Art History Collection (page 2)

Self -portrait of Jurriaan Andriessen, 1799. Creator: Juriaan Andriessen
Self -portrait of Jurriaan Andriessen, 1799

Relax Altered Oil Painting
The Art Concept

Please, Get Naked
The Art Concept

Vintage Botanical, Altered Pinky Art
The Art Concept

Roman statue of Hercules. This marble statue of Hercules, 3.17 metres high, is a copy made by Glycon in 200-210 AD of a smaller original Greek bronze sculpture of the 4th century BC by Lysippus

Sphinxes in Front of the Art Nouveau Building Designed by Mikhail Eisenstein on 2A Alberta Street, Riga, Latvia (photo)
1571002 Sphinxes in Front of the Art Nouveau Building Designed by Mikhail Eisenstein on 2A Alberta Street, Riga, Latvia (photo) by Eisenstein

Art Nouveau Building (photo)
2916167 Art Nouveau Building (photo) by Eisenstein, Mikhail (1867-1920) ; (add.info.: Art Nouveau Building Designed By Mikhail Eisenstein On 8 Smilsu Street, Riga, Latvia. 2005); Insights/UIG

Wiener Secessionsgebaude (Secession House), Vienna (Wien), Austria (photo)
1565119 Wiener Secessionsgebaude (Secession House), Vienna (Wien), Austria (photo) by Olbrich, Joseph Maria (1867-1908); (add.info.: Wiener Secessionsgebaude (Secession House), Vienna (Wien)

Wiener Secessionsgebaude (Secession House), Vienna (Wien), Austria (photo)
1565118 Wiener Secessionsgebaude (Secession House), Vienna (Wien), Austria (photo) by Olbrich, Joseph Maria (1867-1908); (add.info.: Wiener Secessionsgebaude (Secession House), Vienna (Wien)

Art Nouveau Building (photo)
2916163 Art Nouveau Building (photo) by Eisenstein, Mikhail (1867-1920) ; (add.info.: Art Nouveau Building Designed By Mikhail Eisenstein On 13 Alberta Street)

Art Nouveau Building (photo)
2916165 Art Nouveau Building (photo) by Eisenstein, Mikhail (1867-1920) ; (add.info.: Art Nouveau Building Designed By Mikhail Eisenstein On 8 Alberta Street, Riga, Latvia. 2005); Insights/UIG

Art Nouveau Building Designed by Mikhail Eisenstein on 4 Alberta Street, Riga, Latvia (photo)
1571006 Art Nouveau Building Designed by Mikhail Eisenstein on 4 Alberta Street, Riga, Latvia (photo) by Eisenstein, Mikhail (1867-1920) ; (add.info)

Art Nouveau Building Designed by Mikhail Eisenstein on 10B Elizabetes Street, Riga, Latvia (photo)
1570999 Art Nouveau Building Designed by Mikhail Eisenstein on 10B Elizabetes Street, Riga, Latvia (photo) by Eisenstein, Mikhail (1867-1920) ; (add.info)

Wiener Secessionsgebaude (Secession House), Vienna (Wien), Austria (photo)
1565120 Wiener Secessionsgebaude (Secession House), Vienna (Wien), Austria (photo) by Olbrich, Joseph Maria (1867-1908); (add.info.: Wiener Secessionsgebaude (Secession House), Vienna (Wien)

Interior Of The Art Nouveau Building (photo)
2918973 Interior Of The Art Nouveau Building (photo) by Eisenstein, Mikhail (1867-1920) ; (add.info.: Interior Of The Art Nouveau Building Designed By Mikhail Eisenstein On 2 Alberta Street, Riga)

Art Nouveau Building (photo)
2916166 Art Nouveau Building (photo) by Eisenstein, Mikhail (1867-1920) ; (add.info.: Art Nouveau Building Designed By Mikhail Eisenstein On 8 Smilsu Street, Riga, Latvia. 2005); Insights/UIG

Art Nouveau Building Designed by Mikhail Eisenstein on 10B Elizabetes Street, Riga, Latvia (photo)
1570998 Art Nouveau Building Designed by Mikhail Eisenstein on 10B Elizabetes Street, Riga, Latvia (photo) by Eisenstein, Mikhail (1867-1920) ; (add.info)

Art Nouveau Building (photo)
2918974 Art Nouveau Building (photo) by Eisenstein, Mikhail (1867-1920) ; (add.info.: Art Nouveau Building Designed By Mikhail Eisenstein On 13 Alberta Street)

Art Nouveau Building (photo)
2916168 Art Nouveau Building (photo) by Eisenstein, Mikhail (1867-1920) ; (add.info.: Art Nouveau Building Designed By Mikhail Eisenstein On Elizabetes St 13, Riga, Latvia. 2005); Insights/UIG

