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Fine Art Print : First Moroccan Crisis 1905 - 1906

First Moroccan Crisis 1905 - 1906



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First Moroccan Crisis 1905 - 1906

First Moroccan Crisis 1905 - 1906: The Moroccan delegation led by Sidi Mohammed ben Larbi Torres, arriving for the Algeciras Conference on the colonial status of Morocco, 16 January to 7 April 1906. Thirteen nations participated and Germanys only ally was Austria

Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide

Media ID 9699859

© Universal History Archive

1905 1906 Conference Conflict Harbor Identity Illustration Technique Large Group Of People Le Petit Journal Military Uniform Morocco Nautical Vessel Only Men Partnership Railroad Track Saluting Ship Soldier Solution Text Traditional Clothing Transportation Western Script Algeciras First Moroccan Crisis


A2 (42x59cm) Fine Art Print

Experience the rich history of the First Moroccan Crisis (1905-1906) with this captivating fine art print from Media Storehouse. Featuring an iconic image from Universal Images Group (UIG), this print showcases the Moroccan delegation, led by Sidi Mohammed ben Larbi Torres, arriving for the Algeciras Conference on the colonial status of Morocco. Bring a piece of history into your home or office with this beautifully printed and framed artwork, perfect for history enthusiasts and collectors alike.

Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.4cm x 59.4cm (15.9" x 23.4")

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Morocco > Related Images

> Architecture > Country > Austria

> Architecture > Country > Germany

> Architecture > Styles > Colonial Architecture

> Europe > Austria > Related Images

> Europe > France > Canton > Allier

> Historic > Colonial history

> Universal Images Group (UIG) > Universal Images Group > Universal History Archive > Outdoors


EDITORS COMMENTS
This print captures a significant moment in history during the First Moroccan Crisis of 1905-1906. The image showcases the arrival of the Moroccan delegation, led by Sidi Mohammed ben Larbi Torres, at the Algeciras Conference on the colonial status of Morocco. Thirteen nations participated in this conference, where Germany's only ally was Austria. The scene unfolds at a bustling harbor, with a majestic nautical vessel docked behind them. The delegates stand tall and proud in their traditional clothing while wearing military uniforms, signifying their identity as soldiers representing their nation. One can almost feel the tension in the air as they salute towards an unseen presence. Surrounded by architectural marvels and railroad tracks, this photograph symbolizes both transportation and conflict. It serves as a visual testament to an era when large groups of men gathered to discuss solutions for complex political issues. Preserved through time using illustration techniques from Le Petit Journal, this vertical composition immerses us in history's past glory. Western script text adds context to this powerful image that encapsulates not just a historical event but also signifies diplomacy and partnership among nations. This extraordinary photograph is more than just an artistic masterpiece; it is a window into our shared human experience and reminds us how crucial dialogue has always been when navigating international relations.

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