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Fine Art Print : Lady Ratendone
Fine Art Prints from Mary Evans Picture Library
Lady Ratendone
Mary Gwendoline (nÚÑáFoster), Lady Forwood (died 1999), Former wife of 2nd Marquess of Willingdon (when Viscount Ratendone), Frederick Cullingford and Donald Croft-Wilcock and wife of Sir Dudley Forwood, 3rd Bt. on the front cover of The Tatler.
1936
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23041948
© Yevonde Portrait Archive/ILN/Mary Evans Picture Library Yevonde Portrait Archive/ILN/Mary Evans Picture Library
Aristocracy Aristocrat Aristocratic Aristocrats Croft Donald Dudley Foster Frederick Gwendoline Madame Marquess Middleton Nov17 Tatler Viscount Willingdon Yevonde 1936
A2 (42x59cm) Fine Art Print
Introducing the exquisite Lady Ratendone print from our Media Storehouse Fine Art Prints collection, sourced from Mary Evans Prints Online. This captivating image captures Mary Gwendoline (née Foster), later Lady Forwood, in her elegant grace during the 1930s. As the former wife of the 2nd Marquess of Willingdon (when Viscount Ratendone), Lady Ratendone embodies the sophistication and charm of a bygone era. Bring this timeless piece of history into your home and add a touch of classic beauty to your decor. Our museum-quality prints are made using archival inks and premium paper, ensuring your artwork lasts for generations to come.
Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Grace, elegance, and charm radiate from this portrait of Lady Forwood, née Mary Gwendoline Foster, on the cover of The Tatler magazine in November 1936. At the time, Lady Forwood was known by various titles - Viscountess Ratendone, having been the former wife of the 2nd Marquess of Willingdon, Viscount Ratendone, Frederick Cullingford; and Lady Forwood, wife of Sir Dudley Forwood, 3rd Baronet. Born into an aristocratic family, Lady Forwood's life was a fascinating blend of high society, acting, and marriage to influential men. Her first marriage to the Marquess of Willingdon, who was also a Marquess of Headfort and a Governor-General of Canada, ended in divorce. Her second marriage was to Sir Dudley Forwood, a renowned racehorse owner and Conservative politician. The portrait, taken in 1936, showcases Lady Forwood's timeless beauty and poise. Her striking features, accentuated by her elegant hairstyle and fashionable attire, evoke the glamour and sophistication of the 1930s aristocracy. Her expressive eyes and enchanting smile captivate the viewer, making this image a true testament to her allure and charisma. Lady Forwood's acting career began in the early 1920s, and she appeared in several films, including "The Constant Nymph" (1928) and "The Divorce of Lady X" (1938). Her talent and charm on the silver screen further solidified her place in the annals of high society and Hollywood. This evocative image of Lady Forwood on the cover of The Tatler magazine serves as a reminder of a bygone era, where aristocratic charm and glamour reigned supreme. The portrait's enduring appeal continues to captivate and inspire, making it a cherished piece of history in the annals of fashion, society, and cinema.
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