museum, Krakow, Poland; (add.info.: by Jacek Malczewski (1854-1929))

View of Fribourg (oil on canvas)
7388998 View of Fribourg (oil on canvas) by Pilloud, Ignace Nazaire Oswald (1873-1946); 46x38 cm; Private Collection; (add.info.: Artist)

Map of Nancy, from Civitates Orbis Terrarum by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c
STC138946 Map of Nancy, from Civitates Orbis Terrarum by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving) by Hoefnagel

The merry go round (das Karusell), 1922 (oil on canvas)
2596981 The merry go round (das Karusell), 1922 (oil on canvas) by Spies, Walter (1895-1942); 80x105 cm; Arma Museum, Ubud, Bali, Indonesia; Photo © Stefano Baldini

Panoramic view of Rome from the Janiculum Hill, 1800-25 (glass micromosaic)
862851 Panoramic view of Rome from the Janiculum Hill, 1800-25 (glass micromosaic) by Testa, Antonio (fl.1800-25); Victoria & Albert Museum, London

Spianata dell'Acquasola (Genoa), 1800-49 (oil on canvas)
7352744 Spianata dell'Acquasola (Genoa), 1800-49 (oil on canvas) by Garibbo, Luigi (c.1782-1869); 101x143 cm; Private Collection; (add.info.: Artist: Luigi Garibbo (1782-1869)); Luisa Ricciarini

7381558

Lourdes, France, c. 1905 (photo)
1730942 Lourdes, France, c. 1905 (photo) by French Photographer (20th century); (add.info.: Lourdes, France, c. 1905)

Predikheren Monastery in Bruges (w/c & pencil on paper)
490346 Predikheren Monastery in Bruges (w/c & pencil on paper) by Beerblock, Johannes (1739-1806); Groeningemuseum, Bruges, Belgium; © Art in Flanders

Map of Bruges and the Feudal Grounds (oil on canvas)
490264 Map of Bruges and the Feudal Grounds (oil on canvas) by Lobberecht, Joannes (18th century) ; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Map of the Liberty of Bruges (oil on canvas)
490262 Map of the Liberty of Bruges (oil on canvas) by Pourbus, Pieter Jansz. (1523-84); 151x322.2 cm; Groeningemuseum, Bruges

Fish market (oil on canvas)
471248 Fish market (oil on canvas) by Valckenborch, Frederik (1570-1623); 120x180 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Map of Damme and the Spanish Border Fortresses near Sluis (oil on canvas)
490157 Map of Damme and the Spanish Border Fortresses near Sluis (oil on canvas) by Lobberecht, Jacques (17th century); 132x204.5 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Fair on Vrijdagmarkt in Ghent (oil on canvas)
471143 Fair on Vrijdagmarkt in Ghent (oil on canvas) by Smet, Gustave de (1877-1943); 43x49 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Map of the Zwin Area (oil on canvas)
490039 Map of the Zwin Area (oil on canvas) by Hervy, Jehan de (fl.1472-1507); Groeningemuseum, Bruges, Belgium; (add.info.: See also 490038 & 490040.); © Art in Flanders

CATALONIA, 2022 (photography)
7333737 CATALONIA, 2022 (photography) by Moncunill, Lluis (1868-1931); (add.info.: Masia Freixa ( 1907 ). Modernist building inspired by Gaudi. Lluis Moncunill architect

Map of Bruges (oil on canvas)
490265 Map of Bruges (oil on canvas) by Flemish School, (16th century); Groeningemuseum, Bruges, Belgium; © Art in Flanders

Map of Bruges and the Waterways (oil on canvas)
490263 Map of Bruges and the Waterways (oil on canvas) by Lobberecht, Joannes (18th century) ; 177x232 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Map of the Zwin Area (oil on canvas)
490040 Map of the Zwin Area (oil on canvas) by Hervy, Jehan de (fl.1472-1507); Groeningemuseum, Bruges, Belgium; (add.info.: See also 490038 & 490039.); © Art in Flanders

