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Rembrandt Van Rijn Collection

Rembrandt van Rijn, a renowned Dutch artist from the 17th century, left an indelible mark on the world of art with his masterful etchings and paintings

Background imageRembrandt Van Rijn Collection: Rembrandt van Rijn, The Windmill, Dutch, 1606 - 1669, 1641, etching

Rembrandt van Rijn, The Windmill, Dutch, 1606 - 1669, 1641, etching

Background imageRembrandt Van Rijn Collection: Aristotle with a Bust of Homer, 1653. Creator: Rembrandt Harmensz van Rijn

Aristotle with a Bust of Homer, 1653. Creator: Rembrandt Harmensz van Rijn
Aristotle with a Bust of Homer, 1653

Background imageRembrandt Van Rijn Collection: Rembrandt van Rijn (and Workshop?), Dutch (1606-1669), The Apostle Paul, c. 1657

Rembrandt van Rijn (and Workshop?), Dutch (1606-1669), The Apostle Paul, c. 1657, oil on canvas

Background imageRembrandt Van Rijn Collection: Christ Preaching (La Petite Tombe), c. 1657. Creator: Rembrandt van Rijn (Dutch, 1606-1669)

Christ Preaching (La Petite Tombe), c. 1657. Creator: Rembrandt van Rijn (Dutch, 1606-1669)
Christ Preaching (La Petite Tombe), c. 1657

Background imageRembrandt Van Rijn Collection: Christ Returning from the Temple with His Parents, 1654. Creator: Rembrandt van Rijn (Dutch)

Christ Returning from the Temple with His Parents, 1654. Creator: Rembrandt van Rijn (Dutch)
Christ Returning from the Temple with His Parents, 1654

Background imageRembrandt Van Rijn Collection: Rembrandt van Rijn (Dutch, 1606-1669), The Raising of Lazarus: Small Plate, 1642, etching

Rembrandt van Rijn (Dutch, 1606-1669), The Raising of Lazarus: Small Plate, 1642, etching

Background imageRembrandt Van Rijn Collection: Return Prodigal Son 1636 Etching Plate 6 1 / 8

Return Prodigal Son 1636 Etching Plate 6 1 / 8
Artokoloro

Background imageRembrandt Van Rijn Collection: Self-portrait wearing a hat and two Chains, 1642. Creator: Rembrandt Harmensz van Rijn

Self-portrait wearing a hat and two Chains, 1642. Creator: Rembrandt Harmensz van Rijn
Self-portrait wearing a hat and two Chains, 1642.

Background imageRembrandt Van Rijn Collection: Christ driving the money changers from the Temple, 1635. Creator: Rembrandt Harmensz van Rijn

Christ driving the money changers from the Temple, 1635. Creator: Rembrandt Harmensz van Rijn
Christ driving the money changers from the Temple, 1635.

Background imageRembrandt Van Rijn Collection: Christ at Emmaus: the smaller plate, 1634. Creator: Rembrandt Harmensz van Rijn

Christ at Emmaus: the smaller plate, 1634. Creator: Rembrandt Harmensz van Rijn
Christ at Emmaus: the smaller plate, 1634.

Background imageRembrandt Van Rijn Collection: Joseph's coat brought to Jacob, c.1633. Creator: Rembrandt Harmensz van Rijn

Joseph's coat brought to Jacob, c.1633. Creator: Rembrandt Harmensz van Rijn
Joseph's coat brought to Jacob, c.1633. The tragic consequences, when Joseph's brothers turned against him, are described in Genesis 37:12-35

Background imageRembrandt Van Rijn Collection: Self-portrait etching at a window, 1648. Creator: Rembrandt Harmensz van Rijn

Self-portrait etching at a window, 1648. Creator: Rembrandt Harmensz van Rijn
Self-portrait etching at a window, 1648.

Background imageRembrandt Van Rijn Collection: Clement de Jonghe, printseller, 1651. Creator: Rembrandt Harmensz van Rijn

Clement de Jonghe, printseller, 1651. Creator: Rembrandt Harmensz van Rijn
Clement de Jonghe, printseller, 1651.

