1483 1520 Collection

Studies of a Seated Female, Childs Head, and Three Studies of a Baby, c. 1507-8. Creator
Studies of a Seated Female, Childs Head, and Three Studies of a Baby, c. 1507-8. This drawing is from Raphaels " pink sketchbook

Heliodoro tribuno dell erario del re Antioco essendo entrato nel tempio di Gerusalem, Maratti, Carlo, 1625-1713, Raphael, 1483-1520, Etching, engraving, black-and-white, after 1681

Christ Virgin St. John Baptist Saints Paul Catherine
Christ, the Virgin, and St. John the Baptist with Saints Paul and Catherine, c. 1520-1525. Marcantonio Raimondi (Italian, 1470/82-1527/34), after Raphael (Italian, 1483-1520). Engraving

Virgin Fainting Arms Three Holy Women Giulio Bonasone
The Virgin Fainting in the Arms of Three Holy Women. Giulio Bonasone (Italian, c. 1510-aft 1576), after Raphael (Italian, 1483-1520). Engraving

Descent Cross Ugo da Carpi Italian 1479 1532
Descent from the Cross. Ugo da Carpi (Italian, c. 1479-c. 1532), after Raphael (Italian, 1483-1520). Chiaroscuro woodcut

Love Cupid Carried Dolphins 1500s Marco Dente
Love and Cupid Carried by Dolphins, 1500s. Marco Dente (Italian, c. 1486-1527), retouched by Francesco Villamena (Italian, 1566-1624), after Raphael (Italian, 1483-1520)

Apollo Parnassus 1517-1520 Marcantonio Raimondi
Apollo on Parnassus, c. 1517-1520. Marcantonio Raimondi (Italian, 1470/82-1527/34), after Raphael (Italian, 1483-1520). Engraving; sheet: 35.5 x 46.9 cm (14 x 18 7/16 in.)

Venus Wounded Roses Thorn 1516 Marco Dente Italian
Venus Wounded by a Roses Thorn, c. 1516. Marco Dente (Italian, c. 1486-1527), after Raphael (Italian, 1483-1520), published by Antonio Salamanca (c.1500-1562)

St Michael the Archangel. Raphael (1483-1520), Italian artist. Louvre, Paris

Raphael (1483 A?i? 1520). Canigiani Holy Family. 1507-1508
Raphael (1483A?i? 1520) was an Italian painter. Canigiani Holy Family or Canigiani Madonna. 1507-1508. High Renaissance. Alte Pinakothek. Munich. Germany

miraculous draught fishes Christ right accompanied
Artokoloro

Delivery Keys Peter Engraving sheet 4 15 / 16 x 10 5 / 8
Artokoloro

Plate 9 Phrygian Sibyl holding top tablet left hand
Artokoloro

Allegory Marriage Love Juno chariot drawn peacocks
Artokoloro

Speculum Romanae Magnificentiae Bacchus Surrounded
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Sybil Raphael Chiaroscuro woodcut sheet 11 x 8 11 / 16
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Plate 30 Cupid Psyche plead cases Gods Fable
Artokoloro

Four putti two embracing front large garland
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Venus riding conch left cowering man Jason right
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Speculum Romanae Magnificentiae Triumph Scipio
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Christ Limbo Raphael 1541 Engraving Sheet trimmed
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Winged Putto Riding Sea Horse Lion Raphael verso
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Judgment Paris Paris extends hand Venus stands
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AM170720 083349
8, AM170720 083349

Venus removing thorn foot 1532 Engraving sheet
Artokoloro

Apollo seated right lyre pointing kneeling man
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Temptation Eve 1639 Pen brown ink wash black chalk
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Apollo horse-drawn chariot left Jupiter hurls
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phoenix sat atop tree wings open assortment animals
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Characters Caricaturas April 1743 Etching second state
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Speculum Romanae Magnificentiae Victory Scipio
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monkey holding bound putto standing garland front
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Two tritons embracing playing panpipe second holding
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Four Heads Raphael Cartoons Hampton Court 14
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Joseph centre sold brothers standing well camels
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Characters Caricaturas April 1743 Etching first state
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Christ standing left indicating flock sheep kneels St
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Madonna Loreto 1575 Engraving sheet 11 5 / 16 x 8 1 / 2
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Speculum Romanae Magnificentiae Ornamental foliage
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Transfiguration Christ upper centre various figures
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Speculum Romanae Magnificentiae Sacrifice Priapus
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Galatea standing water-chariot pulled two dolphins
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Pieta Christ stretched out table landscape Virgin standing
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Saint Cecilia standing centre accompanied Paul
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Joseph cup discovered Benjamin sack grain ca
Artokoloro

Raphael Adjusting his Models Pose for his Painting of the Virgin and Child
XIR245715 Raphael Adjusting his Models Pose for his Painting of the Virgin and Child (oil on canvas) by Fragonard, Alexandre Evariste (1780-1850); 140x87.5 cm; Musee Fragonard, Grasse

Enea Vico (Italian, 1523-1567) after Raphael (Italian, 1483 - 1520). Joseph of Arimathea, 1543. Engraving. Plate: 250 mm x 398 mm (9.84 in. x 15.67 in.). First of two states

Diana Scultori (aka Mantovana, Italian, ca. 1535-1587) after Raphael (Italian, 1483 - 1520). The Virgin and Child with the Archangels, Gabriel, Michael, and Raphael, ca. 1575-1577. Engraving

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"Exploring the Artistic Journey of Raphael (1483-1520)" Step into the world of one of the greatest artists in history, Raphael. Born in 1483 and leaving a lasting impact until his untimely death in 1520, he created masterpieces that continue to captivate audiences today. One such masterpiece is the Canigiani Holy Family, painted between 1507 and 1508. This depiction showcases Raphael's ability to capture divine grace and familial love with exquisite detail. The tenderness portrayed between Mary, Joseph, and baby Jesus is truly awe-inspiring. In his Studies of a Seated Female, Child's Head, and Three Studies of a Baby from around 1507-1508, we witness Raphael's meticulous attention to human form. These sketches reveal his dedication to studying anatomy and capturing emotions through subtle facial expressions. Another notable work attributed to him is the Copy of Raphael's Massacre of the Innocents after 1510. It demonstrates how other artists were inspired by his genius as they sought to recreate his powerful compositions filled with drama and intensity. Moving beyond religious themes, we encounter Heliodoro tribuno dell erario del re Antioco - an intriguing piece where Raphael portrays historical figures against a backdrop rich with symbolism. Christ Virgin St. John Baptist Saints Paul Catherine come together in this composition that speaks volumes about power dynamics during that era. The Virgin Fainting Arms Three Holy Women by Giulio Bonasone depicts a moment charged with emotion as three women rush to support Mary during her anguish at witnessing her son's crucifixion. It serves as a testament not only to Bonasone's skill but also reflects on Raphael's influence on subsequent generations. Ugo da Carpi presents us with Descent Cross - an image that captures both pain and hope simultaneously through its intricate details carved into woodcuts or engravings produced by da Carpi himself.