Fine Art Print : Taking a Plaster Cast of the Statue of Charles I, London, 18
Fine Art Prints from Mary Evans Picture Library
Taking a Plaster Cast of the Statue of Charles I, London, 18
Engraving showing the creation of a plaster cast of the 17th century equestrian statue of King Charles I at Charing Cross, London, 1853
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 4397673
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10221621
1853 Cast Charing Creation Equestrian Plaster Taking
A2 (42x59cm) Fine Art Print
Step into the past with our exquisite selection of Fine Art Prints from Media Storehouse, featuring this captivating engraving of "Taking a Plaster Cast of the Statue of Charles I, London, 18" from Mary Evans Prints Online. Witness the intricate process of creating a plaster cast of the iconic 17th century equestrian statue of King Charles I at Charing Cross, London, in stunning detail. This timeless piece of historical artistry is perfect for adding depth and character to any space, and is available as a high-quality print, ready to transport you back in time.
Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 42cm x 54.8cm (16.5" x 21.6")
Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This engraving captures an intriguing moment in the rich history of Charing Cross, London, as a plaster cast of the equestrian statue of King Charles I is being taken in 1853. The statue, which stands proudly atop its pedestal today, was originally created in the 17th century and has undergone various restorations and replicas over the centuries. In this image, we see a team of skilled artisans carefully working to create an accurate replica of the statue using plaster. The statue of King Charles I, dressed in full armor and mounted on horseback, is shown in the background, surrounded by onlookers. The artisans are seen meticulously applying plaster to the statue, using brushes and other tools to ensure every detail is captured. The importance of this historical moment lies in the preservation of the statue, which has stood at Charing Cross since 1675. The creation of this plaster cast would have been essential for the restoration and maintenance of the original statue, which had likely suffered some damage over the years. The engraving, dated 1853, provides a fascinating glimpse into the past, offering a glimpse into the methods and techniques used to preserve historical monuments during the Victorian era. The image also highlights the importance of preserving history and the lengths to which people have gone to ensure that important cultural artifacts are protected for future generations to enjoy. This engraving is a valuable historical document, offering insights into the restoration of a significant historical monument and the importance of preserving cultural heritage. It is a reminder of the rich history of Charing Cross and the enduring legacy of King Charles I, whose statue continues to stand as a symbol of the past and a source of pride for the people of London.
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