Framed Print : Joe Coyne & Ellis Ashmead-Barlett
Framed Photos from Mary Evans Picture Library
Joe Coyne & Ellis Ashmead-Barlett
Front cover of The Tatler featuring Joseph (Joe) Coyne (1867-1941), American actor and singer, entertaining crowds at the Empire Theatre during World War, pictured with Ellis Ashmead-Barlett (1881-1931), British war correspondent, whose reports on the Gallipoli campaign for the Daily Telegraph, praised the Anzac troops and criticised the British commander, General Sir Ian Hamilton. Picture taken on the Temple Links at Maidenhead, where the pair were playing golf. Date: 1915
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14128837
© Illustrated London News Ltd/Mary Evans
Ashmead Campaign Correspondent Correspondents Covers Coyne Daily Ellis Entertainer Entertainers Gallipoli Golf Journalism Journalist Magazines Reporter Reporters Reporting Singer Tatler Telegraph
22"x18" (58x48cm) Modern Frame
Bring a piece of history into your home with our exquisite Framed Prints from the Media Storehouse collection. This captivating image features Joseph (Joe) Coyne (1867-1941), the American actor and singer, entertaining crowds at the Empire Theatre during World War I. Sourced from Mary Evans Prints Online, this Rights Managed print is a stunning addition to any decor. Relive the magic of the past with this high-quality, museum-grade print, expertly framed and ready to hang. A perfect conversation starter and a timeless treasure to be cherished for generations.
Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24cm x 39.6cm (9.4" x 15.6")
Estimated Product Size is 47.8cm x 57.9cm (18.8" x 22.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This front cover of The Tatler magazine, dated 1915, showcases an unlikely yet intriguing pairing of two prominent figures during the tumultuous era of World War I. On the left, American actor and singer Joseph (Joe) Coyne, with his charismatic smile and dapper attire, is seen entertaining crowds at the Empire Theatre. On the right, British war correspondent Ellis Ashmead-Barlett, clad in a tweed jacket and holding a golf club, looks intently at Coyne. The serene backdrop of the Temple Links at Maidenhead, where the pair were enjoying a game of golf, adds a sense of tranquility amidst the chaos of war. Joe Coyne, born in 1867, was a popular entertainer who had made a name for himself on both sides of the Atlantic. His talent as an actor and singer brought joy and laughter to audiences, providing a much-needed respite from the harsh realities of the war. Ellis Ashmead-Barlett, born in 1881, was a renowned British war correspondent whose reports for the Daily Telegraph on the Gallipoli campaign were widely read and praised. His unflinching criticism of British commander, General Sir Ian Hamilton, for his handling of the campaign, brought him both acclaim and controversy. The photograph encapsulates the spirit of camaraderie and resilience during this period, as two influential figures from different worlds came together for a moment of relaxation and reflection. The image stands as a testament to the power of journalism and entertainment in shedding light on the human experience during times of conflict.
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