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Framed Print : A woman from the Sara-Kaba tribe, Congo Republic, Africa, 1936. Artist: Wide World Photos

A woman from the Sara-Kaba tribe, Congo Republic, Africa, 1936. Artist: Wide World Photos



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A woman from the Sara-Kaba tribe, Congo Republic, Africa, 1936. Artist: Wide World Photos

A woman from the Sara-Kaba tribe, Congo Republic, Africa, 1936. Her beauty has been ruined to prevent rivals. From Peoples of the World in Pictures, edited by Harold Wheeler, published by Odhams Press Ltd (London, 1936)

Heritage Images features heritage image collections

Media ID 14936706

© The Print Collector / Heritage-Images

Harold Harold Wheeler Lips Mutilated Mutilation Peoples Of The World In Pictures Photos Tribe Tribeswoman Wheeler Wide World Wide World Photos


14"x12" (38x32cm) Modern Frame

Experience the rich cultural heritage of Africa with our stunning Framed Print from Media Storehouse. This captivating image features a woman from the Sara-Kaba tribe in the Congo Republic, taken in 1936 by Wide World Photos and Harold Wheeler. Known for their distinctive facial scarification, the Sara-Kaba people are a fascinating ethnic group from Central Africa. This photograph, originally published in "Peoples of the World in Pictures," offers a unique and intriguing glimpse into their history. Add this beautiful and thought-provoking piece to your home or office décor and bring the world a little closer.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 19.4cm x 24.4cm (7.6" x 9.6")

Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Related Images

> Arts > Artists > Related Images

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Europe > United Kingdom > England > London > Fashion


EDITORS COMMENTS
This print captures the essence of a woman from the Sara-Kaba tribe in Congo Republic, Africa, taken in 1936. The artist behind this powerful image is Wide World Photos, featured in the book "Peoples of the World in Pictures" edited by Harold Wheeler and published by Odhams Press Ltd. The photograph portrays a mother holding her baby close to her chest, showcasing the deep bond between them. However, what strikes viewers immediately is the visible mutilation on the woman's face. This disfigurement was intentionally inflicted upon her to prevent rivals from perceiving her as beautiful or desirable. Despite this cruel act meant to mar her physical appearance, there is an undeniable strength and resilience emanating from her eyes. Her expression reveals both pain and determination as she carries herself with grace amidst adversity. This image serves as a poignant reminder of the struggles faced by indigenous tribes like Sara-Kaba during that era. It sheds light on their unique cultural practices while also highlighting their unwavering spirit. Through this photograph, Wide World Photos allows us to glimpse into a different time and place - one where beauty standards were dictated by harsh traditions rather than individual choice. It prompts us to reflect on our own perceptions of beauty and question societal norms that may perpetuate harm or inequality. Overall, this thought-provoking portrait encapsulates not only an individual's story but also speaks volumes about larger issues surrounding identity, culture, and human rights within African communities during the early 20th

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