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The freedom of election, 1818

The freedom of election, 1818


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The freedom of election, 1818

1575209 The freedom of election, 1818; (add.info.: The freedom of election or hunt-ing for popularity and plumpers for Maxwell / [I. R.] Cruikshank, delt. & fect. By Robert Cruikshank, 1789-1856, artist. Print shows two candidates in the Westminster election, Henry Hunt and Murray Maxwell, addressing a crowd.); Universal History Archive/UIG

Media ID 38311218

© Universal History Archive/UIG / Bridgeman Images

1810s Candidates Cruikshank Election Henry Hunt Parliament Robert Cruikshank Westminster Election


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > Robert Cruikshank

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > Westminster

> Europe > United Kingdom > Scotland > Aberdeenshire > Huntly

> Fine Art Finder > Temp Classification


EDITORS COMMENTS
The satirical print "The freedom of election, 1818" by Robert Cruikshank captures the chaotic and comical nature of political campaigning in 19th century England. Depicting two candidates, Henry Hunt and Murray Maxwell, vying for votes in the Westminster election, the scene is a lively mix of humor and criticism. In this detailed illustration, we see Hunt and Maxwell addressing a crowd with exaggerated gestures and expressions. The artist's sharp wit is evident in every aspect of the composition, from the oversized plumpers (false teeth used to improve one's appearance) to the absurdity of their promises to win over voters. Cruikshank's keen eye for satire shines through as he pokes fun at the spectacle of elections and politicians' desperate attempts to secure popularity. The cartoonish style adds an element of whimsy to what was undoubtedly a serious event in English history. "The freedom of election, 1818" serves as both a historical document and a timeless commentary on the nature of democracy. It reminds us that even centuries ago, politics was rife with drama, deception, and larger-than-life personalities. This print is not just a piece of art but also a window into a bygone era when elections were raucous affairs filled with grand promises and questionable tactics. It invites viewers to reflect on how much (or little) has changed since then in our own modern electoral process.

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