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Fine Art Print : The Hillsides of Mery-sur-Oise, Opposite Auvers, 1873 (oil on wood panel)

The Hillsides of Mery-sur-Oise, Opposite Auvers, 1873 (oil on wood panel)



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The Hillsides of Mery-sur-Oise, Opposite Auvers, 1873 (oil on wood panel)

XOS5886596 The Hillsides of Mery-sur-Oise, Opposite Auvers, 1873 (oil on wood panel) by Daubigny, Charles Francois (1817-78); 64x86 cm; Cleveland Museum of Art, OH, USA; (add.info.: by Charles Francois Daubigny)

Media ID 32181032

© Bridgeman Images

Charles Francois Daubigny Hauts De France Oise Oise 60 Picardy Unpopulated Without Anyone


A2 (42x59cm) Fine Art Print

Experience the timeless beauty of Impressionist art with Media Storehouse's Fine Art Prints. This exquisite piece, "The Hillsides of Mery-sur-Oise, Opposite Auvers" by Charles Daubigny, captures the picturesque landscape of Mery-sur-Oise in 1873. Daubigny's masterful use of oil on wood panel creates a rich, textured image that invites you to explore every detail. Bring this stunning work of art into your home or office and elevate your space with the elegance and sophistication of Fine Art Prints from Media Storehouse.

Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 59.4cm x 35.6cm (23.4" x 14")

Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Charles Francois Daubigny

> Fine Art Finder > Artists > Jozef (1824-1911) Israels

> Arts > Art Movements > Landscapes

> Arts > Artists > D > Charles Francois Daubigny

> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings > Nature-inspired artwork

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > Nature-inspired paintings

> Arts > Landscape paintings > Waterfall and river artworks

> Arts > Still life artwork > Landscape paintings > Nature-inspired artwork


The Hillsides of Mery-sur-Oise, Opposite Auvers

EDITORS COMMENTS
is a captivating oil painting by Charles Francois Daubigny that beautifully captures the essence of the French countryside in the 19th century. The artwork, measuring 64x86 cm, can be found at the Cleveland Museum of Art in Ohio, USA. Daubigny's masterful use of color and brushstrokes brings to life the lush landscape filled with towering trees and rolling hills. The vibrant hues depict nature in all its glory, from the rich greens of the foliage to the serene blues of the river Oise that winds through the scene. The artist skillfully portrays different weather conditions by incorporating fluffy clouds into an otherwise clear sky. This attention to detail adds depth and movement to an already picturesque setting. As we gaze upon this tranquil scene devoid of human presence, we are transported back in time to a simpler era where nature reigned supreme. Daubigny's ability to capture such serenity on canvas is a testament to his talent as both a painter and observer. "The Hillsides of Mery-sur-Oise, Opposite Auvers" serves as a reminder of France's natural beauty and its enduring appeal throughout history. It stands as a testament not only to Daubigny's artistic prowess but also as an invitation for viewers to immerse themselves in this idyllic landscape and find solace within its peaceful embrace.

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