Background imageRembrandt Van Rijn Collection: A blind hurdy-gurdy player and family receiving alms, 1648. Creator: Rembrandt Harmensz van Rijn

A blind hurdy-gurdy player and family receiving alms, 1648. Creator: Rembrandt Harmensz van Rijn
A blind hurdy-gurdy player and family receiving alms, 1648.

Background imageRembrandt Van Rijn Collection: Beggar with a wooden leg, c.1630. Creator: Rembrandt Harmensz van Rijn

Beggar with a wooden leg, c.1630. Creator: Rembrandt Harmensz van Rijn
Beggar with a wooden leg, c.1630.

Background imageRembrandt Van Rijn Collection: Beggar in a high cap, standing and leaning on a stick, c.1629. Creator: Rembrandt Harmensz van Rijn

Beggar in a high cap, standing and leaning on a stick, c.1629. Creator: Rembrandt Harmensz van Rijn
Beggar in a high cap, standing and leaning on a stick, c.1629.

Background imageRembrandt Van Rijn Collection: Peasant family on the tramp, c.1652. Creator: Rembrandt Harmensz van Rijn

Peasant family on the tramp, c.1652. Creator: Rembrandt Harmensz van Rijn
Peasant family on the tramp, c.1652.

Background imageRembrandt Van Rijn Collection: Self-portrait in a cap and scarf with the face dark: bust, 1633

Self-portrait in a cap and scarf with the face dark: bust, 1633. Creator: Rembrandt Harmensz van Rijn
Self-portrait in a cap and scarf with the face dark: bust, 1633. To some extent this work reflects Rembrandt's status, showing him wearing a cap and scarf

Background imageRembrandt Van Rijn Collection: Old beggar woman with a gourd, c.1629. Creator: Rembrandt Harmensz van Rijn

Old beggar woman with a gourd, c.1629. Creator: Rembrandt Harmensz van Rijn
Old beggar woman with a gourd, c.1629. Enveloped in partial darkness and clad in ragged clothes, the old beggar woman turns away from the viewer

Background imageRembrandt Van Rijn Collection: The crucifixion: small plate, c.1635. Creator: Rembrandt Harmensz van Rijn

The crucifixion: small plate, c.1635. Creator: Rembrandt Harmensz van Rijn
The crucifixion: small plate, c.1635. Presenting the viewer with a sensitive interpretation of Christ on the Cross, close attention has been paid to the intricate features on the figures

Background imageRembrandt Van Rijn Collection: Menasseh ben Israel, 1636. Creator: Rembrandt Harmensz van Rijn

Menasseh ben Israel, 1636. Creator: Rembrandt Harmensz van Rijn
Menasseh ben Israel, 1636. Manoel Dias Soeiro (1604-57), better known by his Hebrew name Menasseh/ Manasseh ben Israel also, Menasheh ben Yossef ben Yisrael, was a Portuguese rabbi, kabbalist

Background imageRembrandt Van Rijn Collection: Bearded old man in a high fur cap, with eyes closed, c.1635. Creator: Rembrandt Harmensz van Rijn

Bearded old man in a high fur cap, with eyes closed, c.1635. Creator: Rembrandt Harmensz van Rijn
Bearded old man in a high fur cap, with eyes closed, c.1635. Sunken shadows follow the old man's weathered face, undulating over his aged skin and full beard

Background imageRembrandt Van Rijn Collection: Self-portrait with Saskia, 1636. Creator: Rembrandt Harmensz van Rijn

Self-portrait with Saskia, 1636. Creator: Rembrandt Harmensz van Rijn
Self-portrait with Saskia, 1636. The artist and his wife are shown wearing historical clothing. Rembrandt wears a fanciful 16th-century style plumed beret tilted at a jaunty angle

Background imageRembrandt Van Rijn Collection: Man drawing from a cast, c.1641. Creator: Rembrandt Harmensz van Rijn

Man drawing from a cast, c.1641. Creator: Rembrandt Harmensz van Rijn
Man drawing from a cast, c.1641.

