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Framed Print : One of a pair of cabinets mounted with late 17th century pietra dura plaques, c. 1785 (oak

One of a pair of cabinets mounted with late 17th century pietra dura plaques, c. 1785 (oak



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One of a pair of cabinets mounted with late 17th century pietra dura plaques, c. 1785 (oak

XOS1765281 One of a pair of cabinets mounted with late 17th century pietra dura plaques, c.1785 (oak, pine, and beech veneered with ebony and mahogany) by Weisweiler, Adam (c.1744-c.1820); 101.6x150.2x53 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: The pietra dure (hardstone) plaques and micromosaic roundels on this pair of cabinets were probably made by Italian craftsmen working in Paris in the late 17th century, A hundred years later they were mounted in cabinets of oak, pine, and beech veneered with ebony and mahogany with pewter stringing, gilt-bronze mounts, portor d Italie marble tops.); French, out of copyright

Media ID 12742170

© www.bridgemanimages.com

Ancien Regime Cabinet Gilt Bronze Hardstone Inlay Louis Xvi Mosaic Plaque Neoclassical


14"x12" (38x32cm) Modern Frame

Bring timeless elegance to your home with Media Storehouse's Framed Prints featuring this exquisite late 17th century pietra dura cabinet image. This stunning artwork, sourced from Bridgeman Images and discovered on Fine Art Finder, showcases a pair of intricately designed cabinets adorned with precious stones, dated around 1785. The oak, pine, and beech veneered cabinets with ebony and mahogany detailing, as captured by Weisweiler, add a touch of grandeur and sophistication to any room. Our museum-quality framed prints are made using premium materials to ensure vibrant colors and long-lasting beauty. Elevate your interior design with this captivating piece of art history.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 20.1cm (9.6" x 7.9")

Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This print showcases one of a pair of cabinets that are truly a sight to behold. Mounted with late 17th-century pietra dura plaques, these cabinets were crafted around 1785 by the skilled hands of Weisweiler, Adam. Made from oak, pine, and beech veneered with ebony and mahogany, they exude an air of elegance and sophistication. The exquisite pietra dure plaques and micromosaic roundels adorning these cabinets were likely created by Italian craftsmen working in Paris during the late 17th century. A century later, they found their place within these magnificent pieces of furniture. The cabinets feature pewter stringing, gilt-bronze mounts, and portor d'Italie marble tops which add to their opulence. With dimensions measuring at 101.6x150.2x53 cm, this pair of cabinets is currently housed in the prestigious J. Paul Getty Museum in Los Angeles, USA. Their intricate design reflects both French and Italian influences from the Ancien Régime era while embracing neoclassical elements. This remarkable photograph captures not only the beauty but also the historical significance behind these stunning cabinets. It serves as a testament to the craftsmanship and artistry that went into creating such extraordinary pieces during this period in history – an embodiment of decorative luxury fit for Louis XVI himself.

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