Fine Art Print : Engraved title page
Fine Art Prints from Mary Evans Picture Library
Engraved title page
Engraved title page. From: The anatomy of melancholy. Date: 1632
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8200931
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10643017
Depression Engraved Medicinal Medicines Melancholy Philosophers Pla Nts Psychiatry Title
A2 (42x59cm) Fine Art Print
Discover the timeless beauty of history with Media Storehouse's Fine Art Prints. This exquisite example showcases an engraved title page from "The Anatomy of Melancholy," published in 1632. With intricate details and stunning craftsmanship, this print transports you back to the Renaissance era. Each print in our collection is sourced from the esteemed archives of Mary Evans Prints Online, ensuring the highest quality and authenticity. Add a touch of history and elegance to your home or office with a Media Storehouse Fine Art Print.
Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 35.9cm x 59.4cm (14.1" x 23.4")
Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This engraved title page, taken from Robert Burton's seminal work "The Anatomy of Melancholy," published in 1632, offers a captivating glimpse into the early understanding of melancholy and its treatment during the Renaissance period. Melancholy, a term used synonymously with depression in modern times, was considered a complex and intriguing condition that intrigued philosophers, physicians, and artists alike. The title page is adorned with an intricate engraving of various plants and gardens, symbolizing the medicinal properties of nature and the belief that natural remedies could alleviate the symptoms of melancholy. The title itself, engraved in elegant script, reads "The Anatomy of Melancholy: What it is: With all the Kinds, Causes, Symptomes, Prognosticalls, and Several Cures of it. In Three Main Parts. With and English Exposition." This comprehensive title reflects the extensive scope of Burton's work, which aimed to provide a detailed analysis of melancholy and its various manifestations. Burton, a British scholar and clergyman, drew from a wide range of sources, including classical literature, medical texts, and his own experiences, to create a groundbreaking work that remains relevant even in the context of modern psychiatry. "The Anatomy of Melancholy" was not only a scholarly work but also a deeply personal one, reflecting Burton's own struggles with melancholy and his belief that understanding the condition could help others who suffered from it. This title page serves as a fascinating reminder of the rich historical context from which our modern understanding of depression and its treatment has emerged. It is a testament to the enduring power of human curiosity and the quest for knowledge and understanding in the face of suffering.
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