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Framed Print : The Monastery of San Pedro (Our Lady of the Snows), 1879 (oil on canvas)
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The Monastery of San Pedro (Our Lady of the Snows), 1879 (oil on canvas)
5673766 The Monastery of San Pedro (Our Lady of the Snows), 1879 (oil on canvas) by Church, Frederic Edwin (1826-1900); 118.8 x 183.2 cm; Cleveland Museum of Art, OH, USA; (add.info.: The location has been subject to scholarly debate but may be from Churchs travels through the Ecuadorean Andes nearly a quarter century earlier.
An allegory of spiritual salvation: a backlit monastery on a dramatic cliff overlooks a shadowed foreground where a solitary figure navigates a rugged path.); American, out of copyright
Media ID 23585306
© Bridgeman Images
Americas Andean Atmospheric Ecuador Foothills Harmony Hudson River School Monastery Mountain Range Retreat Salvation Shrine Snow Capped Snow Topped Spiritual Sublime Tranquil Tranquility
22"x18" (58x48cm) Modern Frame
Bring the timeless beauty of Frederic Edwin Church's "The Monastery of San Pedro (Our Lady of the Snows)" into your home with our exquisitely crafted Framed Prints from Media Storehouse. This masterpiece, originally painted in 1879 as an oil on canvas, showcases Church's exceptional talent for capturing the stunning architecture and serene atmosphere of the Monastery. Our high-quality prints are meticulously produced to bring out the rich colors and intricate details of this iconic artwork. Add a touch of elegance and sophistication to your living space with this breathtaking piece of art history.
Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 25.7cm (15.6" x 10.1")
Estimated Product Size is 57.9cm x 47.8cm (22.8" x 18.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Monastery of San Pedro (Our Lady of the Snows), 1879
EDITORS COMMENTS
is a captivating oil painting by Frederic Edwin Church that depicts an allegory of spiritual salvation. The print showcases a backlit monastery perched on a dramatic cliff, overlooking a shadowed foreground where a solitary figure navigates through a rugged path. This mesmerizing artwork, measuring 118.8 x 183.2 cm, is housed in the Cleveland Museum of Art in Ohio, USA. The location depicted in this painting has been debated among scholars but is believed to be inspired by Church's travels through the Ecuadorean Andes nearly twenty-five years prior to creating this masterpiece. The snow-capped mountains and serene mountain range create an atmospheric landscape that exudes tranquility and harmony. This sublime depiction captures the essence of Christian spirituality and religious retreat within nature's grandeur. The figure on the path symbolizes mankind's journey towards salvation amidst challenging circumstances. As part of the Hudson River School movement, Church masterfully utilizes light and shadow to create depth and drama in his composition. The sunlight illuminating the monastery against the darkened foreground adds to its ethereal beauty. "The Monastery of San Pedro (Our Lady of the Snows)" invites viewers into an awe-inspiring South American setting while evoking contemplation about one's own spiritual journey. It stands as a testament to Church's skill as an American painter who sought to capture both natural landscapes and profound human experiences through his artistry.
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