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Framed Print : 1819 Sir Everard Home icthyosaur letter

1819 Sir Everard Home icthyosaur letter



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1819 Sir Everard Home icthyosaur letter

Sir Everard Home (1756-1832) contemporary portrait engraving and letter to arctic explorer William Scoursby discussing his naming of Proteosaurus (ichthyosaur). Home was the first president of the Royal College of Surgeons and studied under John Hunter (who married Homes sister). He was the first geologist to publish detailed reports and illustrations on the ichthyosaurs but did a poor job, naming them Proteosaurus in 1819 - a name that was widely ignored (he suggested affinities to Salamanders and may have been influenced by Cuviers giant salamander - itself a correction of Sheuchzers infamous flood victim, Homo diluvii testis! ). Preference was given to Konigs unpublished suggestion of the name ichthyosaur. Home commonly corresponded with Mary Anning and here mentions Bullocks Museum, See other images in this collection. In the collection of the photographer

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 6319553

© PAUL D STEWART/SCIENCE PHOTO LIBRARY

Buckland Conybeare Cuvier Everard Home Ichthyosaur Icthyosaur Letter Mary Anning Proteosaurus Royal College Of Surgeons Bullocks Museum John Hunter Palaeontology


22"x18" (58x48cm) Modern Frame

Bring a piece of scientific history into your home with our Framed Prints featuring the "1819 Sir Everard Home icthyosaur letter" by Paul D. Stewart from the Science Photo Library. This captivating print showcases a portrait engraving of Sir Everard Home, a renowned Scottish surgeon and naturalist, accompanied by a letter he penned to Arctic explorer William Scoresby. In the letter, Sir Everard discusses his naming of the Proteosaurus, an extinct marine reptile, making this print a must-have for any enthusiast of paleontology or the history of science. Each Framed Print is expertly crafted with high-quality materials, ensuring a stunning and long-lasting display. Add this unique and intriguing piece to your collection today.

Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 23.3cm (15.6" x 9.2")

Estimated Product Size is 57.9cm x 47.8cm (22.8" x 18.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This print captures a significant moment in the history of paleontology. The image showcases an engraving of Sir Everard Home, a renowned surgeon and geologist from the 19th century. Home's letter to arctic explorer William Scoursby is prominently displayed alongside his portrait. Sir Everard Home holds great importance in the field of paleontology as he was one of the first geologists to extensively study and document ichthyosaurs, ancient marine reptiles resembling fish. However, his naming choice for these creatures, Proteosaurus, did not gain widespread recognition. Influenced by Cuvier's giant salamander and its connection to Sheuchzer's infamous flood victim theory (Homo diluvii testis), Home suggested affinities between ichthyosaurs and salamanders. Interestingly, this letter also reveals Home's correspondence with Mary Anning, another prominent figure in paleontology during that era. In their exchange, they discuss Bullocks Museum, indicating their shared interest in showcasing fossils for public education. The photograph provides a glimpse into the scientific community at that time and highlights some controversial aspects of early paleontological research. It serves as a reminder that even esteemed scientists like Sir Everard Home were not immune to making mistakes or facing criticism. Paul D. Stewart skillfully captured this historical artifact from Science Photo Library's collection with meticulous attention to detail. This print serves as both an educational resource and a testament to the evolution of scientific understanding over time.

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