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Fine Art Print : Harrogate - The Royal Baths, LNER poster, 1930
Fine Art Prints from National Railway Museum
Harrogate - The Royal Baths, LNER poster, 1930
Poster produced for London & North Eastern Railway (LNER) to promote rail travel to the Yorkshire spa town of Harrogate. The poster showing visitors strolling in gardens in front of the Royal Baths, which were first opened in 1897. Artwork by Fred Taylor, who was commissioned in 1930 to design four ceiling paintings for the Underwriting Room at Lloyds and murals for Reeds Lacquer Room. He exhibited at the Royal Academy and other London galleries and worked for LNER, London Transport and several shipping companies
National Railway Museum is the home of iconic locomotives. Our historic prints reflect the age and quality of the original artwork we hold to preserve their artistic character, including authentic colour reproduction, marks and creases.
Media ID 10015314
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A2 (42x59cm) Fine Art Print
Step back in time with our exquisite Fine Art Print of Harrogate - The Royal Baths, LNER poster, 1930. This stunning vintage poster, part of the Media Storehouse collection from the National Railway Museum, invites you to experience the elegance and charm of Harrogate as it was promoted in the golden age of rail travel. Featuring visitors strolling through beautiful gardens in front of the iconic Royal Baths, this print is a must-have for railway enthusiasts and lovers of classic British design. Add a touch of history and sophistication to your home or office with this beautiful Fine Art Print.
Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 52.8cm x 42cm (20.8" x 16.5")
Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print takes us back to the year 1930, when rail travel was at its peak and Harrogate was a popular destination for those seeking relaxation and rejuvenation. The poster, produced by London & North Eastern Railway (LNER), beautifully captures the essence of this Yorkshire spa town. In the foreground, we see visitors leisurely strolling through lush gardens in front of the magnificent Royal Baths. These baths, opened in 1897, were renowned for their healing waters and luxurious facilities. The elegant architecture of the building is highlighted against a backdrop of trees and flowers in full bloom. The artwork for this poster was created by Fred Taylor, a talented artist who left his mark on various prestigious projects during that era. Notably, he designed ceiling paintings for Lloyds' Underwriting Room as well as murals for Reeds Lacquer Room. His work exhibited at esteemed venues like the Royal Academy. Taylor's attention to detail is evident in this piece as well; every element is meticulously depicted to entice potential travelers. This promotional poster served as an invitation to experience Harrogate's tranquil ambiance and indulge in its therapeutic offerings. Today, thanks to National Railway Museum's Pictorial Collection, we can still admire this snapshot from history—a testament to both Taylor's artistic prowess and LNER's commitment to showcasing Britain's most enticing destinations through their railway network.
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