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Framed Print : Second Class-The Parting. "Thus part we rich in sorrow, parting poor. ", 1855

Second Class-The Parting. 'Thus part we rich in sorrow, parting poor. ', 1855



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Second Class-The Parting. "Thus part we rich in sorrow, parting poor. ", 1855

Second Class-The Parting. " Thus part we rich in sorrow, parting poor." ; Third Class - The Parting, 1855

Heritage Images features heritage image collections

Media ID 20766365

© Heritage Art/Heritage Images

Abraham Solomon Compartment Daughter Luggage Paintings Parting Passenger Passengers Railway Carriage Train Train Carriage Yale Center For British Art Second Class


14"x12" (38x32cm) Modern Frame

Experience the poignant beauty of Victorian-era photography with our Framed Prints featuring "Second Class-The Parting. 'Thus part we rich in sorrow, parting poor.'", 1855 by Abraham Solomon from Heritage Images. This evocative image captures the depth of emotion in a tender moment of farewell. Our high-quality frames enhance the timeless appeal of this classic photograph, making it a cherished addition to your home or office decor. Share in the poignant story told through this captivating image and let it inspire reflection and connection. #heritageimages #victorianphotography #framedprints #parting #sorrow #poetry

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 19.3cm (9.6" x 7.6")

Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > S > Abraham Solomon

> Arts > Fine Art

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > England > Railways

> Popular Themes > Railway Posters

> Posters > Railway Posters

> Transportation > Trains


Second Class - The Parting - A Glimpse into 19th Century Family Dynamics

EDITORS COMMENTS
. This photo print, titled "Second Class - The Parting" offers a poignant glimpse into the emotional landscape of 19th-century Britain. Painted by Abraham Solomon in 1855, this oil on panel masterpiece captures a tender moment of farewell within the confines of a railway carriage. The scene unfolds as a mother and her two children find themselves reluctantly parting ways with their loved ones. As they prepare to embark on their journey, an overwhelming sense of sorrow permeates the air. Solomon's skillful use of color and composition draws us into this intimate family portrait, where emotions are palpable. In this evocative image, we witness not only the physical separation but also the symbolic division between social classes. Placed in second class accommodations, we see how economic circumstances shape one's experience even during moments of deep personal connection. Solomon masterfully conveys the weightiness of parenthood through his portrayal of maternal love and sacrifice. The mother's face reflects both strength and vulnerability as she bids farewell to her cherished son and daughter. This painting serves as a testament to the universal nature of human emotions across time and place. Displayed at Yale Center for British Art, this artwork invites contemplation about themes such as family bonds, travel experiences, and societal divisions prevalent during that era. It is truly an invaluable piece that speaks volumes about our shared history while reminding us that love knows no boundaries

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First Class-The Meeting. "And at first meeting loved. ", 1855
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