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1736 Collection (page 5)

In the year 1736, a multitude of significant events and achievements took place across various fields

Background image1736 Collection: Louis-Marin Bonnet after Carle Van Loo, French (1736-1793), Marie-Rosalie Vanloo, c

Louis-Marin Bonnet after Carle Van Loo, French (1736-1793), Marie-Rosalie Vanloo, c. 1764, chalk manner printed in black and white inks on gray-brown paper

Background image1736 Collection: Louis-Marin Bonnet after Nicolas-Rena Jollain, French (1736-1793), Le Bain, color

Louis-Marin Bonnet after Nicolas-Rena Jollain, French (1736-1793), Le Bain, color
Louis-Marin Bonnet after Nicolas-Rena© Jollain, French (1736-1793), Le Bain, color stipple

Background image1736 Collection: Pierre-Francois Courtois after Augustin de Saint-Aubin, French (1736-1763), Tableau

Pierre-Francois Courtois after Augustin de Saint-Aubin, French (1736-1763), Tableau des portraits a la mode, 1760, etching and engraving

Background image1736 Collection: Antoine Aveline after Jean Mondon, French (1691-1743), l Officieux Valet, 1736

Antoine Aveline after Jean Mondon, French (1691-1743), l Officieux Valet, 1736, etching with engraving on laid paper

Background image1736 Collection: Louis-Marin Bonnet after Louis Michel Van Loo, French (1736-1793), Louis-Auguste

Louis-Marin Bonnet after Louis Michel Van Loo, French (1736-1793), Louis-Auguste, Dauphin de France, 1770, crayon-manner engraving

Background image1736 Collection: Augustin de Saint-Aubin after Baron Dominique Vivant Denon, French (1736-1807), Salomon

Augustin de Saint-Aubin after Baron Dominique Vivant Denon, French (1736-1807), Salomon Gessner, 1775, engraving over etching on laid paper

Background image1736 Collection: Giuseppe Nicola Nasini, Italian (1657-1736), The Madonna and Child Enthroned, Adored

Giuseppe Nicola Nasini, Italian (1657-1736), The Madonna and Child Enthroned, Adored by Two Saints, pen and brown ink with brown washes, heightened with white, over black chalk on tinted laid paper

Background image1736 Collection: Gaspar van Wittel, Dutch (1652-1653-1736), A View of Rome from Santa Maria del Priorato

Gaspar van Wittel, Dutch (1652-1653-1736), A View of Rome from Santa Maria del Priorato, c. 1710, pen and brown ink and gray wash with red chalk on laid paper

Background image1736 Collection: Simon Charles Miger after Ada laaOde Labille-Guiard, Joseph Vien, French, 1736-1820

Simon Charles Miger after Ada laaOde Labille-Guiard, Joseph Vien, French, 1736-1820
Simon Charles Miger after Ada© laaOde Labille-Guiard, Joseph Vien, French, 1736-1820, in or after 1790, engraving on heavy laid paper

Background image1736 Collection: Jean-Jacques de Boissieu, Mount Cairo from across the Melfa River, French, 1736-1810, c

Jean-Jacques de Boissieu, Mount Cairo from across the Melfa River, French, 1736-1810, c. 1765-1766, brush and gray wash on laid paper; laid down

Background image1736 Collection: Gabriel Ehinger after Johann Heinrich Schaonfeld (German, 1652 - 1736), The Virgin, c

Gabriel Ehinger after Johann Heinrich Schaonfeld (German, 1652 - 1736), The Virgin, c. 1680, etching on laid paper

Background image1736 Collection: Louis-Marin Bonnet after Franazois Boucher (French, 1736 - 1793), Young Woman Seated

Louis-Marin Bonnet after Franazois Boucher (French, 1736 - 1793), Young Woman Seated on a Bed, 1767, chalk manner printed in black and white inks on blue paper

Background image1736 Collection: Louis-Marin Bonnet after Jean-Baptiste Deshays (French, 1736 - 1793), Tte de Putiphar

Louis-Marin Bonnet after Jean-Baptiste Deshays (French, 1736 - 1793), Tte de Putiphar (Potiphars Wife), 1770-1780, crayon-manner engraving in black on blue laid paper; laid down to engraved sheet

Background image1736 Collection: Augustin de Saint-Aubin after Maurice-Quentin de La Tour (French, 1736 - 1807), J

Augustin de Saint-Aubin after Maurice-Quentin de La Tour (French, 1736 - 1807), J.J. Rousseau, 1777, etching and engraving

Background image1736 Collection: Simon Charles Miger after Louis Michel Van Loo (French, 1736 - 1820), Louis Michel Vanloo

Simon Charles Miger after Louis Michel Van Loo (French, 1736 - 1820), Louis Michel Vanloo, 1779, engraving with etching on wove paper

Background image1736 Collection: Louis-Marin Bonnet (French, 1736 - 1793), The Fine Musetioners, 1775, chalk manner

Louis-Marin Bonnet (French, 1736 - 1793), The Fine Musetioners, 1775, chalk manner with applied gold leaf on laid paper

