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Fine Art Print : The Rookery Sutton Coldfield, 1942 a42_03385
Fine Art Prints from Historic England
The Rookery Sutton Coldfield, 1942 a42_03385
The Rookery, Lichfield Road, Sutton Coldfield, Birmingham. The derelict east front of The Rookery.
Once described as " The greatest ornament and addition to the town of Sutton" (Agricola 1762), The Rookery was constructed in circa 1700 by William Jesson, of Langley Hall. The house was home to members of the Jesson family until the 1780s when Elizabeth Jesson let the house to tenants. In 1811 a girls school was established in the Rookery and around this time the artist, David Cox, painted a watercolour of the house, now in collection of the Tate Gallery. In 1871 it was purchased by William Henry Tonks, a successful Birmingham brass founder. The Rookery remained in the Tonks family until 1934 when it was sold to Sutton Borough Council. In 1957 it was demolished. The site is now occupied by the police station
Historic England is the public body that champions and protects England's historic places
Media ID 22140049
© Historic England Archive
Derelict Or Ruin Destruction House Loss And Loss And Destruction Stuart Ivy Clad Overgrown Queen Anne
A2 (42x59cm) Fine Art Print
Experience the rich history of Sutton Coldfield with our exquisite fine art print of "The Rookery, Sutton Coldfield, 1942" by George Bernard Mason from Historic England. This evocative image captures the derelict east front of this once grand edifice, once described as "The greatest ornament and addition to the town of Sutton Coldfield." Bring a piece of historic Birmingham into your home with this beautiful, high-quality fine art print. Perfect for history enthusiasts, art collectors, or anyone who appreciates the beauty and character of the past. Order yours today and relive the story of The Rookery through Mason's masterful lens.
Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 54.6cm x 42cm (21.5" x 16.5")
Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print takes us back to the year 1942, capturing a hauntingly beautiful scene of The Rookery in Sutton Coldfield, Birmingham. The image showcases the derelict east front of this once magnificent house, which was considered "the greatest ornament and addition to the town of Sutton" by Agricola in 1762. Constructed around 1700 by William Jesson of Langley Hall, The Rookery served as a cherished home for generations of the Jesson family until the late 18th century. In 1811, it transformed into a girls school and gained recognition when artist David Cox painted a stunning watercolor depiction that now resides in the prestigious Tate Gallery collection. In 1871, William Henry Tonks, a prosperous brass founder from Birmingham, acquired The Rookery. It remained under his family's ownership until its sale to Sutton Borough Council in 1934. However, despite its rich history and significance to the community, this architectural gem met an unfortunate fate when it was demolished in 1957. Today, where The Rookery once stood proudly on Lichfield Road is occupied by a police station. This photograph captures not only the physical decay and overgrown beauty with ivy-clad walls but also symbolizes loss and destruction—a poignant reminder of our ever-changing urban landscape. George Bernard Mason skillfully captured this moment frozen in time through his lens—preserving an important piece of history for future generations to reflect upon.
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