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Framed Print : Flagellants in the Netherlands town of Tournai (Doornik), 1349

Flagellants in the Netherlands town of Tournai (Doornik), 1349



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Flagellants in the Netherlands town of Tournai (Doornik), 1349

Flagellants in the Netherlands town of Tournai (Doornik), 1349. Flagellants, known as the Brothers of the Cross, scourging themselves as they walk through the streets in order to free the world from the Black Death (Bubonic Plague). Chromolithograph after Chronica Aegidii Li Muisius

Heritage Images features heritage image collections

Media ID 14846029

© Ann Ronan Picture Library / Heritage-Images

Belief Black Death Bubonic Plague Chromolithograph Cross Disease Doornik Epidemic Fanatic Flagellant Flagellation Hainaut Pain Plague Procession Rambling Scourging Sect Tournai Whipping Ann Ronan Pictures Fanaticism


14"x12" (38x32cm) Modern Frame

Step back in time with our captivating Framed Print of Flagellants in the Netherlands town of Tournai (Doornik), 1349. This hauntingly beautiful image, sourced from Heritage Images, depicts the Brothers of the Cross, also known as Flagellants, as they publicly scourge themselves in penance and devotion. This evocative piece transports you back to the Middle Ages, offering a glimpse into the fervent religious practices of the time. Hang this Framed Print in your home or office as a conversation starter and a reminder of history's intriguing mysteries.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 19cm (9.6" x 7.5")

Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Medieval Art

> Arts > Portraits > Pop art gallery > Street art portraits

> Europe > Belgium > Posters

> Europe > Belgium > Related Images

> Europe > Netherlands > Posters

> Europe > Netherlands > Related Images

> Popular Themes > Religious Images


EDITORS COMMENTS
This print captures a haunting scene from the Netherlands town of Tournai (Doornik) in the year 1349. In an attempt to rid the world of the devastating Black Death, a group known as the Flagellants, or Brothers of the Cross, can be seen scourging themselves as they solemnly walk through the streets. Clad in robes and hats, these men display unwavering devotion and fanaticism towards their cause. The image is rendered in vibrant colors through a chromolithograph after Chronica Aegidii Li Muisius, adding depth and intensity to this medieval tableau. Each figure's pain-stricken face reflects their belief that flagellation will bring relief from this deadly epidemic. Religion plays a central role in this procession, with Christianity serving as both solace and motivation for these flagellants. Their act of self-inflicted punishment symbolizes their deep faith and desire to cleanse society from disease. The historical significance of this image cannot be understated; it offers us a glimpse into life during one of humanity's darkest periods. The Black Death ravaged Europe during the 14th century, causing widespread death and suffering. This photograph serves as a reminder not only of human resilience but also highlights how religious fervor can manifest itself even in times of great crisis. As we observe these flagellants walking through Tournai's streets, we are transported back to an era when faith was both powerful medicine and potent weapon against adversity.

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