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Fine Art Print : Renaisance No 4, Plate LXXVII, from The Grammar of Ornament

Renaisance No 4, Plate LXXVII, from The Grammar of Ornament



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Renaisance No 4, Plate LXXVII, from The Grammar of Ornament

STC286210 Renaisance No 4, Plate LXXVII, from The Grammar of Ornament by Owen Jones (1809-68) (colour litho) by Jones, Owen (1809-74); Private Collection; The Stapleton Collection; English, out of copyright

Media ID 22356948

© The Stapleton Collection / Bridgeman Images

Geometric Interior Design Ornamentation Patterning Patterns Polychrome


A2 (42x59cm) Fine Art Print

Discover the timeless beauty of the Media Storehouse range of Fine Art Prints, featuring Renaisance No 4, Plate LXXVII, from The Grammar of Ornament by Owen Jones. This exquisite print, showcasing intricate Renaissance designs, is a captivating addition to any home or office space. With its rich colors and meticulous detail, this lithographic masterpiece by Owen Jones transports you back to the grandeur of the Renaissance era. The Fine Art Print is produced using high-quality materials and printing techniques, ensuring a stunning and long-lasting piece that adds elegance and sophistication to your surroundings. Own a piece of history and elevate your decor with the Media Storehouse Renaisance No 4, Plate LXXVII, from The Grammar of Ornament.

Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 39cm x 59.4cm (15.4" x 23.4")

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Albert Charles August (after) Racinet

> Fine Art Finder > Artists > Owen Jones

> Fine Art Finder > Textile Designs, Wallpaper


Renaisance No 4, Plate LXXVII - A Timeless Tapestry of Geometric Elegance

EDITORS COMMENTS
. This print showcases the exquisite beauty and intricate craftsmanship of "Renaisance No 4, Plate LXXVII" a masterpiece from Owen Jones' renowned publication, The Grammar of Ornament. With its vibrant polychrome hues and mesmerizing patterns, this artwork effortlessly transports us to the opulent world of Renaissance design. The image reveals an interior design marvel that seamlessly blends geometric precision with ornate detailing. Every inch is adorned with a symphony of interlocking shapes and lines, creating a harmonious visual feast for the eyes. The meticulous attention to detail in this composition is truly awe-inspiring. As we delve deeper into this enchanting tapestry of ornamentation, we are reminded of the timeless allure that decorative arts hold in our lives. This print serves as a testament to the enduring power of patterned designs in transforming any space into an oasis of elegance. Whether displayed on its own or incorporated into existing decor schemes, this piece promises to be a conversation starter and focal point within any setting. Its universal appeal transcends time and trends, making it an ideal addition for both traditional and contemporary interiors alike. With each glance at "Renaisance No 4, Plate LXXVII" one cannot help but appreciate Owen Jones' artistic genius and his ability to capture the essence of Renaissance aesthetics through his impeccable craftsmanship. This print stands as a testament

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