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Framed Print : Palm Sunday in Spitalfields, 1844. Creator: Unknown

Palm Sunday in Spitalfields, 1844. Creator: Unknown



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Palm Sunday in Spitalfields, 1844. Creator: Unknown

Palm Sunday in Spitalfields, 1844. In the neighbourhood of London... " palming" is still a practice on the Sunday before Easter. The weavers of Spitalfields, leaving their murky workshops, customarily ramble into the fields and lowlands of Essex, on this day, to gather " palm", and inhale a better atmosphere. Our artist has depicted a scene of the return of one of these parties. The yellow catkins, or male-flowers, are more highly prized than the white, or female flowers. From " Illustrated London News", 1844, Vol I

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Media ID 20370201

© The Print Collector/Heritage Images

Annual Palm Sunday Sly Stephen Spitalfields Stephen Stephen Sly Tower Hamlets Tradition Typical Black And Catkin Catkins


22"x18" (58x48cm) Modern Frame

Step back in time with Media Storehouse's Framed Print of Palm Sunday in Spitalfields, 1844. Captured from a historic photograph by Unknown from Heritage Images, this captivating image brings to life the vibrant atmosphere of London's East End on this holy day. Witness the crowd waving palm branches and the merchants 'palming' their wares, a tradition still practiced on Palm Sunday. Add a touch of history and character to your home or office with this beautifully framed, one-of-a-kind print.

Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 18.4cm (15.6" x 7.2")

Estimated Product Size is 57.9cm x 47.8cm (22.8" x 18.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > Y > Yellow Weaver

> Arts > Artists > W > Stephen White

> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Contemporary art > Landscapes > Street art

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Portraits > Pop art gallery > Street art portraits

> Arts > Realistic drawings > Nature art > Landscape paintings

> Europe > United Kingdom > England > Essex > Related Images

> Europe > United Kingdom > England > London > Boroughs > Tower Hamlets


EDITORS COMMENTS
This photo print, titled "Palm Sunday in Spitalfields, 1844" takes us back to a bygone era in the neighborhood of London. The image showcases a unique tradition that still persists on the Sunday before Easter - the practice of "palming". In this custom, weavers from Spitalfields would temporarily escape their dim and murky workshops to venture into the fields and lowlands of Essex. Their purpose? To gather palm leaves and immerse themselves in a fresher atmosphere. The artist skillfully captures the essence of one such return journey. A group of weary weavers can be seen making their way back home, carrying bundles of palm leaves. Interestingly, our attention is drawn to the yellow catkins or male-flowers they hold; these are considered more valuable than their white female counterparts. Published in an edition of "Illustrated London News" in 1844, this engraving offers a glimpse into daily life during the nineteenth century. It depicts not only religious customs but also sheds light on poverty as evidenced by the poor living conditions depicted within Spitalfields Tower Hamlets. As we observe this scene frozen in time, it serves as a reminder that traditions evolve over centuries while some aspects remain constant. This photograph print invites us to reflect upon our own cultural practices and how they connect us with both history and community.

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