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Framed Print : Bristol Riots: The Burning of Queen Square: the Custom House, 1831 (oil on paper)
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Bristol Riots: The Burning of Queen Square: the Custom House, 1831 (oil on paper)
2831188 Bristol Riots: The Burning of Queen Square: the Custom House, 1831 (oil on paper) by Muller, William James (1812-45); 12.8x20.3 cm; Bristol Museum and Art Gallery, UK; (add.info.: The Bristol Riots of 1831 took place after the House of Lords rejected the second Reform Bill, which aimed to get rid of some of the rotten boroughs. Local magistrate Sir Charles Wetherell, a strong opponent of the Bill, visited Bristol to open the new Assize Courts, on 29 October, and an angry mob chased him to the Mansion House in Queen Square. The rioters numbered about 500 or 600 young men and continued for three days, during which the palace of Robert Gray the Bishop of Bristol, the Mansion House, and private homes and property were looted and destroyed, along with demolition of much of the gaol. Four rioters killed; and four men hanged despite a petition of 10, 000.); eBristol Museums, Galleries & Archives; Purchased, 1921.; English, out of copyright
Media ID 23473424
© Bristol Museums, Galleries & Archives Purchased, 1921. / Bridgeman Images
Blaze Bristol Custom House Glow Glowing Panorama Panoramic Queen Square Riots Reform Bill Riot Riots Unrest Uprising Regency Social History
22"x18" (58x48cm) Modern Frame
Experience history come alive with our stunning Framed Print of "Bristol Riots: The Burning of Queen Square: the Custom House, 1831" by William James Muller from Bridgeman Images. This captivating oil on paper artwork, originally housed in Bristol Museum and Art Gallery, offers a glimpse into the past with its vivid depiction of the chaotic scene during the 1831 Bristol Riots. Add this beautiful piece to your home or office to ignite conversations and inspire reflection on historical events. Each Framed Print is meticulously crafted to preserve the artwork's authenticity and beauty, ensuring a museum-quality display. Own a piece of history today.
Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 24.8cm (15.6" x 9.8")
Estimated Product Size is 57.9cm x 47.8cm (22.8" x 18.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures the intense and chaotic scene of the Bristol Riots in 1831. Painted by William James Muller, it depicts the burning of Queen Square and the Custom House during this historic event. Measuring 12.8x20.3 cm, this oil on paper artwork is housed in the prestigious Bristol Museum and Art Gallery in the UK. The riots erupted as a response to the rejection of the second Reform Bill by the House of Lords, which aimed to eliminate corrupt parliamentary boroughs. The arrival of local magistrate Sir Charles Wetherell, a staunch opponent of reform, further fueled tensions when he visited Bristol to inaugurate new Assize Courts on October 29th. An angry mob pursued Wetherell through Queen Square until he sought refuge at Mansion House. Over three days, approximately 500-600 young men unleashed their fury upon various targets including Bishop Robert Gray's palace, private homes, and public property like gaols. Tragically, four rioters lost their lives during these tumultuous events while four others were hanged despite a petition signed by an astounding 10,000 individuals pleading for mercy. Muller's painting vividly portrays both destruction and chaos that engulfed Bristol during those fateful days. This historical artifact serves as a powerful reminder of how societal unrest can escalate into violence when political tensions reach their breaking point.
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