Baldacchino Collection

Interior of St. Peters, Rome, c. 1754 (oil on canvas)
XAL176197 Interior of St. Peter s, Rome, c.1754 (oil on canvas) by Pannini or Panini, Giovanni Paolo (1691/2-1765); 155x200 cm; Ca Rezzonico, Museo del Settecento, Venice; Italian, out of copyright

Visit of the Angel, from the right wing of the Buxtehude Altar, 1400-10 (tempera
XKH145294 Visit of the Angel, from the right wing of the Buxtehude Altar, 1400-10 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); Hamburger Kunsthalle, Hamburg, Germany; German

Interior of St. Peter's - the Pope at the Grand Altar, 1850. Creator: Unknown
Interior of St. Peter's - the Pope at the Grand Altar, 1850. Pius IX returns to Rome:..he was met by the Sacred College, who accompanied him up the nave to the altar of confession

Low angle interior view of the baldacchino and main dome, St. Peters Basilica, Vatican City

Madonna del Baldacchino, by Raffaello Sanzio da Urbino, also Raffael da Urbino, Raffaello Santi, Raffaello Sanzio
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Saint Peters Basilica, Rome, Italy, Interior View, 1878. Creator: Frederick P Dinkelberg
Saint Peters Basilica, Rome, Italy, Interior View, 1878

Church of St. Peter s, Rome, (Roma, Chiesa di San Pietro), c. 1870. Gelatin silver printing out print

Basilica of Sant Agnese fuori le Mura, 1833 (etching with brown wash)
STC384810 Basilica of Sant Agnese fuori le Mura, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: S)

The Basilica of San Lorenzo, 1833 (etching with brown wash)
STC384808 The Basilica of San Lorenzo, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: Basilique de S)

The Basilica of Santa Maria Maggiore, 1833 (etching with brown wash)
STC384806 The Basilica of Santa Maria Maggiore, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info)

Interior of St. Peters Basilica, 1833 (etching with brown wash)
STC384803 Interior of St. Peters Basilica, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info)

View of the high altar surmounted by a tabernacle by Arnolfo di Cambio (c. 1245-1310) and with the tomb of St
ALI120992 View of the high altar surmounted by a tabernacle by Arnolfo di Cambio (c.1245-1310) and with the tomb of St. Paul below (photo) (b/w photo) by Italian School; San Paolo Fuori Le Mura

Florence, Italy - Cascine - Monument to an Indian Maharajah
Florence, Tuscany, Italy - at the east end of the Parco delle Cascine - Monumento all Indiano (Monument to the Indian), more specifically the Monument to the Maratha Maharajah of Kohlapur

Marches Macerata Visso Santuario di Macereto, this is my Italy, the italian country of visual history, Exterior photos of temple and other buildings in the sanctuary complex

Lazio Viterbo Castel Sant Elia S. Elia Italy
Lazio Viterbo Castel Sant Elia S. Elia, this is my Italy, the italian country of visual history, Exterior photos of views, the facade, the portal and many architeectural details

Isolated View of Berninis Baldacchino. Plate 39 from the Album Basilica di S. Pietro in Vaticano, 1653-91

St. Peters Basilica. Madernos nave and the altar with Bern
Renaissance Art. Italy. St. Peters Basilica. Designed by Donato Bramante (1444-1514), Michelangelo (1475-1564), Carlo Maderno (1556-1629) and Gian Lorenzo Bernini (1598-1680). Interior view

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ITALY, Lazio, Rome, Vatican City The Dome of St Peters designed by Michelangelo above the gilded bronze canopy of the Baldacchino by Bernini with his Throne of St Peter in Glory beyond

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The baldacchino, a magnificent structure that graces the interior of St. Peter's Basilica in Rome, has captivated visitors for centuries. This elaborate masterpiece, depicted in various artworks throughout history, stands as a testament to the grandeur and artistic prowess of its creators. One such depiction is an oil on canvas painting from around 1754, showcasing the interior of St. Peter's Basilica. The artist skillfully captures the essence of this sacred space, with the baldacchino taking center stage amidst a sea of awe-inspiring architecture. Another artwork transports us back to the early 15th century when an angel visited from the right wing of the Buxtehude Altar. Painted with tempera technique, this piece highlights not only divine intervention but also showcases glimpses of the baldacchino in its background. Raffaello Sanzio da Urbino, commonly known as Raphael, immortalized Madonna del Baldacchino in his work dating back to around 1500. Through digital restoration techniques, we can now appreciate this reproduction that portrays both religious devotion and intricate details of the baldacchino. As we explore further into St. Peter's Basilica through historical records and engravings like those by Paul Marie Letarouilly from 1882 or Frederick P Dinkelberg from 1878, we witness different perspectives on this architectural marvel. From low-angle views capturing its magnificence under Saint Peter's main dome to high-altar canopies designed by Bernini himself - each portrayal adds another layer to our understanding and appreciation for this iconic structure. Beyond St. Peter's Basilica lies other notable churches adorned with their own versions of baldacchinos - such as Sant Agnese fuori le Mura or San Lorenzo - etched onto paper during their heyday in 1833. Even outside these holy spaces, we find the baldacchino making appearances in unexpected places.