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Young woman using phone in studio, smiling, (B&W), portrait

Young woman using phone in studio, smiling, (B&W), portrait


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Young woman using phone in studio, smiling, (B&W), portrait

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George Marks

Media ID 12304356

© This content is subject to copyright

18 19 Years 1930 1939 1940 1949 African American Ethnicity African Ethnicity Black Hair Head And Shoulders Headshot Holding Landline Landline Phone On The Phone One Woman Only One Young Woman Only Only Women Part Of A Series Receiver Series Short Hair Smiling Straight Hair Telephone Receiver Toothy Smile Using Phone Young Adult Young Women


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> Arts > Contemporary art > Photography > Portraits

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

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EDITORS COMMENTS
In this black and white portrait captured by the talented photographer George Marks, we see a young woman immersed in her own world as she uses a phone in a studio setting. Her genuine smile radiates warmth and joy, bringing an air of positivity to the image. The simplicity of the white background allows for all attention to be drawn towards the subject's expressive face. With her head and shoulders perfectly framed, she confidently looks directly at the camera, establishing a strong connection with the viewer. Her short, straight black hair adds an element of sophistication to her overall appearance. The monochromatic tones enhance both her beauty and timeless charm, evoking nostalgic feelings reminiscent of past eras. As she holds onto the receiver of a classic landline telephone, one can't help but wonder about the conversation taking place on the other end. This intriguing detail adds depth to an otherwise straightforward composition. This photograph is part of George Marks' series that captures various aspects of life during different decades from 1930 to 1949. It serves as a powerful reminder that even though technology has evolved over time, human emotions remain constant across generations. With its striking visual appeal and compelling narrative undertones, this portrait stands as a testament to George Marks' skillful artistry in capturing moments frozen in time.

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