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Framed Print : Biais. Fernand, Alphonse. 41 ans, ne le 28 / 6 / 53 a Laval (Mayenne)

Biais. Fernand, Alphonse. 41 ans, ne le 28  /  6  /  53 a Laval (Mayenne)



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Biais. Fernand, Alphonse. 41 ans, ne le 28 / 6 / 53 a Laval (Mayenne)

Biais. Fernand, Alphonse. 41 ans, ne le 28/6/53 a Laval (Mayenne). Tourneur sur bois. Anarchiste. 2/7/94. 1894

Heritage Images features heritage image collections

Media ID 20138716

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Mustache Physical Anthropology Albumen Silver Print


14"x12" (38x32cm) Modern Frame

Discover the captivating history of Fernand Biais in this vintage framed print from Media Storehouse. Taken by renowned photographer Alphonse Bertillon in 1894, this photograph captures Biais, a 41-year-old woodturner and anarchist from Laval, Mayenne, in a candid moment. Add a touch of timeless charm to your home decor with this beautifully preserved piece of history. Each framed print is meticulously crafted to preserve the authenticity and quality of the original image. Bring a piece of the past into your present with Media Storehouse's Framed Prints collection.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 17.5cm x 24.4cm (6.9" x 9.6")

Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Mayenne

> Europe > France > Le Mans

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This 19th-century albumen print captures the enigmatic figure of Biais Fernand Alphonse, a 41-year-old wood turner from Laval, Mayenne. The photograph was taken on July 2nd, 1894, by renowned French anthropologist and criminologist Alphonse Bertillon. Bertillon's expertise in identification techniques is evident in this mugshot-style portrait that showcases his pioneering work in the field of physical anthropology. Biais' arresting gaze and distinctive facial hair make for an intriguing visual study. Beyond its artistic value, this image holds historical significance as it sheds light on the political climate of the time. Biais proudly identifies himself as an anarchist, reflecting a period marked by social unrest and radical ideologies. The black and white composition adds to the overall intensity of the photograph while emphasizing details such as Biais' meticulously groomed mustache. This striking contrast also underscores Bertillon's scientific approach to capturing human features for identification purposes. Preserved at The Metropolitan Museum of Art, this print serves as both a testament to Bertillon's contribution to forensic science and a window into France's cultural heritage during the late 19th century. It stands as a reminder that photography can transcend mere documentation and become an art form capable of preserving history with remarkable clarity.

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