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Sculpture Collection

Choose a picture from our Sculpture Collection for your Wall Art and Photo Gifts

2,409 items

Background imageSculpture Collection: Mourner from the Tomb of Philip the Bold, Duke of Burgundy, 1404-10 (alabaster)

Mourner from the Tomb of Philip the Bold, Duke of Burgundy, 1404-10 (alabaster)
3468199 Mourner from the Tomb of Philip the Bold, Duke of Burgundy, 1404-10 (alabaster) by Werve, Claus de (1380-1439); 41.7x16.6x11.7 cm; Cleveland Museum of Art, OH

Background imageSculpture Collection: Venus, model 1817 / 1820, carved c. 1822 / 1823 (marble)

Venus, model 1817 / 1820, carved c. 1822 / 1823 (marble)
CGW445340 Venus, model 1817/1820, carved c. 1822/1823 (marble) by Canova, Antonio (1757-1822) (after); 175.2x50.8x45.7 cm; Corcoran Collection, National Gallery of Art, Washington D.C

Background imageSculpture Collection: The Veiled Christ, 1753 (marble) (for detail see 306528)

The Veiled Christ, 1753 (marble) (for detail see 306528)
ALI306529 The Veiled Christ, 1753 (marble) (for detail see 306528) by Sanmartino, Giuseppe (1720-93); Cappella di San Severo, Naples, Italy; Alinari

Background imageSculpture Collection: Scenes from the death of St. John the Baptist, relief from a capital (stone)

Scenes from the death of St. John the Baptist, relief from a capital (stone)
XIR86203 Scenes from the death of St. John the Baptist, relief from a capital (stone) by French School, (12th century); Musee des Augustins, Toulouse

Background imageSculpture Collection: The Prophet Daniel, in the Chigi Chapel, 1655-61 (marble)

The Prophet Daniel, in the Chigi Chapel, 1655-61 (marble)
XJL186919 The Prophet Daniel, in the Chigi Chapel, 1655-61 (marble) by Bernini, Gian Lorenzo (1598-1680); Santa Maria del Popolo, Rome, Italy; Italian, out of copyright

Background imageSculpture Collection: Alexander Pope (terracotta)

Alexander Pope (terracotta)
BI450353 Alexander Pope (terracotta) by Roubillac (Roubiliac), Louis-Francois (1702-62); The Henry Barber Trust, The Barber Institute of Fine Arts

Background imageSculpture Collection: Steel beam being winched up from the truck, to be used in the construction of the Empire State

Steel beam being winched up from the truck, to be used in the construction of the Empire State Building
STC138070 Steel beam being winched up from the truck, to be used in the construction of the Empire State Building, published by William Edwin Rudge, 1931 (pencil on paper) by Bailey

Background imageSculpture Collection: Fontana del Moro, 1653 (photo)

Fontana del Moro, 1653 (photo)
JFS136558 Fontana del Moro, 1653 (photo); Piazza Navona, Rome, Italy; (add.info.: fountain originally designed in 1576 by Giacomo della Porta (c.1533-1602)

Background imageSculpture Collection: View of the gateway leading to the second courtyard, designed by Bartolomeo Ammannati (1511-92)

View of the gateway leading to the second courtyard, designed by Bartolomeo Ammannati (1511-92) 1551-55 (photo)
BEN107121 View of the gateway leading to the second courtyard, designed by Bartolomeo Ammannati (1511-92) 1551-55 (photo); Villa Giulia, Rome, Italy; Photo © Raffaello Bencini

Background imageSculpture Collection: The 'Teatro dell'Aqua' (Water Theatre) a semicircular nymphaeum with statuary and fountains

The 'Teatro dell'Aqua' (Water Theatre) a semicircular nymphaeum with statuary and fountains
BEN106248 The 'Teatro dell'Aqua' (Water Theatre) a semicircular nymphaeum with statuary and fountains, detail of a statue of the goddess Flora becoming a marine divinity

Background imageSculpture Collection: The 'Sala delle Nozze di Alessandro e Rossana' (Hall of the Marriage of Alexander The Great)

