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Framed Print : Ms 159, fol 2v & 3r Anne of Brittany presented to St Claude
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Ms 159, fol 2v & 3r Anne of Brittany presented to St Claude
781309 Ms 159, fol 2v & 3r Anne of Brittany presented to St Claude, from The Primer of Claude of France (ink & gold ink on parchment) by Master of Antoine de Roche; 26x17.5 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Claude of France (13 October 1499 - 20 July 1524) was queen consort of France and duchess regnant of Brittany. She was the eldest daughter of Louis XII of France and Anne of Brittany, as well as the first spouse of Francis I of France.
Saint Claudius of BesanAzon (French: Saint Claude), sometimes called Claude the Thaumaturge (ca. 607 - June 6, 696 or 699 AD), was a priest, monk, abbot, and bishop.); eFitzwilliam Museum; French, out of copyright
Media ID 23483998
© Fitzwilliam Museum / Bridgeman Images
Abbot Anne Anne Of Brittany Besancon Birth Bishop Bretagne Claude Claudius Consort Duchess Latin Maternal Presentation Presented Primer Princess Regnant Script Claude Of France Monks St Claude
14"x12" (38x32cm) Modern Frame
Introducing the latest addition to our Framed Prints collection at Media Storehouse - a stunning image of Anne of Brittany, presented to St Claude, taken from the Primer of Claude of France. This exquisite artwork, created by the Master of Antoine de Roche in ink and gold ink on parchment, showcases the elegance and grace of Anne of Brittany as she presents a gift to St Claude. With intricate details and vibrant colors, this Framed Print brings a touch of history and fine art into your home or office. Order yours today and add a piece of the Fitzwilliam Museum's collection to your personal art gallery.
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 20.8cm (9.6" x 8.2")
Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a historical moment captured in the pages of Ms 159, fol 2v & 3r from The Primer of Claude of France. The image depicts Anne of Brittany, an influential figure in French history, being presented to St. Claude by the Master of Antoine de Roche. Anne of Brittany was not only queen consort of France but also duchess regnant of Brittany. As the eldest daughter of Louis XII and Anne of Brittany herself, she held significant power and influence during her time. This portrait captures her royal status as well as her deep connection to religious figures. St. Claude, also known as Claude the Thaumaturge, was a priest, monk, abbot, and bishop who played a crucial role in religious affairs during his lifetime. His presence alongside Anne suggests their close association and highlights her devotion to both religion and royalty. The intricate illumination and script surrounding this portrait add depth and beauty to the scene. It is evident that great care was taken in creating this piece with its delicate inkwork on parchment. As we admire this remarkable artwork from the Fitzwilliam Museum at the University of Cambridge, we are transported back in time to witness an important ceremony where two worlds collide – that of aristocracy represented by Anne's regal stature and that of spirituality embodied by St. Claude's revered position within religious orders. Overall, this print offers us a glimpse into a fascinating chapter in history where faith intertwines with monarchy through artistry and symbolism.
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