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Framed Print : Of the folysshe descripcion and inquisicion of dyuers contrees and regyons, illustration

Of the folysshe descripcion and inquisicion of dyuers contrees and regyons, illustration



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Of the folysshe descripcion and inquisicion of dyuers contrees and regyons, illustration

XJF486456 Of the folysshe descripcion and inquisicion of dyuers contrees and regyons, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School, (15th century) (after); Private Collection; (add.info.: Alexander Barclay (c.1476-1552) Scottish born English poet, translated Sebastian Brandts (1457-1521) Das Narrenschiff, as The Ship of Fools in 1509. Image is a facsimile of the original German woodcut of 1497 and shows a fool using a caliper. ); German, out of copyright

Media ID 12913621

© www.bridgemanart.com

1497 1509 Alexander Barclay Brandt Brandts Description Diagram Fool Foolish Foolishness Fools Inquisition Jester Measuring Narrenschiff Sebastian Translation Vice Vices Caliper Contrées


14"x12" (38x32cm) Modern Frame

Add a touch of historical intrigue to your space with the Media Storehouse Framed Print of 'Of the follysshe descripcion and inquisicion of dyuers contrees and regyons, illustration' by Alexander Barclay, translated from the original Ship of Fools text. This captivating artwork, featuring intricate illustrations from Bridgeman Art's Fine Art Finder collection (XJF486456), invites viewers to explore the rich detail and whimsy of this iconic work. Each print is carefully framed to preserve and enhance the artwork's beauty, making it a stunning addition to any room in your home or office.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 17.9cm x 24.4cm (7" x 9.6")

Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This print, titled "Of the folysshe descripcion and inquisicion of dyuers contrees and regyons" is a remarkable illustration from Alexander Barclays' English translation of The Ship of Fools. Published in 1874, this engraving is a facsimile of the original German woodcut from 1497. The image depicts a fool using a caliper, an ancient measuring instrument often associated with science and precision. This satirical artwork serves as a powerful commentary on foolishness and human vices prevalent during the medieval period. Alexander Barclay, a Scottish-born English poet, translated Sebastian Brandts' Das Narrenschiff into English under the title The Ship of Fools in 1509. Through his translation, Barclay brought to life Brandts' critique of society's follies and shortcomings. The intricate details within this woodcut capture the essence of jesters and fools that were common figures during the 15th century. With its elaborate diagram-like composition, this artwork invites viewers to reflect upon their own foolish behaviors while simultaneously offering amusement through its whimsical depiction. Displayed here as part of a private collection, this print showcases both historical significance and artistic brilliance. It stands as a testament to how art can transcend time by shedding light on societal issues that remain relevant even centuries later.

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