Background imageRembrandt Van Rijn Collection: The strolling musicians, c.1635. Creator: Rembrandt Harmensz van Rijn

The strolling musicians, c.1635. Creator: Rembrandt Harmensz van Rijn
The strolling musicians, c.1635. A sympathetic inquiry into the lives of impoverished people, including beggars. Two musicians, one playing a hurdy gurdy, and the other the bagpipes

Background imageRembrandt Van Rijn Collection: Bust of an old man with flowing beard and white sleeve, c.1630. Creator: Rembrandt Harmensz van Rijn

Bust of an old man with flowing beard and white sleeve, c.1630. Creator: Rembrandt Harmensz van Rijn
Bust of an old man with flowing beard and white sleeve, c.1630. A bust-length image of an elderly man with a beard and large forehead, his body facing to the right

Background imageRembrandt Van Rijn Collection: Betty Nansen, 1905. Creator: Anders Leonard Zorn

Betty Nansen, 1905. Creator: Anders Leonard Zorn
Betty Nansen, 1905. Betty Nansen (1873-1943) was a celebrated Danish actress (both stage and film) and director; one of Copenhagen's principal theatres - which she herself managed - bears her

Background imageRembrandt Van Rijn Collection: Jan Lutma, goldsmith, 1656. Creator: Rembrandt Harmensz van Rijn

Jan Lutma, goldsmith, 1656. Creator: Rembrandt Harmensz van Rijn
Jan Lutma, goldsmith, 1656. Although Jan Lutma (c. 1584-1669) was already an elderly man when he was portrayed, he was probably still working as a silversmith

Background imageRembrandt Van Rijn Collection: The stoning of St Stephen, 1635, Netherlands. Creator: Rembrandt Harmensz van Rijn

The stoning of St Stephen, 1635, Netherlands. Creator: Rembrandt Harmensz van Rijn
The stoning of St Stephen, 1635, Netherlands.

Background imageRembrandt Van Rijn Collection: Christ healing the sick ('The hundred guilder print'), 1775. Creator: William Baillie

Christ healing the sick ('The hundred guilder print'), 1775. Creator: William Baillie
Christ healing the sick ('The hundred guilder print'), 1775.

Background imageRembrandt Van Rijn Collection: The stoning of St Stephen, 1635. Creator: Rembrandt Harmensz van Rijn

The stoning of St Stephen, 1635. Creator: Rembrandt Harmensz van Rijn
The stoning of St Stephen, 1635.

Background imageRembrandt Van Rijn Collection: Bearded man, in a furred oriental cap and robe, 1631. Creator: Rembrandt Harmensz van Rijn

Bearded man, in a furred oriental cap and robe, 1631. Creator: Rembrandt Harmensz van Rijn
Bearded man, in a furred oriental cap and robe, 1631. Bearded man, in a furred oriental cap and robe is traditionally said to be a portrait of the artist's father

Background imageRembrandt Van Rijn Collection: Old man with beard, fur cap, and velvet cloak, c.1631. Creator: Rembrandt Harmensz van Rijn

Old man with beard, fur cap, and velvet cloak, c.1631. Creator: Rembrandt Harmensz van Rijn
Old man with beard, fur cap, and velvet cloak, c.1631. An old man, seen in half-length portrait, is sitting in a chair with a heavy velvet cloak draped around his shoulders.

Background imageRembrandt Van Rijn Collection: Man Reading, c1648. Creator: Rembrandt Harmensz van Rijn

Man Reading, c1648. Creator: Rembrandt Harmensz van Rijn
Man Reading, c1648. For centuries, this painting was thought to portray an individual, but recent research suggests it may be a tronie--a type of image in which seventeenth-century Dutch artists

Background imageRembrandt Van Rijn Collection: Portrait of a Young Man with a Golden Chain (Self-Portrait with a Golden Chain), c. 1635

Portrait of a Young Man with a Golden Chain (Self-Portrait with a Golden Chain), c. 1635. Found in the Collection of the Museu de Arte de S£o Paulo

Background imageRembrandt Van Rijn Collection: Vertumnus and Pomona. Creator: Rembrandt Harmensz van Rijn

Vertumnus and Pomona. Creator: Rembrandt Harmensz van Rijn
Vertumnus and Pomona

Background imageRembrandt Van Rijn Collection: Young man kneeling before a standing man in oriental dress. Creator: Rembrandt Harmensz van Rijn

Young man kneeling before a standing man in oriental dress. Creator: Rembrandt Harmensz van Rijn
Young man kneeling before a standing man in oriental dress

Background imageRembrandt Van Rijn Collection: Two studies of one woman. Creator: Rembrandt Harmensz van Rijn

