Bartholomew Collection (page 4)

The Madonna and Child Enthroned, Two Angels, St. Bartholomew and St. John the Evangelist
3564859 The Madonna and Child Enthroned, Two Angels, St. Bartholomew and St. John the Evangelist. by Master of Santo Spirito (15th century); Santo Spirito, Florence

Saint Bartholomew, 1623
3496151 Saint Bartholomew, 1623 by Crespi, Daniele (1597-1630); Basilica di San Giovanni, Busto Arsizio, Varese, Lombardy, Italy; (add.info.: San Bartolomeo); Photo eMauro Ranzani; Italian

Madonna of Humility with Saints (tempera on panel)
AII80575 Madonna of Humility with Saints (tempera on panel) by Puccio di Simone, (14th century); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian

God in glory with saints, illustration from the Liber Chronicarum
REV326698 God in glory with saints, illustration from the Liber Chronicarum by Hartmann Schedel (1440-1514) published in Nuremberg, 1493 (woodcut) by Wolgemuth, Michael (1434-1519) & Pleydenwurff, W

Apostles under Arcades, carved relief, c. 1150 (stone)
PWI110609 Apostles under Arcades, carved relief, c.1150 (stone) by French School, (12th century); Basilique Saint-Denis, France; ePeter Willi; French, out of copyright

Madonna and Child with Saints (tempera on panel)
VLS60511 Madonna and Child with Saints (tempera on panel) by Vivarini, Alvise (c.1445/6-1503/5); Pinacoteca Comunale, Calabria, Italy; eGiuliano Valsecchi; Italian, out of copyright

Sts Bartholomew and Julian the Hospitaler (tempera, oil and gold on panel)
1216745 Sts Bartholomew and Julian the Hospitaler (tempera, oil and gold on panel) by Agnolo di Domenico di Donnino (1466-1513); 77.9x64 cm; Ashmolean Museum, University of Oxford

Saint Barthelemy, 1726. Creator: Etienne Brion
Saint Barthelemy, 1726. After Francois Boucher

Entrance to Bartholomew Close, from Smithfield

Sideshows at Bartholomew Fair Date: 1845

ENTERTAINMENT / FAIRS
BARTHOLOMEW FAIR. Date: 1739

The Hand & Shears
An 1811 view of the Hand & Shears, a public house in Smithfield built early in the 19th century. It was named after the former Bartholomew Fair, held at Smithfield for centuries

Raheres Tomb
Rahere (or Raher) was an Anglo-Norman priest and monk. He was a favourite of King Henry I and is most famous for having founded the Priory of the Hospital of St Bartholomew in 1123

St Bartholomew-the-Great
Engaving depicting St Bartholomew-the-Great in 1737. The Priory Church of St Bartholomew the Great, is a medieval church in Smithfield within the City of London

Uvedale Tomkyns Price (1685-1764) and Members of His Family, possibly early 1730s

Poland, 1815-1914, (c1920). Creator: John Bartholomew & Son
Poland, 1815-1914, (c1920). Map showing Polish territory from the end of the 18th century until the First World War: Poland as constituted in 1815, and Poland before partition of 1772

East-European Theatre of War, 1914-1918, (c1920). Creator: John Bartholomew & Son
East-European Theatre of War, 1914-1918, (c1920). Map of Eastern Europe during the First World War, showing parts of Germany, Russia and Austria-Hungary

Northern France Illustrating the Western Campaign, 1914, (c1920). Map of northern France, Belgium and Luxembourg, at the start of the First World War

Map of the Seat of War in South Africa, 1901. Creator: John Bartholomew
Map of the Seat of War in South Africa, 1901. Map showing Bechuanaland, Transvaal Colony, Orange River Colony, Natal, Basutoland and Cape Colony, the theatre of war during the Boer Wars (1880-1902)

Map of Northern India, 1901. Creator: John Bartholomew
Map of Northern India, showing positions of British and Native Troops at the outbreak of the Mutiny, 1901. The Indian Rebellion was an uprising in India in 1857-1858

St Bartholomews Hospital, London - Smithfield Ward
St Bartholomews Hospital, Farringdon, City of London - Smithfield Ward. Date: circa 1907

St Bartholomew, mid-late 19th century. Creator: Wilhelm Kandler
St Bartholomew, mid-late 19th century. Saint Bartholomew shown with his attribute of a knife, a reference to his martyrdom - it is believed he was skinned alive and beheaded. [Leighton Bros, London]

Bartholomew Fair, 1824 (hand-coloured aquatint engraving)
495524 Bartholomew Fair, 1824 (hand-coloured aquatint engraving) by English School, (19th century); Private Collection; (add.info.: Unmounted fan leaf showing a view of Bartholomew Fair from 1721)

Isabel I The Catholic (1451-1504), Queen of Castilla

Fountain of Neptune in the Piazza della Signoria in Florence, detail of bronze figures surrounding the central sculpture representing Neptune, 1576, by Bartholomew Ammannati

View of the pump near Clerks Well in Ray Street, Finsbury, London, 1822. Artist
View of the pump near Clerks Well in Ray Street, Finsbury, London, 1822. Above the pump is a descriptive iron tablet accompanied by a plan of the site; in the upper left a collection of caged birds

Bedford House, Bloomsbury Square, Bloomsbury, London, 1822. Artist: Bartholomew Howlett
Bedford House, Bloomsbury Square, Bloomsbury, London, 1822. View of the north front of Bedford House with men on horses conversing with ladies at a window. Also including a description

St Pauls School, City of London, 1825. Artist: Bartholomew Howlett
St Pauls School, City of London, 1825. View with figures in the front, some of which are children playing with marbles and a hoop. In the lower margin there is a description

