Framed Print : A surface-to-air missile air defense system destroyed by NATO outside of Benghazi, Libya

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A surface-to-air missile air defense system destroyed by NATO outside of Benghazi, Libya

A surface-to-air missile air defense system destroyed by NATO on the outside of Benghazi, Libya.
A war betwean Gaddafi army and Libyas Transitional National Council army with air support from NATO started on March 17, 2011

Stocktrek Images specializes in Astronomy, Dinosaurs, Medical, Military Forces, Ocean Life, & Sci-Fi

Media ID 13029209

© Andrew Chittock/Stocktrek Images

Abandoned Anti Aircraft Anti Gaddafi Forces Army Artillery Bad Condition Battle Battle Tanks Battletank Benghazi Civil War Combat Vehicles Conflict Crisis Damaged Defense Destroy Destruction Fighting Gaddafi Forces Imperialism Intervention Libya Libyan Armed Forces Libyan Civil War Middle East Missile Muammar Gaddafi National Liberation Army National Transitional Council Nato North Africa Operation Odyssey Dawn Politics Rebellion Road Surface To Air Missiles Transitional National Council Uprising Weapon Wreckage Foreign Military

22"x18" (58x48cm) Modern Frame

Experience the thrill of history with our exclusive Media Storehouse Framed Print of "A surface-to-air missile air defense system destroyed by NATO outside of Benghazi, Libya" by renowned photographer Andrew Chittock from Stocktrek Images. This powerful image captures the intensity of the conflict between Gaddafi's army and NATO forces. The framed print brings the past to life, making it a captivating addition to any room. With its high-quality print and elegant frame, this piece is not only a stunning visual statement but also a testament to historical events. Order now and bring a piece of history into your home or office.

Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 26.3cm (15.6" x 10.4")

Estimated Product Size is 57.9cm x 47.8cm (22.8" x 18.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

EDITORS COMMENTS
This powerful print captures the aftermath of a fierce battle during the Libyan civil war. The image showcases a surface-to-air missile air defense system, once formidable and menacing, now reduced to a twisted wreckage on the outskirts of Benghazi. NATO forces can be credited for this destruction as they intervened in support of Libya's Transitional National Council army. The photograph portrays the devastating consequences of warfare with its damaged road and abandoned military equipment scattered around. The remnants of battle tanks and artillery serve as haunting reminders of the intense conflict that unfolded here. Against a backdrop of North African landscape, this horizontal color image depicts the harsh reality faced by those caught in the midst of political turmoil. Andrew Chittock's photography skillfully captures both the physical destruction caused by war and its broader implications for politics and liberation movements. This particular image serves as a testament to NATO's intervention against Muammar Gaddafi's forces, highlighting their efforts to aid anti-Gaddafi rebels. In this single-object composition devoid of people, we are left contemplating not only the immediate impact on infrastructure but also pondering deeper questions about imperialism, rebellion, and foreign military involvement. It is an evocative portrayal that encapsulates both despair and resilience amidst crisis.

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