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Framed Print : Charles Hoster as Lecorche in La Corde de Pendu, 1844

Charles Hoster as Lecorche in La Corde de Pendu, 1844



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Charles Hoster as Lecorche in La Corde de Pendu, 1844

Charles Hoster or Phileas Salvator Levilly as Lecorche in La Corde de Pendu by Ferdinand Laloue and Anicet Bourgeois, Theatre du Cirque Olympique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollets Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23178170

© Florilegius/Mary Evans

Alexandre Anicet Bourgeois Cirque Dollet Dramatique Ferdinand Galerie Lacauchie Lasalle Olympique Pendu Salvator Victor Corde Laloue


22"x18" (58x48cm) Modern Frame

Bring a piece of historical theater art into your home with our Framed Prints from Media Storehouse. This captivating print features Charles Hoster, also known as Phileas Salvator Levilly, in the role of Lecorche in the production "La Corde de Pendu" at the Theatre du Cirque Olympique in 1844. The image, taken from Mary Evans Prints Online, showcases the intriguing expression and dramatic pose of Hoster as Lecorche, suspended in mid-air. Our Framed Prints are meticulously crafted to preserve the rich details and vibrant colors of this classic theatrical moment, making it a stunning addition to any room in your home or office. Order yours today and relive the magic of the past.

Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 39.6cm (9.6" x 15.6")

Estimated Product Size is 47.8cm x 57.9cm (18.8" x 22.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
Charles Hoster, also known as Phileas Salvator Levilly, brilliantly portrays the menacing character of Lecorche in the 1844 production of "La Corde de Pendu" (The Gallows' Noose) at the Theatre du Cirque Olympique in Paris. This handcoloured lithograph, created by Ferdinand Laloue and Anicet Bourgeois, is based on an illustration by Alexandre Lacauchie from Victor Dollet's "Galerie Dramatique: Costumes des Theatres de Paris" (1845). Lecorche, a notorious criminal, is depicted here in the midst of his daring escape from the gallows. With a determined expression and a cunning glint in his eye, Hoster masterfully conveys Lecorche's desperation and resolve. The artist's skillful use of colour and shading adds depth and texture to the image, bringing the character to life and capturing the tension and excitement of the scene. The Theatre du Cirque Olympique was a popular venue for circus and theatrical performances during the mid-19th century. "La Corde de Pendu" was a popular play during this time, and Hoster's portrayal of Lecorche was undoubtedly a highlight of the production. This stunning lithograph serves as a testament to the actor's talent and the enduring appeal of this classic theatrical performance. The intricate details of Hoster's costume, from the frayed shirt and tattered trousers to the worn boots and tattered hat, add to the authenticity of the image and further enhance the character's menacing presence. This unique and captivating print is a must-have for any collection of historical theatrical memorabilia or for anyone interested in the history of French theatre and the art of performance.

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