Map of London and south-east England, 1891. Artist: John Bartholomew
Map of London and south-east England, 1891. Map showing the population density of London and the surrounding counties

Interior view of the remains of the Church of St Martins le Grand, City of London, 1825. With details and ground plan underneath

Leadenhall Street, City of London, 1825. Artist: Bartholomew Howlett
Leadenhall Street, City of London, 1825. In the top half of the print is an interior view of a kitchen which was formerly a crypt, showing a fireplace, cooking utensils and a cat

Corn Exchange, Mark Lane, City of London, 1827. Artist: V Bartholomew
Corn Exchange, Mark Lane, City of London, 1827

Cornhill, City of London, c1630 (1818). Artist: Bartholomew Howlett
Cornhill, City of London, c1630 (1818). View of Cornhill including part of the original Royal Exchange and the water conduit, known as the Tun, on the right. Also with figures, horses and carriages

Cheapside, City of London, 1585 (1814). Artist: Bartholomew Howlett
Cheapside, City of London, 1585 (1814). Plan of Cheapside or Westcheap, as it appeared in 1585; showing houses, St Michael le Querne and the Little Conduit

Bridewell, City of London, 1815. Artist: Bartholomew Howlett
Bridewell, City of London, 1815. North-west view of the chapel and part of the great staircase leading to the Hall of Bridewell; showing figures labouring

Brockwell Hall, Herne Hill, Lambeth, London, 1820. Artist: Bartholomew Howlett
View of Brockwell Hall, Herne Hill, Lambeth, London, 1820; with a man, horse and sheep in the foreground

Custom House, London, c1815. Artist: Bartholomew Howlett
South view of the Custom House, London, as it was in the reign of Queen Elizabeth I. This building was destroyed by fire in 1666. Engraved in London, c1815 from an earlier print dated 1663

Interior view of Lambeth Palace chapel, London, 1806. Artist: Bartholomew Howlett
Interior view of Lambeth Palace chapel, London, 1806

Saint Bartholomew the Apostle. Found in the Collection of Accademia di San Luca

Bartholomew the Apostle and the Prophet Joel, 1492-1495. Found in the Collection of Apostolic Palace, Vatican

Saint Bartholomew and Saint Thomas, 1577. Found in the collection of Monasterio de El Escorial

The Virgin and Child with Saints Michael the Archangel and Bartholomew. Found in the Collection of Ayuntamiento de Sevilla

Saints Chariton the Confessor, Barlaam of Khutyn and Sergius of Radonezh, 15th century. Artist: Russian icon
Saints Chariton the Confessor, Barlaam of Khutyn and Sergius of Radonezh, 15th century. Found in the collection of State Open-air Museum of History and Architecture Novgorodian Kremlin, Novgorod

The Apparition of Our Lady to Saint Sergius of Radonezh, 19th century. Artist: Russian icon
The Apparition of Our Lady to Saint Sergius of Radonezh, 19th century. Private Collection

Saint Sergius labours (Triptych, Mid part), 1896. Artist: Nesterov, Mikhail Vasilyevich (1862-1942)
Saint Sergius labours (Triptych, Mid part), 1896. Found in the collection of State Tretyakov Gallery, Moscow

Saint Sergius labours (Triptych, Right part), 1896. Artist: Nesterov, Mikhail Vasilyevich (1862-1942)
Saint Sergius labours (Triptych, Right part), 1896. Found in the collection of State Tretyakov Gallery, Moscow

Saint Sergius labours (Triptych, Left part), 1896. Artist: Nesterov, Mikhail Vasilyevich (1862-1942)
Saint Sergius labours (Triptych, Left part), 1896. Found in the collection of State Tretyakov Gallery, Moscow

The Shroud of Saint Sergius of Radonezh, 1671. Artist: Workshop of Anna Ivanovna Stroganova
The Shroud of Saint Sergius of Radonezh, 1671. Found in the collection of State Open-air Museum of the Trinity Lavra of St. Sergius, Sergyev Possad

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Bartholomew, a name that resonates through time and geography, leaving its mark on maps and hospitals alike. From the bustling streets of London to the tranquil landscapes of Devonport and Stonehouse, Bartholomew's legacy is etched into history. In the early 20th century, J. Bartholomew & Co. Crafted a masterpiece - a map of the Trans-Siberian Railway. This intricate engraving showcased their expertise in cartography, guiding travelers along this iconic route with precision and accuracy. Meanwhile, St. Bartholomews Hospital stood as a beacon of healing in 18th-century London. Its courtyard witnessed countless tales of resilience and recovery, offering solace to those seeking medical aid amidst bustling city life. The Royal Atlas by Bartholomew transported us back to Victorian times with an old map of Plymouth, Devonport, and Stonehouse from 1898. It captured the essence of these coastal towns with meticulous detail - every street corner immortalized for generations to come. Venturing further north on another page from the Royal Atlas was Durham's old map from 1898 by none other than Bartholomew himself. The winding rivers and ancient landmarks painted a vivid picture of this historic city nestled in England's northeast countryside. Back in London again at St. Bartholomews Hospital - The Quadrangle revealed itself as an architectural marvel designed to inspire hope within its walls. Henry VIII Gate stood tall since 1886; it bore witness to centuries' worth of stories unfolding within its grand entrance. But beyond maps and hospitals lies artistry too - John Bartholomew captured the beauty of Isle of Wight in his c20th-century artwork. His brushstrokes brought life to serene landscapes that whispered tales only nature could tell. Dublin's Rotunda Hospital found itself intertwined with our narrative as well – reminding us that even across borders, Bartholomew's influence reached far and wide.