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Adoration of the Magi, c. 1508-19 (oil on panel)

Adoration of the Magi, c. 1508-19 (oil on panel)


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Adoration of the Magi, c. 1508-19 (oil on panel)

XOS1766027 Adoration of the Magi, c.1508-19 (oil on panel) by Juan de Flandes, (c.1465-1519); 124.7x79 painted, 126x82 (panel) cm; National Gallery of Art, Washington DC, USA; (add.info.: This panel was part of a large altarpiece in the Church of San LAazaro in Palencia, Spain.); Netherlandish, out of copyright

Media ID 12743112

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3 Kings Altarpiece Baby Jesus Balthasar Balthazar Birth Caspar Exotic Frankincense Gifts Gospels Melchior Myrrh Nativity Stable Star Three Kings Wise Men Hispano Flemish Northern Renaissance


EDITORS COMMENTS
The print captures Juan de Flandes' masterpiece, "Adoration of the Magi" painted between 1508 and 1519. This oil on panel artwork, measuring 124.7x79 cm, is housed in the National Gallery of Art in Washington DC. Originally part of a grand altarpiece displayed at the Church of San Lazaro in Palencia, Spain, this painting depicts a pivotal moment from the Bible's New Testament. The scene showcases the adoration of baby Jesus by three wise men or Magi - Balthazar, Caspar, and Melchior. Intricately detailed and richly colored, Juan de Flandes skillfully portrays Mary as she cradles baby Jesus while being approached by the three kings bearing gifts. The exotic nature of these visitors is evident through their elaborate attire and regal presence. The composition exudes reverence and awe as all figures are captivated by the divine infant before them. A radiant star shines above them symbolizing Christ's birth and guiding their journey to find him. This Netherlandish artist's work represents both Northern Renaissance style with its attention to detail and Hispano-Flemish influences seen in his use of vibrant colors. It serves as a testament to Christianity's central story –the Nativity– reminding viewers of the significance behind this biblical event. Through this image captured by Fine Art Finder from www. bridgemanimages. com, we can appreciate not only Juan de Flandes'

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