Fine Art Print : The Four Fathers of the Church, 1632, by Abraham Bloemaert (
Fine Art Prints from Mary Evans Picture Library
The Four Fathers of the Church, 1632, by Abraham Bloemaert (
Abraham Bloemaert (1566-1651). Dutch painter. The Four Fathers of the Church, 1632. Catharijneconvent Museum. Utrecht. Netherlands
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14337907
© Thaliastock / Mary Evans
1632 Abraham Angel Baroque Bishop Candelabra Candle Catharijneconvent Doctors Fathers Four Frame Gloves Habit Latin Netherlandish Netherlands Utrecht Bloemaert
A2 (42x59cm) Fine Art Print
Experience the rich history and artistic mastery of the past with our exquisite Fine Art Print of "The Four Fathers of the Church" by Abraham Bloemaert. This stunning 17th-century Dutch masterpiece, originally housed at the Catharijneconvent Museum in Utrecht, Netherlands, showcases the revered early Christian leaders St. Ambrose, St. Augustine, St. Jerome, and St. Gregory the Great. Each intricately detailed figure is brought to life in this beautifully preserved print, offering a captivating glimpse into the artistic and spiritual heritage of the past. Elevate your home or office decor with this timeless work of art, expertly reproduced for your enjoyment.
Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 42cm x 55.9cm (16.5" x 22")
Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This stunning 17th-century painting, titled "The Four Fathers of the Church" by the renowned Dutch artist Abraham Bloemaert, showcases an intriguing and profound scene. The work, created in 1632 and currently housed at the Catharijneconvent Museum in Utrecht, Netherlands, is a testament to the rich history of art and religion in the Netherlands during the Baroque period. Bloemaert masterfully depicts four prominent early Christian figures, commonly referred to as the Four Fathers of the Church, seated around a table adorned with a Latin book, candelabra, and candles. The figures, dressed in bishops' habits and wearing gloves, are engaged in deep conversation, their expressions conveying a sense of wisdom and contemplation. The first figure on the left is identified as Pope Leo the Great, wearing a triple crown and holding a book. Next to him is Augustine of Hippo, represented with an open book and a candle, symbolizing wisdom and learning. To his right is Ambrose of Milan, depicted with a mitre and a book, and lastly, Jerome, who is shown with a cardinal's hat and a lion, symbolizing his famous encounter with the lion in the desert. The interior of the scene is filled with an air of tranquility and reverence, with the warm glow of the candles casting a gentle light over the figures and the intricately detailed frame. The painting's intricate details, from the folds of the robes to the delicate patterns on the candelabra, showcase Bloemaert's exceptional skill as a painter. "The Four Fathers of the Church" is not only a beautiful work of art but also a significant historical piece that provides a glimpse into the religious and intellectual climate of the Netherlands during the 17th century. The painting's enduring appeal lies in its ability to transport viewers to a time when the study and interpretation of religious texts were the cornerstone of intellectual discourse and spiritual growth.
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