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Framed Print : Front cover of The Sketch reporting on the marriage of Mrs Stirling
Framed Photos from Mary Evans Picture Library
Front cover of The Sketch reporting on the marriage of Mrs Stirling
Front cover of The Sketch reporting on the marriage of Mrs Stirling (formerly Clara Elizabeth Taylor) of the Gaiety Theatre to Lord George Cholmondeley, second son of the Marquess of Cholmondeley. A divorcee, Clara was a well-known actress at George Edwardes famous Gaiety Theatre. George had been left a legacy of 3000 by Lady Meux (herself a former actress) with the rather hypocritical stipulation that he should marry a lady of society. The Cholmondeleys marriage eventually ended in divorce. Date: 1911
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Media ID 23427996
© Illustrated London News Ltd/Mary Evans
Actresses Apr21 Aristocracy Aristocrat Cholmondeley Clara Gaiety Gossip Peerage Stirling Taylor
22"x18" (58x48cm) Modern Frame
Step back in time with our exquisite Framed Prints from Media Storehouse, featuring this captivating front cover of The Sketch reporting on the marriage of Mrs Stirling and Lord George Cholmondeley. Dated back in 1911, this vintage piece showcases the elegance and grandeur of a bygone era. Perfectly framed and ready to hang, this unique print adds a touch of history and charm to any room in your home or office. Rights managed through Mary Evans Prints Online.
Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 39.6cm (10" x 15.6")
Estimated Product Size is 47.8cm x 57.9cm (18.8" x 22.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Front Cover of The Sketch -
EDITORS COMMENTS
Mrs Stirling's Society Debut: The Marriage of Clara Elizabeth Taylor, Formerly of the Gaiety Theatre, to Lord George Cholmondeley" (April 21, 1911) This striking front cover of The Sketch newspaper from April 21, 1911, reports on the high-profile marriage of Clara Elizabeth Taylor, a well-known actress from the famous Gaiety Theatre, to Lord George Cholmondeley, the second son of the Marquess of Cholmondeley. Clara, who went by the stage name "Mrs Stirling," had made a name for herself as a popular actress in the Edwardian era. Her marriage to Lord George, an aristocrat, marked a significant shift in her social status and signaled her entry into high society. The circumstances leading up to their union were unconventional, to say the least. Lord George had been left a legacy of 3000 pounds by Lady Meux, herself a former actress, with the rather hypocritical stipulation that he should marry a lady of society. With no other options, Lord George turned to the stage to find a suitable bride. Clara, a divorcee, was an intriguing choice for the aristocrat. Her career as a actress at the Gaiety Theatre had made her a familiar face to the public, and her divorce added an air of scandal to her persona. The marriage was widely covered in the gossip columns of the day, and the front cover of The Sketch captures the excitement and intrigue surrounding the union of this actress and aristocrat. Unfortunately, the marriage ended in divorce, adding yet another layer to the complex story of Clara Elizabeth Taylor and Lord George Cholmondeley. This image offers a glimpse into the lives of the Edwardian elite and the intersection of stage and society during this fascinating era.
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