Two studies of one woman. Creator: Rembrandt Harmensz van Rijn
Two studies of one woman

Background imageRembrandt Van Rijn Collection: Three cottages by a road, c.1640. Creator: Rembrandt Harmensz van Rijn

Three cottages by a road, c.1640. Creator: Rembrandt Harmensz van Rijn
Three cottages by a road, c.1640

Background imageRembrandt Van Rijn Collection: Three studies of a man seen in profile. Creator: Rembrandt Harmensz van Rijn

Three studies of a man seen in profile. Creator: Rembrandt Harmensz van Rijn
Three studies of a man seen in profile

Background imageRembrandt Van Rijn Collection: Three studies of an archer. Creator: Rembrandt Harmensz van Rijn

Three studies of an archer. Creator: Rembrandt Harmensz van Rijn
Three studies of an archer

Background imageRembrandt Van Rijn Collection: Three women in a landscape. Creator: Rembrandt Harmensz van Rijn

Three women in a landscape. Creator: Rembrandt Harmensz van Rijn
Three women in a landscape

Background imageRembrandt Van Rijn Collection: Tobit and Anna with the goat. Creator: Rembrandt Harmensz van Rijn

Tobit and Anna with the goat. Creator: Rembrandt Harmensz van Rijn
Tobit and Anna with the goat

Background imageRembrandt Van Rijn Collection: Tobias catches the fish. Creator: Rembrandt Harmensz van Rijn

Tobias catches the fish. Creator: Rembrandt Harmensz van Rijn
Tobias catches the fish

Background imageRembrandt Van Rijn Collection: 'The Kitchen Maid', 1651. Creator: Rembrandt Harmensz van Rijn. 'The Kitchen Maid', 1651

"The Kitchen Maid", 1651. Creator: Rembrandt Harmensz van Rijn. "The Kitchen Maid", 1651
"The Kitchen Maid", 1651

Background imageRembrandt Van Rijn Collection: St Peter, 1632. Creator: Rembrandt Harmensz van Rijn

St Peter, 1632. Creator: Rembrandt Harmensz van Rijn
St Peter, 1632

Background imageRembrandt Van Rijn Collection: Sleeping lion. Creator: Rembrandt Harmensz van Rijn

Sleeping lion. Creator: Rembrandt Harmensz van Rijn
Sleeping lion

Background imageRembrandt Van Rijn Collection: Sleeping woman at an open window, c.1655. Creator: Rembrandt Harmensz van Rijn

Sleeping woman at an open window, c.1655. Creator: Rembrandt Harmensz van Rijn
Sleeping woman at an open window, c.1655



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Rembrandt van Rijn, a renowned Dutch artist from the 17th century, left an indelible mark on the world of art with his masterful etchings and paintings. Born in 1606 and passing away in 1669, Rembrandt's artistic genius spanned across various subjects and themes. One of his notable works is "The Windmill, " created in 1641. This etching showcases Rembrandt's ability to capture intricate details while depicting a picturesque Dutch landscape. The windmill stands tall against the sky, evoking a sense of tranquility and harmony. In "Aristotle with a Bust of Homer" (1653), Rembrandt delves into portraiture by presenting Aristotle contemplating the bust of Homer. This painting reflects Rembrandt's deep understanding of human emotions as he captures Aristotle's pensive expression. Another remarkable piece is "Christ Preaching (La Petite Tombe)" from around 1657. In this etching, Rembrandt depicts Christ delivering a sermon with great intensity and passion. The use of light and shadow adds depth to the scene, emphasizing Christ's divine presence. "Christ Returning from the Temple with His Parents" (1654) portrays a tender moment between Jesus, Mary, and Joseph after their visit to Jerusalem. Through skillful brushwork, Rembrandt conveys their love for one another while highlighting their individual expressions. "The Raising of Lazarus: Small Plate" (1642) demonstrates Rembrandt's mastery in capturing biblical narratives through etching techniques. The emotional impact is palpable as Lazarus emerges from his tomb at Christ's command. In "Return Prodigal Son" (1636), we witness Rembrandt exploring themes of redemption and forgiveness through an intimate portrayal. The father embraces his wayward son warmly upon his return home—a poignant representation that resonates even today. "The Agony in the Garden" (c.