Art Nouveau Building Designed by Mikhail Eisenstein on 4 Alberta Street, Riga, Latvia (photo)
1571005 Art Nouveau Building Designed by Mikhail Eisenstein on 4 Alberta Street, Riga, Latvia (photo) by Eisenstein, Mikhail (1867-1920) ; (add.info)

Art Nouveau Building Designed by Mikhail Eisenstein on 4A Strelnieku Street, Riga, Latvia (photo)
1571003 Art Nouveau Building Designed by Mikhail Eisenstein on 4A Strelnieku Street, Riga, Latvia (photo) by Eisenstein, Mikhail (1867-1920) ; (add.info)

Art Nouveau Stained-Glass Window With the Scenes of the Christianization of the Czech Lands in the New Archbishopric
1566804 Art Nouveau Stained-Glass Window With the Scenes of the Christianization of the Czech Lands in the New Archbishopric Chapel of St

The Art Historian, Professor Dr. Karl Voll (1867-1917) 1911 (oil on canvas)
XKH152165 The Art Historian, Professor Dr. Karl Voll (1867-1917) 1911 (oil on canvas) by Slevogt, Max (1868-1932); 120x93 cm; Hamburger Kunsthalle, Hamburg

David Iii
Hanna Lee Tidd

Mug shot of Vincenzo Peruggia, Italian painter who stole the Mona Lisa from the Louvre on August 21, 1911, c
3714149 Mug shot of Vincenzo Peruggia, Italian painter who stole the Mona Lisa from the Louvre on August 21, 1911, c.1913 (b/w photo) by Italian Photographer

The Apotheosis of Italian Art, 1885-86 (w/c on paper)
3674785 The Apotheosis of Italian Art, 1885-86 (w/c on paper) by Crane, Walter (1845-1915); 82x107 cm; Manchester Art Gallery, UK; (add.info.: Scene depicting various half-familiar figures)

Mary Cassatt at the Louvre: The Etruscan Gallery, 1879-80 (soft ground etching, drypoint
2972533 Mary Cassatt at the Louvre: The Etruscan Gallery, 1879-80 (soft ground etching, drypoint, aquatint, etching & pastel on paper) by Degas

Karlsplatz Stadtbahn Station designed by Otto Wagner, Vienna (Wien), Austria (photo)
1565121 Karlsplatz Stadtbahn Station designed by Otto Wagner, Vienna (Wien), Austria (photo) by Wagner, Otto (1841-1918); (add.info.: Karlsplatz Stadtbahn Station designed by Otto Wagner)

Leopoldo Cicognara (1767-1834) Commenting on the Monument of Canova (1827
MMT156724 Leopoldo Cicognara (1767-1834) Commenting on the Monument of Canova (1827) in the the Church of Santa Maria Gloriosa dei Frari, Venice, 1828 (oil on canvas) by Borsato

Studio of Nadar at 35 Boulevard des Capucines, Paris, c. 1855 (b / w photo)
CHT274948 Studio of Nadar at 35 Boulevard des Capucines, Paris, c.1855 (b/w photo) by Nadar (Gaspard Felix Tournachon) (1820-1910); Private Collection; (add.info)

Portrait of Gerald Reitlinger, 1926 (Blue chalk)
1217849 Portrait of Gerald Reitlinger, 1926 (Blue chalk) by Wood, Christopher (1901-30); 63x48.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Sir Richard Westmacott (1775-1856) Presenting a Lecture on Sculpture at the Royal Academy
GHL165402 Sir Richard Westmacott (1775-1856) Presenting a Lecture on Sculpture at the Royal Academy of Arts, Somerset House in 1830, 1830 (litho) by Scharf, George the Elder (1788-1860); 37x

Ancient Rome, 1757 (oil on canvas)
5978843 Ancient Rome, 1757 (oil on canvas) by Pannini or Panini, Giovanni Paolo (1691/2-1765); 172.1x229.9 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Sheet of studies caricaturing the post-Raphaelesque style, 1853 (pen & ink on paper)
4968996 Sheet of studies caricaturing the post-Raphaelesque style, 1853 (pen & ink on paper) by Millais, John Everett (1829-96); 23.4x18.8 cm; Birmingham Museums and Art Gallery; (add.info)

Houbraeken, (1698-1780), 1830. Creator: Unknown
Houbraeken, (1698-1780), 1830. Jacob Houbraken (1698-1780) Dutch engraver and the who assisted in producing a published record of the lives of artists from the Dutch Golden Age

O - An Alphabet by Hans Weiditz, c1520-1521, (1908). Creator: Hans Weiditz
O - An Alphabet by Hans Weiditz, c1520-1521, (1908). After designs by Durer. From " The Burlington Magazine for Connoisseurs, Volume 12 - October 1907 to March 1908"

