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Fine Art Print : Pierre. Joseph, Adrien. 42 ans, ne a Rouen (Seine-Inferieure)

Pierre. Joseph, Adrien. 42 ans, ne a Rouen (Seine-Inferieure)



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Pierre. Joseph, Adrien. 42 ans, ne a Rouen (Seine-Inferieure)

Pierre. Joseph, Adrien. 42 ans, ne a Rouen (Seine-Inferieure). Canneleur de chaises. Anarchiste. 12/3/94. 1894

Heritage Images features heritage image collections

Media ID 20138478

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


A2 (42x59cm) Fine Art Print

Discover the captivating Fine Art Print from Alphonse Bertillon's collection at Media Storehouse. This iconic image captures Pierre Joseph, a 42-year-old native of Rouen, Seine-Inferieure, in an intriguing moment. Known as a canneleur de chaises (chair canner) and an anarchist, Pierre's enigmatic expression and unique attire make this photograph a must-have for any art enthusiast. Experience the rich history and storytelling power of this 1894 image, expertly preserved as a Fine Art Print from Heritage Images.

Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 42cm x 54.6cm (16.5" x 21.5")

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Seine

> Europe > France > Rouen

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This print titled "Pierre. Joseph, Adrien. 42 ans, ne a Rouen (Seine-Inferieure)" by Alphonse Bertillon takes us back to the 19th century in France. The image showcases an arresting portrait of Pierre Joseph Adrien, a 42-year-old chair caner from Rouen. The photograph is not just a mere mugshot but also serves as an important historical artifact that reflects the political climate of the time. Pierre Joseph Adrien was not only known for his occupation but also identified himself as an anarchist, making him a figure of interest within the context of French politics during this era. Alphonse Bertillon's expertise in anthropometry and physical anthropology shines through this meticulously composed image. His use of albumen silver print adds depth and texture to the photograph, capturing every detail with precision. As we gaze into Pierre Joseph Adrien's eyes, we are transported to another time and place - witnessing both his individuality and his connection to broader social movements. This thought-provoking piece invites us to contemplate concepts such as identity, crime, law enforcement techniques used at that time while appreciating the artistic value it holds. Displayed at The Metropolitan Museum of Art, this photograph stands as a testament to Bertillon's contribution to photography and science alike. It reminds us that even seemingly ordinary individuals have stories worth exploring within our shared heritage.

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