The 'Sala delle Nozze di Alessandro e Rossana' (Hall of the Marriage of Alexander The Great (356-323 BC)
BEN107223 The 'Sala delle Nozze di Alessandro e Rossana' (Hall of the Marriage of Alexander The Great (356-323 BC) and Roxanne) designed by Baldassarre Peruzzi (1481-1536)

Background imageSculpture Collection: The Wounded Chimera of Bellerophon, detail of the head, 5th century AD (bronze) (detail of 104198)

The Wounded Chimera of Bellerophon, detail of the head, 5th century AD (bronze) (detail of 104198)
BEN104199 The Wounded Chimera of Bellerophon, detail of the head, 5th century AD (bronze) (detail of 104198); Galleria degli Uffizi, Florence, Tuscany, Italy; Photo © Raffaello Bencini

Background imageSculpture Collection: Hall of Battles (fresco)

Hall of Battles (fresco)
KW194305 Hall of Battles (fresco); Real Monasterio de San Lorenzo de El Escorial, Madrid, Spain; (add.info.: battle scenes painted by Spanish and Italian artists - Granelo;)

Background imageSculpture Collection: Female head, roundel from the frame of the Gates of Paradise (East doors)

Female head, roundel from the frame of the Gates of Paradise (East doors) by Lorenzo Ghiberti (1378-1455)
BEN87663 Female head, roundel from the frame of the Gates of Paradise (East doors) by Lorenzo Ghiberti (1378-1455) 1425-52 (gilt bronze) (see also 87652-62 & 87664-67); Baptistery, Florence

Background imageSculpture Collection: Curved niche of the scaenae frons (stage front) framing the central door the theatre, Roman

Curved niche of the scaenae frons (stage front) framing the central door the theatre, Roman, late 2nd century
BEN85401 Curved niche of the scaenae frons (stage front) framing the central door the theatre, Roman, late 2nd century, restored 1937 (photo) (detail of 85400); Sabratha

Background imageSculpture Collection: Two putti, one playing the cornamuse, the other playing the trumpet

Two putti, one playing the cornamuse, the other playing the trumpet, from the frieze of musical angels in the Chapel of
BEN85131 Two putti, one playing the cornamuse, the other playing the trumpet, from the frieze of musical angels in the Chapel of Isotta degli Atti, by Agostino di Duccio (1418-81)

Background imageSculpture Collection: Aquarius, relief from the Chapel of the Planets by Agostino di Duccio (1418-81), c.1450 (marble)

Aquarius, relief from the Chapel of the Planets by Agostino di Duccio (1418-81), c.1450 (marble)
BEN85123 Aquarius, relief from the Chapel of the Planets by Agostino di Duccio (1418-81), c.1450 (marble); Tempio Malatestiano, Rimini, Italy; Photo © Raffaello Bencini

Background imageSculpture Collection: Mercury from a series of reliefs depicting the planetary symbols

Mercury from a series of reliefs depicting the planetary symbols and signs of the zodiac by Agostino di Duccio (1418-81)
BEN85107 Mercury from a series of reliefs depicting the planetary symbols and signs of the zodiac by Agostino di Duccio (1418-81), c.1450 (plaster); Chapel of the Planets, Tempio Malatestiano

Background imageSculpture Collection: View of the castle, 11th-13th century (restored) (photo)

View of the castle, 11th-13th century (restored) (photo)
XJL88981 View of the castle, 11th-13th century (restored) (photo); Loarre, Aragon, Spain

Background imageSculpture Collection: Pluto, sculpture by Domenico Poggini (1520-90) 1572 (bronze)

Pluto, sculpture by Domenico Poggini (1520-90) 1572 (bronze)
BEN82533 Pluto, sculpture by Domenico Poggini (1520-90) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

Background imageSculpture Collection: Ops, sculpture by Bartolomeo Ammannati (1511-92) 1572 (bronze)

Ops, sculpture by Bartolomeo Ammannati (1511-92) 1572 (bronze)
BEN82507 Ops, sculpture by Bartolomeo Ammannati (1511-92) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

Background imageSculpture Collection: St. Louis of Toulouse, detail of sculpture by Donatello (c.1386-1466)

St. Louis of Toulouse, detail of sculpture by Donatello (c.1386-1466), 1424 (bronze) (detail of 80042)
BEN80043 St. Louis of Toulouse, detail of sculpture by Donatello (c.1386-1466), 1424 (bronze) (detail of 80042); Santa Croce, Florence, Italy; Photo © Raffaello Bencini