N - An Alphabet by Hans Weiditz, c1520-1521, (1908). Creator: Hans Weiditz
N - An Alphabet by Hans Weiditz, c1520-1521, (1908). After designs by Durer. From " The Burlington Magazine for Connoisseurs, Volume 12 - October 1907 to March 1908"

M - An Alphabet by Hans Weiditz, c1520-1521, (1908). Creator: Hans Weiditz
M - An Alphabet by Hans Weiditz, c1520-1521, (1908). After designs by Durer. From " The Burlington Magazine for Connoisseurs, Volume 12 - October 1907 to March 1908"

L - An Alphabet by Hans Weiditz, c1520-1521, (1908). Creator: Hans Weiditz
L - An Alphabet by Hans Weiditz, c1520-1521, (1908). After designs by Durer. From " The Burlington Magazine for Connoisseurs, Volume 12 - October 1907 to March 1908"

K - An Alphabet by Hans Weiditz, c1520-1521, (1908). Creator: Hans Weiditz
K - An Alphabet by Hans Weiditz, c1520-1521, (1908). After designs by Durer. From " The Burlington Magazine for Connoisseurs, Volume 12 - October 1907 to March 1908"

F - An Alphabet by Hans Weiditz, c1520-1521, (1908). Creator: Hans Weiditz
F - An Alphabet by Hans Weiditz, c1520-1521, (1908). After designs by Durer. From " The Burlington Magazine for Connoisseurs, Volume 12 - October 1907 to March 1908"

Y - An Alphabet by Hans Weiditz, c1520-1521, (1908). Creator: Hans Weiditz
Y - An Alphabet by Hans Weiditz, c1520-1521, (1908). After designs by Durer. From " The Burlington Magazine for Connoisseurs, Volume 12 - October 1907 to March 1908"

Z - An Alphabet by Hans Weiditz, c1520-1521, (1908). Creator: Hans Weiditz
Z - An Alphabet by Hans Weiditz, c1520-1521, (1908). After designs by Durer. From " The Burlington Magazine for Connoisseurs, Volume 12 - October 1907 to March 1908"

X - An Alphabet by Hans Weiditz, c1520-1521, (1908). Creator: Hans Weiditz
X - An Alphabet by Hans Weiditz, c1520-1521, (1908). After designs by Durer. From " The Burlington Magazine for Connoisseurs, Volume 12 - October 1907 to March 1908"

V - An Alphabet by Hans Weiditz, c1520-1521, (1908). Creator: Hans Weiditz
V - An Alphabet by Hans Weiditz, c1520-1521, (1908). After designs by Durer. From " The Burlington Magazine for Connoisseurs, Volume 12 - October 1907 to March 1908"

I - An Alphabet by Hans Weiditz, c1520-1521, (1908). Creator: Hans Weiditz
I - An Alphabet by Hans Weiditz, c1520-1521, (1908). After designs by Durer. From " The Burlington Magazine for Connoisseurs, Volume 12 - October 1907 to March 1908"

G - An Alphabet by Hans Weiditz, c1520-1521, (1908). Creator: Hans Weiditz
G - An Alphabet by Hans Weiditz, c1520-1521, (1908). After designs by Durer. From " The Burlington Magazine for Connoisseurs, Volume 12 - October 1907 to March 1908"

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"Journey through Art History: From Roman Mosaics to Satirical Artworks and Beyond" Step into the captivating world of art history, where each brushstroke and mosaic piece tells a story that transcends time. Let's embark on an enlightening adventure, starting with the mesmerizing Roman seafood mosaic. Delicate red mullets and ducks come to life in vibrant colors, showcasing the Romans' appreciation for culinary delights. As we delve deeper into history, we encounter intriguing characters like the enigmatic Count of St Germain, a French alchemist whose mysterious existence continues to bewilder us even today. Moving forward, a magnificent statue of Asclepius stands tall before us – a symbol of healing and medicine in ancient Rome. But it is not all beauty and serenity; art also reflects darker aspects of human existence. A haunting Roman memento mori mosaic reminds us of our mortality while urging us to seize every precious moment. Similarly, Dante's Inferno takes us on a harrowing journey through suicides and their torment by the Harpies – an artistic portrayal that provokes contemplation. Shifting gears towards satire, we encounter satirical artworks depicting plague doctors from the 17th century. These whimsical yet thought-provoking pieces shed light on society's response during times of crisis. Barber-surgeons also find themselves at the center stage in satirical artwork as they navigate between haircuts and medical procedures with comical flair. Art has always been intertwined with social commentary throughout history. A satirical depiction of a medical prescription serves as a reminder that even centuries ago, people had their fair share of skepticism towards healthcare practices. Finally, let's turn our attention to Georgiana, Duchess of Devonshire – an influential figure who left her mark not only through fashion but also political activism during the Georgian era. Her portrait captures both elegance and strength - embodying how art can immortalize powerful individuals who shape the course of history.