Background image1736 Collection: Louis-Marin Bonnet after Carle Van Loo (French, 1736 - 1793), Marie-Rosalie Vanloo, c

Louis-Marin Bonnet after Carle Van Loo (French, 1736 - 1793), Marie-Rosalie Vanloo, c. 1764, chalk manner printed in black and white inks on blue paper

Background image1736 Collection: Louis-Marin Bonnet after Pierre-Antoine Baudouin (French, 1736 - 1793), Le Gouter

Louis-Marin Bonnet after Pierre-Antoine Baudouin (French, 1736 - 1793), Le Gouter, color stipple

Background image1736 Collection: Louis-Marin Bonnet after Franazois Boucher, French (1736-1793), Bust of a Young Woman

Louis-Marin Bonnet after Franazois Boucher, French (1736-1793), Bust of a Young Woman
Louis-Marin Bonnet after Franazois Boucher (French, 1736 - 1793), Bust of a Young Woman Looking Down, 1773 or later, chalk manner printed in black and red

Background image1736 Collection: Gabriel Huquier after Franazois Boucher (French, 1695 - 1772), Triton and Nymph

Gabriel Huquier after Franazois Boucher (French, 1695 - 1772), Triton and Nymph, in or after 1736, etching

Background image1736 Collection: Antoine Aveline after Jean Mondon (French, 1691 - 1743), Troisieme livre de formes

Antoine Aveline after Jean Mondon (French, 1691 - 1743), Troisieme livre de formes Cartels et Rocailles (Title Page), 1736, etching with engraving on laid paper

Background image1736 Collection: Simon Charles Miger after Charles-Nicolas Cochin II (French, 1736 - 1820), M. David Hume

Simon Charles Miger after Charles-Nicolas Cochin II (French, 1736 - 1820), M. David Hume, 1764, engraving on laid paper [second state]

Background image1736 Collection: Augustin de Saint-Aubin after Charles-Nicolas Cochin II (French, 1736 - 1807)

Augustin de Saint-Aubin after Charles-Nicolas Cochin II (French, 1736 - 1807), Jean-Charles-Philibert Trudaine, 1774, etching on laid paper

Background image1736 Collection: Augustin de Saint-Aubin after Charles-Nicolas Cochin I (French, 1736 - 1807), Antoine

Augustin de Saint-Aubin after Charles-Nicolas Cochin I (French, 1736 - 1807), Antoine De Parcieux, 1771, engraving over etching on laid paper

Background image1736 Collection: Augustin de Saint-Aubin after Piat Joseph Sauvage (French, 1736 - 1807), Comte de Buffon

Augustin de Saint-Aubin after Piat Joseph Sauvage (French, 1736 - 1807), Comte de Buffon, 1798, engraving over etching on laid paper

Background image1736 Collection: Alexander Runciman (Scottish, 1736 - 1785), Cormar Attacking the Spirit of the Waters

Alexander Runciman (Scottish, 1736 - 1785), Cormar Attacking the Spirit of the Waters, etching

Background image1736 Collection: William Byron after Rembrandt van Rijn (English, 1669 - 1736), The Three Trees, 18th

William Byron after Rembrandt van Rijn (English, 1669 - 1736), The Three Trees, 18th century, etching, with drypoint and burin

Background image1736 Collection: Jean-Baptiste Joseph Pater (French, 1695 - 1736), Rococo Wall Design with a Fountain and Swans

Jean-Baptiste Joseph Pater (French, 1695 - 1736), Rococo Wall Design with a Fountain and Swans, c. 1729, red chalk and red chalk counterproof on 2 joined sheets of laid paper

Background image1736 Collection: Livio Retti (Italian, 1692-93 - 1751), The Triumph of Virtue and Divine Wisdom, 1736

Livio Retti (Italian, 1692-93 - 1751), The Triumph of Virtue and Divine Wisdom, 1736, pen and brown ink with brown wash over graphite on laid paper

Background image1736 Collection: Jean-Jacques de Boissieu, A Sunlit Landscape with Hilltop Houses, French, 1736 - 1810, c

Jean-Jacques de Boissieu, A Sunlit Landscape with Hilltop Houses, French, 1736 - 1810, c. 1782, brush and black ink with gray and gray-brown washes over graphite on laid paper

Background image1736 Collection: Rules of the Brotherhood of St Luke from Dordrecht, 1736, The Netherlands, Aert Schouman

Rules of the Brotherhood of St Luke from Dordrecht, 1736, The Netherlands, Aert Schouman, Jakob Zeeus, Joannes van Braam, 1736

Background image1736 Collection: Portrait of Diederik van Durven, Governor-General of the Dutch East Indies, Hendrik

Portrait of Diederik van Durven, Governor-General of the Dutch East Indies, Hendrik van den Bosch, 1736

Background image1736 Collection: Moses Choosing the seventy Elders, Jacob de Wit, 1736 - 1737

Moses Choosing the seventy Elders, Jacob de Wit, 1736 - 1737

Background image1736 Collection: Jean Jacques de Boissieu (French, 1736 - 1810). Self-Portrait, 1796. Etching, drypoint

Jean Jacques de Boissieu (French, 1736 - 1810). Self-Portrait, 1796. Etching, drypoint, and roulette on heavy wove paper. Plate: 379 mm x 297 mm (14.92 in. x 11.69 in.). Fifth of seven states?