Background imageSculpture Collection: The Loggia di Davide (or D'Onore) designed by Giulio Romano (1499-1546), 1524-34

The Loggia di Davide (or D'Onore) designed by Giulio Romano (1499-1546), 1524-34, looking through to the Exedra
BEN78413 The Loggia di Davide (or D'Onore) designed by Giulio Romano (1499-1546), 1524-34, looking through to the Exedra, design attributed to Nicolo Sebregondi, c.1651 (photo); Palazzo del Te

Background imageSculpture Collection: St. John the Baptist as a boy, bust by Antonio Rossellino (1427-79) (marble) (see also 79877)

St. John the Baptist as a boy, bust by Antonio Rossellino (1427-79) (marble) (see also 79877)
BEN85025 St. John the Baptist as a boy, bust by Antonio Rossellino (1427-79) (marble) (see also 79877); height: 35 cm; Museo Nazionale del Bargello, Florence, Tuscany

Background imageSculpture Collection: Titan, c. 1650-54 (terracotta)

Titan, c. 1650-54 (terracotta)
BAL73706 Titan, c.1650-54 (terracotta) by Algardi, Alessandro (1598-54); height: 68 cm; State Hermitage Museum, St. Petersburg, Russia; Italian, out of copyright

Background imageSculpture Collection: Bust of Louis Michel Le Peletier de Saint-Fargeau (1760-93), 1793 (polychrome plaster)

Bust of Louis Michel Le Peletier de Saint-Fargeau (1760-93), 1793 (polychrome plaster)
XIR223206 Bust of Louis Michel Le Peletier de Saint-Fargeau (1760-93), 1793 (polychrome plaster) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSculpture Collection: Effigy of Claude de France (1499-1524) from the Tomb of Francois I and Claude de France (marble)

Effigy of Claude de France (1499-1524) from the Tomb of Francois I and Claude de France (marble)
XIR190362 Effigy of Claude de France (1499-1524) from the Tomb of Francois I and Claude de France (marble) by Bontemps, Pierre (1505-68); Basilique Saint-Denis

Background imageSculpture Collection: Icarus, 1884 (bronze)

Icarus, 1884 (bronze)
NGW342625 Icarus, 1884 (bronze) by Gilbert, Alfred (1854-1934); height: 100 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageSculpture Collection: Relief of Phaeton driving the chariot of the sun (marble)

Relief of Phaeton driving the chariot of the sun (marble)
NGW342622 Relief of Phaeton driving the chariot of the sun (marble) by Gibson, John (1790-1866); 93x205.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageSculpture Collection: Christ the Redeemer, sculpture by Michelangelo Buonarroti (1475-1564), 1521 (marble) (b/w photo)

Christ the Redeemer, sculpture by Michelangelo Buonarroti (1475-1564), 1521 (marble) (b/w photo)
ALI49899 Christ the Redeemer, sculpture by Michelangelo Buonarroti (1475-1564), 1521 (marble) (b/w photo) by Buonarroti, Michelangelo (1475-1564); Santa Maria sopra Minerva, Rome, Italy; Alinari

Background imageSculpture Collection: Seated Madonna (painted terracotta)

Seated Madonna (painted terracotta)
BAL54078 Seated Madonna (painted terracotta) by Ghiberti, Lorenzo (1378-1455); Museum of Fine Arts (Szepmuveszeti) Budapest, Hungary; (add.info.: sculpture by Lorenzo Ghiberti (1370/78-1455))

Background imageSculpture Collection: Llewellyn (marble)

Llewellyn (marble)
NGW336486 Llewellyn (marble) by Griffith, James Milo (1717-87); 41.1x32 cm; National Museum Wales; (add.info.: maybe Llywelyn the Great (c.1173-1240)

Background imageSculpture Collection: St Catherine, c. 1520 (limewood)

St Catherine, c. 1520 (limewood)
1217580 St Catherine, c. 1520 (limewood) by Unknown Artist, (16th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Master of the Oertel Madonna)

Background imageSculpture Collection: Nymph and Cupid (marble)

