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Homer singing his Verses to the Greeks, published by Hannah Humphrey in 1797
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Homer singing his Verses to the Greeks, published by Hannah Humphrey in 1797
NCO193102 Homer singing his Verses to the Greeks, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: George Hanger (1751-1824) 4th Baron of Coleraine; ); English, out of copyright
Media ID 23223860
© Bridgeman Images
1749 1806 1751 1816 Alcoholic Bawdy Brutish Charles James Fox Coarse Cravat Declaiming Fourth Hanoverian Merriment Opposition Political Satire Queue Reciting Richard Brinsley Sheridan Singing Song Unshaven Wineglass Entertaining Freckles Uncivilized
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EDITORS COMMENTS
This hand-coloured etching, titled "Homer singing his Verses to the Greeks" captures a lively and satirical scene from 1797. Created by James Gillray and published by Hannah Humphrey, this political cartoon offers a humorous take on the state of affairs during that time. In the forefront of the image stands George Hanger, the 4th Baron of Coleraine, holding forth with an uncivilized yet entertaining rendition of Homer's verses. Surrounded by a group of Greeks, who appear both amused and bewildered, Hanger embodies the spirit of merriment as he recites his poetry. The caricatured figures in this portrait reflect various prominent personalities from Georgian England. Among them are Charles James Fox and Richard Brinsley Sheridan, two influential Whig leaders known for their love for alcohol and bawdy behavior. Their presence adds a touch of political satire to this scene. Gillray's attention to detail is evident in every element: from Hanger's tattered breeches and unshaven appearance to his flamboyant wig and florid complexion. The artist skillfully conveys not only the jovial atmosphere but also highlights societal vices such as excessive drinking. This print serves as a reminder that even during times of political opposition, moments of levity can be found amidst chaos. It invites viewers to appreciate both the artistry behind Gillray's work and its historical context within British society at that time.
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