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Fine Art Print : Native Americans of Paraguay converted by Jesuits
Fine Art Prints from Mary Evans Picture Library
Native Americans of Paraguay converted by Jesuits
Native Americans of Paraguay converted by Jesuits shown wearing clothes, plowing the land, spinning yarn, and living in a timber house with a shrine to the Virgin Mary and Jesus. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrrarios Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842
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Media ID 23172234
© Florilegius/Mary Evans
Americans Anthropology Antique Ferrrario Giulio Jesuits Jesus Nation Paraguay Peoples Plow Shrine Timber Yarn
A2 (42x59cm) Fine Art Print
Discover the rich cultural history of Paraguay through our exquisite selection of Fine Art Prints from Media Storehouse, featuring Native Americans in captivating scenes of their daily life after conversion by the Jesuits. Witness the harmony of tradition and faith as they wear European clothes, work the land, spin yarn, and reside in timber homes adorned with shrines to the Virgin Mary and Jesus. These evocative images, sourced from Mary Evans Prints Online, offer a unique glimpse into a pivotal moment in history, making for stunning additions to any home or office décor.
Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 59.4cm x 39.8cm (23.4" x 15.7")
Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This handcoloured copperplate engraving by Migliavacca, from Giulio Ferrario's "Costumes Antique and Modern of All Peoples" (Il Costume Antico e Moderno di Tutti i Popoli), published in Florence in 1842, provides a fascinating glimpse into the lives of Native Americans of Paraguay who had been converted by the Jesuits. The image depicts a group of Native Americans dressed in European-style clothing, engaging in agricultural activities such as plowing the land and spinning yarn. The timber house in the background, with its thatched roof and a shrine to the Virgin Mary and Jesus, reflects the blending of indigenous and European cultures. The Jesuits, who arrived in Paraguay in the late 16th century, played a significant role in the conversion and education of the indigenous population. They introduced European customs, including the use of clothing, agriculture, and the practice of Christianity. The Native Americans in this image appear to have embraced these new ways, while also retaining some of their traditional practices. The presence of European-style clothing, plows, and other agricultural tools, as well as the shrine to Jesus and Mary, underscore the profound impact of the Jesuits on the indigenous population of Paraguay. The image also highlights the complex and dynamic nature of cultural exchange between Europeans and indigenous peoples during the colonial period. Anthropologists and historians continue to study the customs and traditions of Native American tribes and nations, including those of Paraguay, to better understand the rich and complex history of indigenous peoples and their interactions with Europeans. This engraving offers a valuable and intriguing window into this history, providing a visual record of a pivotal moment in the cultural and religious evolution of a community.
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