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Framed Print : Gwennap Pit, Busveal, Cornwall. Around 1900s
Framed Photos from Royal Cornwall Museum
Gwennap Pit, Busveal, Cornwall. Around 1900s
A service at Gwennap Pit. The photograph captures an excellent display of fashionable clothing worn for Sunday best. An open air amphitheatre near Redruth made famous by John Wesley the founder of Methodism, John Wesley first visited Gwennap Pit on 5th September 1762. At this time it was described as a relic of mining activities in the area, with a rock face covered in vegetation by the 1760s. In 1766 Wesley described it as " a round green hollow gently shelving down" and as " a natural amphitheatre". In November 1806 a mining engineer Richard Michell of Gwennap and four mine Captains: John Martin, John Dennis, W. Davey and T. Trestrail met at Busveal and agreed to repair Gwennap Pit or rather reconstruct the amphitheatre in respect to and in memory of John Wesley who had died in 1791. Between 1762 and 1789 John Wesley preached at Gwennap Pit eighteen times. The amphitheatre has twelve staged rings top to bottom. It is claimed that walking around all twelve levels top to bottom is equal to one mile and that it can hold 1, 500 people. Photographer: Arthur Philp
Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture
TRURI : GWEgp.3
Media ID 13576681
© From the collection of the RIC
14"x12" (38x32cm) Modern Frame
Step back in time with our stunning Framed Print from Media Storehouse, featuring the captivating image of Gwennap Pit in Cornwall from the Royal Cornwall Museum. This photograph, dated around 1900s, transports you to an era of open-air services held at this historic amphitheater near Redruth. Witness the excellent display of fashionable clothing worn for Sunday best, as John Wesley's legacy comes to life before your eyes. Add this timeless piece to your home decor and let the story of Gwennap Pit be told through the power of this evocative image.
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 17.8cm (9.6" x 7")
Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases Gwennap Pit, Busveal in Cornwall during the 1900s. The image beautifully captures a service taking place at this historic open-air amphitheatre, renowned for its association with John Wesley, the founder of Methodism. The photograph offers a fascinating glimpse into the fashion trends of the time, as individuals don their Sunday best attire. Gwennap Pit holds significant historical and cultural importance. Originally considered a remnant of mining activities in the area, it transformed into a natural amphitheatre adorned with lush vegetation by the 1760s. John Wesley's first visit to Gwennap Pit on September 5th, 1762 marked the beginning of his frequent preaching there until his death in 1791. In November 1806, Richard Michell and four mine Captains from Gwennap decided to reconstruct and repair this cherished site as a tribute to Wesley's memory. The amphitheatre boasts twelve staged rings that span from top to bottom. It is believed that walking around all twelve levels equates to one mile while accommodating an impressive capacity of up to 1,500 people. Photographed by Arthur Philp (not affiliated with any company), this print serves as both a visual delight and an invaluable historical artifact preserved by Royal Cornwall Museum. It invites viewers on a journey through time, offering insight into religious practices and fashion choices prevalent during early twentieth-century Cornwall.
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