Village at the Scheldt, 1587 (oil on panel)
471271 Village at the Scheldt, 1587 (oil on panel) by Grimmer, Jacob (c.1526-89); 121x196 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Map of the Zwin Area (oil on canvas)
490038 Map of the Zwin Area (oil on canvas) by Hervy, Jehan de (fl.1472-1507); Groeningemuseum, Bruges, Belgium; (add.info.: See also 490039 & 490040.); © Art in Flanders

The City of Bruges, 1562 (colour litho)
490348 The City of Bruges, 1562 (colour litho) by Gheeraerts, Marcus, the Elder (c.1520-90); Groeningemuseum, Bruges, Belgium; © Art in Flanders

Bird's-eye-view of a military camp with fortifications, 1684 (pen and brown ink on paper)
7308316 Bird's-eye-view of a military camp with fortifications, 1684 (pen and brown ink on paper) by Flamen, Albert (c.1620 - after 1693); 16.7x20.2 cm; Ashmolean Museum, University of Oxford

The palace in Monaco in 1732, (painting)
1757947 The palace in Monaco in 1732, (painting) by Bressan, Joseph (fl.1732); (add.info.: The palace in Monaco in 1732, painting by Joseph Bressan); © Tallandier

Coromandel ten-panel floor screen, 1719 (lacquer)
3619698 Coromandel ten-panel floor screen, 1719 (lacquer) by Chinese School, Qing Dynasty - Kangxi Period (1662-1722); 239.4x495.3 cm; Private Collection; (add.info.: Base designed by William Haines)

Gardens at Charleval, from Les Plus Belles Bastiments de France, published 1570s (engraving)
STC172733 Gardens at Charleval, from Les Plus Belles Bastiments de France, published 1570s (engraving) by Ducerceau, J. Androuet (du Cerceau) (1510-84); Private Collection; The Stapleton Collection

Camouflage class at New York University, where men and women... New York, N.Y. 1943. Creator: Marjory Collins
Camouflage class in New York University, where men and women are preparing for jobs in the Army or in industry, New York, N.Y

Section crew of the Chicago, Milwaukee, St. Paul and Pacific R.R... Bensenville, Illinois, 1943. Creator: Jack Delano
Section crew of the Chicago, Milwaukee, St. Paul and Pacific R.R. at work, Bensenville, Ill

Track repair work at the Bensenville yard of the Chicago, Milwaukee... Illinois, 1943. Creator: Jack Delano
Track repair work at the Bensenville yard of the Chicago, Milwaukee, St. Paul, and Pacific Railroad, Bensenville, Ill. Track repair and work on the cinder pits at the roundhouse

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"Bird's Eye View: A Glimpse into History and Beyond" From the intricate map of 17th century Venice by Guiseppe Heintz to the satellite image capturing Scotland's breathtaking landscapes, the concept of a bird's eye view has fascinated us for centuries. It allows us to transcend time and space, offering unique perspectives on our world. Intriguingly, an engraving depicting the sinking of the Mary Rose during the Battle of Solent in 1545 takes us back to a dramatic moment in history. The detailed woodcut of Venice from 1500 transports us to its enchanting canals and architectural wonders. Moving forward through time, we witness Birmingham as it might have appeared in 1730 with a conjectural picture map. Lea Hall Colliery and Rugeley Power Station in Staffordshire give us insight into industrial progress in 1963. Venturing beyond Europe, we find ourselves captivated by late 19th-century photographs showcasing Montevideo's Plaza de Constitucion—a glimpse into Uruguay's rich heritage. Meanwhile, Porton Down’s aerial photograph reveals a scientific hub nestled amidst picturesque English countryside. The engravings portraying General views of Birmingham and Hertford Castle take us on visual journeys through England’s past—each stroke preserving historical moments forever etched within their lines. These diverse snapshots remind us that a bird’s eye view is not merely about physical elevation; it grants access to hidden stories and forgotten narratives. It invites contemplation on how our world has evolved over time while igniting curiosity about what lies ahead. So let your imagination soar as you explore these captivating glimpses from above—where maps become portals to different eras, where photographs capture fleeting moments frozen in time—and embrace the beauty found when we rise above everyday perspectives.