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King Henry IV: the Last Scene, published by S. W. Fores in 1788 (hand-coloured etching)
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King Henry IV: the Last Scene, published by S. W. Fores in 1788 (hand-coloured etching)
NCO193121 King Henry IV: the Last Scene, published by S.W. Fores in 1788 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: parody of the Shakespearean play; Charles James Fox (1749-1806) as Sir John Falstaff; Richard Brinsley Sheridan (1751-1816) as Bardolph; the Duke of Norfolk (1746-1815) as Shallow; Colonel George Hanger (1751-1824) as pistol; ); English, out of copyright
Media ID 22602016
© Bridgeman Images
Belt Brutish Bulging Cape Chubby Coarse Exaggerated Feather Foolish Fourth Loyal Plume Plump Political Satire Recruit Recruiting Recruitment Role Rotund Script Shakespeare William 1564 1616 Speech Bubble Unshaven
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EDITORS COMMENTS
This hand-coloured etching, titled "King Henry IV: the Last Scene" captures a moment of satirical brilliance in the world of political caricature. Created by James Gillray and published by S. W. Fores in 1788, this print parodies Shakespeare's play with an exaggerated portrayal of its characters. In this scene, we see Charles James Fox as Sir John Falstaff, Richard Brinsley Sheridan as Bardolph, the Duke of Norfolk as Shallow, and Colonel George Hanger as Pistol. Each character is depicted with comically enlarged features and flamboyant costumes that add to their larger-than-life personas. Falstaff's foolish expression and bulging belly are emphasized through his pointed collar and cape adorned with a feathered plume. He clutches a walking stick while spoiling for a fight, his speech bubble suggesting his bravura nature. The attention to detail is remarkable; from the rotund figure's enormous bicorn hat to the band of recruits behind him dressed in coarse clothing. The engraving skillfully captures their unshaven faces and bulging bellies. This print serves not only as political satire but also highlights Gillray's talent for capturing character through visual exaggeration. It offers viewers a glimpse into the theatricality of politics during this period while showcasing Gillray's mastery in creating humorous yet incisive social commentary. Courtesy of New College Oxford, this artwork remains an enduring testament to both William Shakespeare's timeless plays and James Gillray's influential contributions to British art history.
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