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Framed Print : The Red Water Ordeal, as Practised Among the Nations of Northern Guinea. Artist: J Le Conte

The Red Water Ordeal, as Practised Among the Nations of Northern Guinea. Artist: J Le Conte



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The Red Water Ordeal, as Practised Among the Nations of Northern Guinea. Artist: J Le Conte

The Red Water Ordeal, as Practised Among the Nations of Northern Guinea. A print from The Faiths of the World, A Dictionary of All Religions and Religious Sects, Volume II, by Reverend James Gardner, A Fullarrton & Co London & Edinburgh

Heritage Images features heritage image collections

Media ID 14949379

© The Print Collector / Heritage-Images

Conte Ethnography Gardner James Gardner Ordeal Print Collector11 West African Guinea


22"x18" (58x48cm) Modern Frame

Experience the captivating allure of the past with our exquisite framed print, "The Red Water Ordeal, as Practised Among the Nations of Northern Guinea" by J. Le Conte, from The Faiths of the World, A Dictionary of All Religions and Religious Sects, Volume II by Reverend James Gardner. This fascinating historical artwork, published by Heritage Images, offers a unique glimpse into the rich cultural traditions of Northern Guinea. Each print is meticulously framed to preserve and enhance the intricate details of the original artwork, making it a stunning addition to any home or office. Immerse yourself in the story told through the brilliant brushstrokes of J. Le Conte and transport yourself back in time. Order now and bring a piece of history into your space.

Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 26.4cm (15.6" x 10.4")

Estimated Product Size is 57.9cm x 47.8cm (22.8" x 18.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Guinea > Related Images

> Arts > Artists > G > James Gardner

> Europe > United Kingdom > Scotland > Edinburgh > Edinburgh

> Europe > United Kingdom > Scotland > Lothian > Edinburgh

> Popular Themes > Edinburgh


The Red Water Ordeal - A Glimpse into the Sacred Rituals of Northern Guinea

EDITORS COMMENTS
. This print, titled "The Red Water Ordeal, as Practised Among the Nations of Northern Guinea" offers a fascinating window into the religious practices of West Africa. Created by J Le Conte and featured in Reverend James Gardner's renowned publication "The Faiths of the World" this ethnographic artwork takes us on a journey to an ancient land steeped in tradition. In this thought-provoking image, we witness a group of men engaging in a solemn ceremony known as the Red Water Ordeal. The monochrome palette enhances the intensity and gravity of their actions, highlighting their commitment to their faith. Their faces bear expressions that reflect both reverence and determination. As we delve deeper into this visual narrative, it becomes apparent that religion plays an integral role in shaping these communities' lives. The artist masterfully captures not only the physicality but also the spiritual essence behind each participant's involvement. Through this print, we are reminded of Africa's rich cultural heritage and its diverse religious beliefs. It serves as a reminder that despite geographical distances or differences in customs, spirituality remains an intrinsic part of human existence across continents. "The Red Water Ordeal" invites us to contemplate our own understanding of faith while fostering appreciation for traditions beyond our own borders. It stands as a testament to art's ability to bridge gaps between cultures and ignite curiosity about distant lands and their unique spiritual practices.

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