Nymph and Cupid (marble)
NGW342624 Nymph and Cupid (marble) by Gibson, John (1790-1866); height: 152.2 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageSculpture Collection: Mercury (sculpture)

Mercury (sculpture)
BAL53637 Mercury (sculpture) by Donner, Georg Raphael (1693-1741); Museum of Fine Arts (Szepmuveszeti) Budapest, Hungary; (add.info.: sculpture by Georg Donner (1693-1741))

Background imageSculpture Collection: The Fountain of the Four Rivers by Gianlorenzo Bernini (1598-1680), 1648-51 (granite)

The Fountain of the Four Rivers by Gianlorenzo Bernini (1598-1680), 1648-51 (granite)
KAB77021 The Fountain of the Four Rivers by Gianlorenzo Bernini (1598-1680), 1648-51 (granite, marble and travertine) (detail) (see also 28405) by Bernini, Gian Lorenzo (1598-1680); Piazza Navona

Background imageSculpture Collection: 434104

434104

Background imageSculpture Collection: The wounded Amazon (marble)

The wounded Amazon (marble)
NGW342623 The wounded Amazon (marble) by Gibson, John (1790-1866); National Museum Wales; National Museums & Galleries of Wales

Background imageSculpture Collection: Aurora (marble)

Aurora (marble)
NGW342621 Aurora (marble) by Gibson, John (1790-1866); height:172.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageSculpture Collection: Assumption of the Virgin, central panel of the Marienaltar, 1505-10 (limewood)

Assumption of the Virgin, central panel of the Marienaltar, 1505-10 (limewood)
BAL54557 Assumption of the Virgin, central panel of the Marienaltar, 1505-10 (limewood) by Riemenschneider, Tilman (c.1460-1531); Herrgottskirche, Creglingen, Germany; German, out of copyright

Background imageSculpture Collection: Sculpture, Brinsop Court (b/w photo)

Sculpture, Brinsop Court (b/w photo)
CLF294242 Sculpture, Brinsop Court (b/w photo) by Evans, Frederick Henry (1853-1943); © Country Life

Background imageSculpture Collection: Head of a Man, Church of St. Agnes, Cawston (b/w photo)

Head of a Man, Church of St. Agnes, Cawston (b/w photo)
CLF294255 Head of a Man, Church of St. Agnes, Cawston (b/w photo) by Evans, Frederick Henry (1853-1943); © Country Life

Background imageSculpture Collection: Decorative Relief, St Agnes Church, Cawston (b/w photo)

Decorative Relief, St Agnes Church, Cawston (b/w photo)
CLF294253 Decorative Relief, St Agnes Church, Cawston (b/w photo) by Evans, Frederick Henry (1853-1943); © Country Life

Background imageSculpture Collection: The Cymbal Player, sculpture in the great parterre at Castle Howard, North Yorkshire

The Cymbal Player, sculpture in the great parterre at Castle Howard, North Yorkshire
CLF327748 The Cymbal Player, sculpture in the great parterre at Castle Howard, North Yorkshire, from The Country Houses of Sir John Vanbrugh by Jeremy Musson

Background imageSculpture Collection: The Temple Pyx, c. 1140-50 (gilded copper alloy)

The Temple Pyx, c. 1140-50 (gilded copper alloy)
GLS219872 The Temple Pyx, c.1140-50 (gilded copper alloy) by English School, (12th century); 9.2x7.3 cm; Burrell Collection, Glasgow

Background imageSculpture Collection: Monsignor Antonio Cerri, c. 1630-40 (marble)

Monsignor Antonio Cerri, c. 1630-40 (marble)
3060067 Monsignor Antonio Cerri, c.1630-40 (marble) by Algardi, Alessandro (1598-54); 86x65x28 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSculpture Collection: Cupid and Psyche, 1908 (marble)

Cupid and Psyche, 1908 (marble)
3042604 Cupid and Psyche, 1908 (marble) by Rodin, Auguste (1840-1917); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imageSculpture Collection: Relief portrait of an unidentified man, 1786 (marble)

Relief portrait of an unidentified man, 1786 (marble)
862859 Relief portrait of an unidentified man, 1786 (marble) by Canova, Antonio (1757-1822); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini



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