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Fine Art Print : Life at the Top, 1965 film, on location filming around The Economist building in St James

Life at the Top, 1965 film, on location filming around The Economist building in St James



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Life at the Top, 1965 film, on location filming around The Economist building in St James

Life at the Top, 1965 film, on location filming around The Economist building in St James, London, SW1, Sunday 25th July 1965.
The film stars Laurence Harvey, who reprises the role of Joe Lampton in a sequel to 1959 film Room at the Top.
Our picture shows.... Terence Stamp and Jean Shrimpton, who met Laurence Harvey for a chat during a break in filming. Also pictured, producer James Woolf

Eddie Waters
Daily Mirror
Mirrorpix
London
Greater London
England
U6545

Media ID 21800611

© Mirrorpix

Life At The Top On Location 1965 Filming


A2 (42x59cm) Fine Art Print

Step into the past with our exquisite Fine Art Print from Media Storehouse's Memory Lane Prints collection. This captivating image transports you back to 1965, as you witness the on-location filming of the classic British film "Life at the Top" around the iconic Economist building in St. James, London. Renowned photographer Eddie Waters expertly captures the bustling energy and excitement of the film set, with The Economist building standing proudly in the background. Add a touch of vintage charm to your home or office decor with this stunning Fine Art Print, a perfect conversation starter and a reminder of the rich history of London's cinematic past.

Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 39.5cm x 59.4cm (15.6" x 23.4")

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Film

> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Film

> Europe > United Kingdom > England > London > Fashion

> Popular Themes > Film Poster

> Posters > Movie Posters > Related Images

> Memory Lane Prints > Mirror > 1100to1199 > 01110


EDITORS COMMENTS
In this print from 1965, we are transported back to the filming of "Life at the Top" around The Economist building in St James, London. This highly anticipated film serves as a sequel to the acclaimed 1959 movie "Room at the Top" with Laurence Harvey reprising his role as Joe Lampton. Amidst the hustle and bustle of on-location filming, our picture captures a special moment during a break when Terence Stamp and Jean Shrimpton engage in conversation with Laurence Harvey. These three talented individuals take advantage of this brief respite to exchange thoughts and perhaps share anecdotes about their experiences in the entertainment industry. The presence of producer James Woolf adds an air of professionalism and excitement to this behind-the-scenes glimpse into the making of "Life at the Top". As they gather near The Economist building, one can't help but be struck by their stylish attire that reflects both contemporary fashion trends and classic elegance. This photograph not only immortalizes these iconic figures from 1960s cinema but also transports us back to a time when filmmaking was truly an art form. It is a testament to Eddie Waters' skillful eye for capturing moments that evoke nostalgia and allow us to relive cherished memories from days gone by.

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