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Fine Art Print : Going to the Hayfield, 1853 (oil on millboard)
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Going to the Hayfield, 1853 (oil on millboard)
XYC165932 Going to the Hayfield, 1853 (oil on millboard) by Cox, David (1783-1859); 25.5x33.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12735927
© www.bridgemanart.com
A2 (42x59cm) Fine Art Print
Discover the timeless beauty of "Going to the Hayfield," an exquisite oil on millboard painting by David Cox, available as a Fine Art Print from Media Storehouse. This masterpiece, created in 1853, showcases the picturesque English countryside with its rolling hills, quaint cottages, and serene landscape. Bring the charm of this classic artwork into your home or office and elevate your decor with this museum-quality Fine Art Print from Media Storehouse.
Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 55.8cm x 42cm (22" x 16.5")
Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Going to the Hayfield, 1853
EDITORS COMMENTS
captures a picturesque English countryside scene with remarkable attention to detail. Painted by David Cox in oil on millboard, this print showcases the artist's mastery in capturing the essence of rural life during the Victorian era. The composition depicts a group of farmers making their way towards a vast hayfield. The undulating landscape stretches as far as the eye can see, dotted with fluffy clouds and buffeted by a gentle wind. A sense of tranquility permeates through the image, evoking a peacefulness that is often associated with rural settings. In the foreground, two horses lead the way while their farmer guides them forward. A loyal dog accompanies them on their journey, faithfully trotting alongside his master. The presence of these animals adds an element of liveliness and companionship to an otherwise serene scene. As we observe this idyllic countryside moment frozen in time, one cannot help but appreciate Cox's meticulous brushwork and use of color. The vibrant greens of the fields contrast beautifully against darker hues used for shading and depth. This print from Yale Center for British Art's Paul Mellon Collection serves as a captivating window into Victorian peasant life and agricultural practices. It reminds us of simpler times when hard work was intertwined with nature's bounty – where harvesting hay was not just laborious but also an opportunity to connect with both land and community.
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