Background image1736 Collection: Ichikawa EbizAc, Ichikawa EbizAc. Torii, Kiyomasu, active 1720-early 1760s, artist

Ichikawa EbizAc, Ichikawa EbizAc. Torii, Kiyomasu, active 1720-early 1760s, artist, [between 1736 and 1741], 1 print : woodcut, color; 30.8 x 14.4 cm

Background image1736 Collection: Shohei, Torii, Kiyomasu, -1716, artist, [between 1726 and 1736], 1 print : woodcut

Shohei, Torii, Kiyomasu, -1716, artist, [between 1726 and 1736], 1 print : woodcut, color; 29.7 x 14.2 cm. Full-length view of the actor SanjAc Kantaro playing a womans part as a peddler of love

Background image1736 Collection: Sawamura sAcjA'rAc no soga no jA'rAc to ichimura takenojAc no soga no gorAc, Sawamura Sojuro

Sawamura sAcjA'rAc no soga no jA'rAc to ichimura takenojAc no soga no gorAc, Sawamura Sojuro as Soga Juro and Ichimura Takenojo as Soga Goro

Background image1736 Collection: Sawamura SAcjA'rAc no IchihAcshi itomo Hitatinosuke Yamatogawa TomigorAc no Sukewaka Yonosuke

Sawamura SAcjA'rAc no IchihAcshi itomo Hitatinosuke Yamatogawa TomigorAc no Sukewaka Yonosuke
Sawamura SAcjA'rAc no IchihAcshi AItomo Hitatinosuke Yamatogawa TomigorAc no Sukewaka Yonosuke, Sawamura Sojuro as Ichihoshi Otomo Hitachinosuke and Yamatogawa Tomigoro as Tsukewaka Yonosuke

Background image1736 Collection: Yondaime ichimura takenojAc no hanauri, Ichimura Takenojo IV as a flower vendor

Yondaime ichimura takenojAc no hanauri, Ichimura Takenojo IV as a flower vendor. Nishimura, Shigenobu, active 1730s-early 1740s, artist, [between 1726 and 1736], 1 print : woodcut

Background image1736 Collection: Sugawara mitizane zAc, Portrait of Sugawara Michizane. Okumura, Masanobu, 1686-1764

Sugawara mitizane zAc, Portrait of Sugawara Michizane. Okumura, Masanobu, 1686-1764, artist, [between 1716 and 1736], 1 print : woodcut, color; 31.2 x 15.8 cm

Background image1736 Collection: ShAcki to yA'jo no aiaigasa, Shoki and a courtesan beneath an umbrella. Nishimura

ShAcki to yA'jo no aiaigasa, Shoki and a courtesan beneath an umbrella. Nishimura, Shigenobu, active 1730s-early 1740s, artist, Japan : Urogataya, [between 1726 and 1736], 1 print : woodcut

Background image1736 Collection: Benkei to kodomo (ataka no matsu), Benkei and a child (Ataka Pine). Nishimura, Shigenaga

Benkei to kodomo (ataka no matsu), Benkei and a child (Ataka Pine). Nishimura, Shigenaga, 1697-1756, artist, [between 1716 and 1736], 1 print : woodcut, color; 33.8 x 15.6 cm

Background image1736 Collection: Reclining Male Figure

Reclining Male Figure; Francois Boucher, French, 1703 - 1770; 1736; Black, red and white chalks on blue paper; 27.9 x 44.1 cm (11 x 17 3/8 in.)



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In the year 1736, a multitude of significant events and achievements took place across various fields. Carl Linnaeus introduced his groundbreaking work "Systema Naturae, " revolutionizing the classification of plants and animals. Meanwhile, the Porteous Riots shook Edinburgh as public outrage erupted against the execution of Captain John Porteous. On a military front, Maj Gen Arthur St. Clair made his mark with strategic prowess and leadership. In the world of music, composer Giovanni Battista Pergolesi enchanted audiences with his melodious compositions. Thomas Smart's inventive mind brought forth Jonathan Hulls' steamboat in this era of innovation. The brilliant artist Hogarth captured society's essence through masterpieces like "Before" and "After" while also satirizing religious apathy in "The Sleeping Congregation. " Architectural brilliance shone through with designs for a regency park entrance that exuded grandeur and elegance. Across continents, conflicts arose as the French launched an attack on Chickasaw Nation. Reflecting back to earlier years, Jakob Prandtauer's architectural legacy at Melk Abbey continued to inspire generations even after his passing in 1726. And last but certainly not least, James Watt laid down foundations for industrial progress by perfecting steam engine technology. The year 1736 was truly one filled with remarkable accomplishments spanning science, artistry, architecture, music, military strategy, and technological advancements - each contributing their unique thread to humanity's tapestry of progress.