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Fine Art Print : The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744

The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744



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The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744

XJF867801 The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744 (engraving) by English School, (18th century); Private Collection; (add.info.: BM J, 1.116); English, out of copyright

Media ID 12940555

© www.bridgemanimages.com

Anglican Church Of England Clerical Curate Dean Greed Living Parish Prelate Protestant Rector Vicar Ecclesiastical Holy Orders Incumbent Monks Parishes


A2 (42x59cm) Fine Art Print

Discover the captivating beauty and historical significance of The Pluralist, a stunning 18th-century engraving by Nathaniel Parr, published by Edward Cooper. This exquisite fine art print showcases Parr's masterful use of line and contrast, transporting you back in time to the intricate world of 18th-century English art. The Pluralist is an essential addition to any art collection, offering a glimpse into the rich cultural heritage of the past. Bring this timeless masterpiece into your home or office and elevate your decor with the unparalleled quality and craftsmanship of Media Storehouse's Fine Art Prints.

Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 47.6cm x 42cm (18.7" x 16.5")

Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Nathaniel Parr

> Fine Art Finder > Temp Classification

> Arts > Artists > C > Edward Cooper

> Arts > Artists > P > Nathaniel Parr

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > London > Boroughs > Lambeth


The Pluralist

EDITORS COMMENTS
is a captivating print created by Nathaniel Parr and published by Edward Cooper around 1744. This intriguing engraving, attributed to the English School of the 18th century, showcases a scene filled with religious figures such as priests, monks, and clergy members. The image offers a satirical commentary on various aspects of religion during that time. In this thought-provoking artwork, we witness an array of characters representing different religious orders within the established church. The artist skillfully portrays their distinctive attire and clerical bands while highlighting their roles within the ecclesiastical hierarchy. The central theme explored in "The Pluralist" revolves around greed and sinecure prevalent among some members of the clergy. It humorously depicts how certain individuals held multiple positions or benefices simultaneously, often leading to neglecting their pastoral duties for personal gain. Through clever caricature and satire, Parr's print sheds light on issues surrounding parishes, incumbents, prelates, deans, rectors, vicars – all elements associated with Church of England at that time. The cartoon-like style adds an element of playfulness to this social critique. This particular print captures not only the artistic brilliance but also provides valuable historical insights into religious practices during the 18th century in England. As it belongs to a private collection and falls out of copyright restrictions today; it serves as a significant visual record for those interested in exploring the complexities surrounding religion and its influence on society from centuries past

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