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Framed Print : A Lock'd Jaw for John Bull, published November 23, 1795. Creator: Unknown
Framed Photos from Heritage Images
A Lock'd Jaw for John Bull, published November 23, 1795. Creator: Unknown
A Lock'd Jaw for John Bull, published November 23, 1795. British prime minister William Pitt: Don't be alarmed Johnny, it will not hurt you - you will scarcely perceive it when you are a little used to it - it will only keep your tongue from running quite so fast, in future
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Media ID 36265033
© Heritage Art/Heritage Images
Allegorical Censorship Fores Sw Foress W Freedom Funny John Bull Lock Locked Padlock Pitt The Younger Pitt William The Younger Prime Minister S W Fores Silence Silent Silly Sw Fores W Pitt William Pitt William Pitt The Younger Allegorical Figure Censor Censored Censoring Free Speech Freedom Of Speech Hand Tinted Parody Satirical Silenced
14"x12" (38x32cm) Modern Frame
Step back in time with our exclusive Framed Print from Media Storehouse, featuring the iconic image "A Lock'd Jaw for John Bull," published on November 23, 1795. This historical print depicts an image of a locked jaw being applied to John Bull, a symbol of England, with the caption "Don't be alarmed Johnny, it will not hurt you - you will scarcely perceive it when you are a little used." The creator of this intriguing piece remains unknown, adding to its allure. Bring a piece of history into your home or office with this beautifully framed print, a unique addition to any collection.
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 18.5cm x 24.4cm (7.3" x 9.6")
Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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A Lock'd Jaw for John Bull:
EDITORS COMMENTS
An Allegorical Etching from 18th Century Britain This intriguing etching, titled "A Lock'd Jaw for John Bull," dates back to November 23, 1795, and remains an enigmatic piece of artistic expression from the 18th century. The creator of this hand-colored etching on paper remains unknown, adding to its allure. The central figure in this artwork is John Bull, a symbol of the British people, depicted here as a full-length, heavyset man with a padlock clamped over his mouth. The lock is being applied by none other than William Pitt the Younger, then the British prime minister, who is shown in profile, applying the key to the padlock. Pitt's caption reads, "Don't be alarmed Johnny, it will not hurt you - you will scarcely perceive it when you are a little used to it - it will only keep your tongue from running quite so fast, in future!" This allegorical image can be interpreted as a commentary on freedom of speech and censorship during the 18th century in Britain. Pitt, as the censor, is silencing John Bull, symbolizing the government's efforts to control the narrative and limit the people's ability to express their opinions freely. The image is both humorous and thought-provoking, showcasing the political climate of the time through satire and parody. The etching is a testament to the artistic school of the 18th century, with its intricate details, vibrant colors, and clever use of symbolism. It is a fascinating addition to any art collection, offering a glimpse into the past and the complexities of political life during this period. This artwork is part of the rich heritage of British art and can be found in various art centers, galleries, and institutes, including the Art Institute of Chicago. It is a reminder of the power of art to provoke thought, challenge the status quo, and preserve history.
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