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Framed Print : J. W. Evans N030024

J. W. Evans N030024



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Historic England

Framed Photos from Historic England

J. W. Evans N030024

J.W.EVANS, Birmingham, West Midlands. Silversmiths factory. Interior view. Storage shelves along the side of the first floor lobby between the old stock room and fly press room 2 - number 55

Historic England is the public body that champions and protects England's historic places

Media ID 1084623

© Historic England

Industrial


14"x12" (38x32cm) Modern Frame

Introducing the Media Storehouse Framed Print of "J.W. Evans N030024" by Peter Williams from Historic England. This stunning photograph offers a glimpse into the past with an interior view of the J.W. Evans silversmiths factory in Birmingham, West Midlands. Located between the old stock room and fly press room 2, this evocative image captures the essence of industrial history. The black and white photograph showcases the shelving units lining the side of the first floor lobby, filled with an array of silverware and tools. Our Framed Print is meticulously crafted to preserve the intricate details of this historic photograph. The high-quality print is carefully mounted and framed in a sleek, contemporary design that complements the timeless image. Add this exquisite piece to your home or office to bring a touch of history and character to your space. The Media Storehouse Framed Print of "J.W. Evans N030024" is not only a beautiful addition to your decor, but also a thoughtful and unique gift for anyone with an appreciation for history and industrial design.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 19.5cm x 24.4cm (7.7" x 9.6")

Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Industrial

> Europe > United Kingdom > England > Birmingham > Related Images

> Europe > United Kingdom > England > West Midlands > Birmingham

> Europe > United Kingdom > England > West Midlands > Related Images

> Historic England > Heritage > Also in our Care

> Historic England > Industry > Metalworks


EDITORS COMMENTS
This print by Peter Williams showcases the remarkable interior of J. W. Evans, a renowned silversmiths factory located in Birmingham, West Midlands. Stepping into this industrial wonderland feels like entering a time capsule, where history and craftsmanship intertwine seamlessly. The image captures the first floor lobby with its storage shelves lining the sides, creating an organized chaos of tools and materials that tell stories of countless creations. The meticulous arrangement reflects the dedication and precision required in the artistry practiced within these walls. As we explore further, our eyes are drawn to two distinct rooms adjacent to this lobby - the old stock room and fly press room 2 (number 55). These spaces hold secrets from generations past; they witnessed artisans honing their skills and transforming raw materials into exquisite silverware that would grace tables around the world. Williams' photograph transports us back in time, allowing us to appreciate not only the physicality of this historic site but also its intangible aura of creativity and ingenuity. It serves as a reminder of how human hands can shape beauty out of raw elements while preserving tradition. This print is more than just an image; it encapsulates a slice of Birmingham's rich heritage as well as pays homage to J. W. Evans' legacy. It invites viewers to marvel at the intersection between industry and artistry, reminding us that even amidst modern advancements, there will always be value in honoring our roots.

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