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Framed Print : Under the Cherry Tree
Framed Photos from Mary Evans Picture Library
Under the Cherry Tree
Under the Cherry Tree (1884). Lavery, Sir John 1856-1941. Born in Belfast, Lavery began his artistic training in Glasgow. During the early 1880s he studied in Paris and made visits to the artists? colony at Grez-sur-Loing, near Fontainebleau. At Grez Lavery was one of many young artists to set up their easels in the fields around the picturesque village and work en plein-air, a term used to describe painting in the open air. Under the Cherry Tree is larger and more ambitious than any Lavery had previously attempted. It is a youthful masterwork, heavily influenced by Bastien-Lepage and was intended to display the painterly techniques he had recently acquired through study in France. The composition of Under the Cherry Tree is divided into three distinct areas and Lavery employed a different technique in the painting of each. Date: 1884
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Media ID 13100127
© National Museums NI / MARY EVANS
Artistic Began Belfast Born Cherry Colony Fontainebleau Glasgow Lavery Studied Under Visits Loing Made
30"x26" (78x68cm) Modern Frame
Experience the timeless charm of "Under the Cherry Tree" by Sir John Lavery, now available as a beautiful framed print from Media Storehouse. This exquisite artwork, sourced from Mary Evans Prints Online, captures the essence of a serene moment under the blossoming cherry tree. Sir John Lavery, a Belfast-born artist who studied in Glasgow and Paris, masterfully depicts the delicate interplay of light and shadow, inviting you to savor the beauty of nature in your home. Our high-quality framed prints are meticulously crafted to preserve the rich colors and intricate details of this iconic piece, making it a stunning addition to any room. Bring a touch of artistry and tranquility to your space with Media Storehouse's Framed Prints – the perfect blend of timeless elegance and modern sophistication.
Wood effect frame, card mounted, 24x20 archival quality photo print. Overall outside dimensions 30x26 inches (76x68cm). Environmentally and ozone friendly, 43mm wide x 32mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 59.7cm x 59.9cm (23.5" x 23.6")
Estimated Product Size is 68.2cm x 78.2cm (26.9" x 30.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Under the Cherry Tree,
EDITORS COMMENTS
painted by Sir John Lavery in 1884, is a stunning and evocative work that showcases the artist's youthful mastery and the influence of his training in France. Born in Belfast, Lavery began his artistic training in Glasgow before moving to Paris in the early 1880s to study under some of the greatest artists of the time. During his time in Paris, he became a part of the artists' colony at Grez-sur-Loing, near Fontainebleau, where he and his peers set up their easels in the open fields and painted en plein-air, or in the open air. This larger-than-life painting is a testament to Lavery's newfound skills, heavily influenced by the works of Bastien-Lepage. The composition of "Under the Cherry Tree" is divided into three distinct areas, each painted with a different technique. In the foreground, the rich, textured brushstrokes capture the intricacies of the cherry tree's branches and the delicate petals of its blossoms. The middle ground features the young girl, dressed in a simple white dress, sitting under the tree, her face turned up to the sun. The background is painted with broad, sweeping strokes, creating a sense of depth and atmosphere. "Under the Cherry Tree" is a youthful masterwork, full of vibrant colors and a sense of joy and wonder. It is a testament to Lavery's artistic growth and his ability to capture the beauty of nature and the passing of time. This painting remains an enduring symbol of the artistic community at Grez-sur-Loing and a testament to the power of artistic exploration and growth.
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