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Leopoldo Cicognara (1767-1834) Commenting on the Monument of Canova (1827

Leopoldo Cicognara (1767-1834) Commenting on the Monument of Canova (1827


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Leopoldo Cicognara (1767-1834) Commenting on the Monument of Canova (1827

MMT156724 Leopoldo Cicognara (1767-1834) Commenting on the Monument of Canova (1827) in the the Church of Santa Maria Gloriosa dei Frari, Venice, 1828 (oil on canvas) by Borsato, Giuseppe (1770-1849); 61x80 cm; Musee Marmottan Monet, Paris, France; Italian, out of copyright

Media ID 23225232

© Bridgeman Images

Antonio Canova Appreciation Art Collector Art Historian Art History Commentary Count Critic Lecture Nave Sculptor Tour Vault Venetian Architecture 1757 1822


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > France

> Architecture > Styles > Gothic Architecture

> Arts > Artists > B > Giuseppe Borsato

> Arts > Artists > C > Antonio Canova

> Arts > Fine Art

> Europe > France > Paintings

> Europe > France > Paris > Museums > Musee Marmottan-Monet

> Europe > France > Paris > Politics

> Europe > France > Tours

> Fine Art Finder > Artists > Giuseppe Borsato

> Fine Art Finder > Artists > School Mughal

> Fine Art Finder > Interiors: Ecclesiastical & Formal


EDITORS COMMENTS
The captivating print captures a significant moment in art history as Leopoldo Cicognara, the renowned Italian art historian and close friend of Antonio Canova, stands before the magnificent Monument of Canova. Painted by Giuseppe Borsato in 1828, this oil on canvas masterpiece showcases Cicognara's deep appreciation for his dear friend's sculptural genius. Located within the Church of Santa Maria Gloriosa dei Frari in Venice, Italy, this enchanting scene takes us back to a time when art criticism and commentary were highly valued. As an influential politician and esteemed count, Cicognara's opinion held great weight within artistic circles. With its gothic architecture serving as a breathtaking backdrop, the image transports us into the heart of Venetian culture during the early 19th century. The vaulted ceilings and intricate details add to the grandeur of this historic setting. As we observe Cicognara delivering what seems to be an engaging lecture or tour about Canova's work, we can almost feel his passion radiating through his words. His gestures and expressions reveal not only his expertise but also his genuine admiration for Canova's talent. This print is not just a visual delight; it is a testament to the power of friendship and shared love for art. It serves as a reminder that even centuries later, these masterpieces continue to inspire awe and provoke thoughtful discussions among enthusiasts worldwide.

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