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A Rakes Progress V: The Rake marrying an Old Woman, 1733 (oil on canvas)
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A Rakes Progress V: The Rake marrying an Old Woman, 1733 (oil on canvas)
SJS44935 A Rakes Progress V: The Rake marrying an Old Woman, 1733 (oil on canvas) by Hogarth, William (1697-1764); 62.2x75 cm; Courtesy of the Trustees of Sir John Soanes Museum, London; (add.info.: A Rakes Progress, series of 8 charting the decline and fall of Tom Rakewell the spendthrift son of a rich miserly merchant
Tom marries for money at Marylebone Old Church; the marriage of convenience witnessed by Sarah Young, the loving maid Tom rejected (now with a baby), who tries to interrupt the ceremony.); eSir John Soanes Museum; English, out of copyright
Media ID 22366470
© Sir John Soane's Museum / Bridgeman Images
Aspirational Avarice Bride And Groom Bridesmaid Cautionary Tale Cracked Danger Downfall Fortune Greed Grotesque Heir High Society Marriage Of Convenience Marrying Minister Moral Moral Tale Morality Morality Tale Parody Parson Profligate Prosperity Rake Social Climber Social Satire Ten Commandments Tom Rakewell Vulnerability Vulnerable Widow Witnesses Cobwebs Monks Opportunist Religious Orders
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A Rake's Progress V - The Rake marrying an Old Woman
EDITORS COMMENTS
is a captivating oil on canvas painting by William Hogarth, depicting a pivotal moment in the decline and fall of Tom Rakewell, the spendthrift son of a wealthy merchant. In this scene, Tom marries an older woman for her fortune at Marylebone Old Church, witnessed by Sarah Young, his former maid who still harbors love for him. The painting showcases Hogarth's exceptional talent for storytelling through visual imagery. With cracked walls and cobwebs adorning the church interior, it symbolizes the decay and opportunistic nature of high society. The parson solemnly recites the Ten Commandments as Tom eagerly ties himself to wealth rather than love. The grotesque figures surrounding them include a widow seeking financial security and bridesmaids with ulterior motives. Meanwhile, Sarah desperately tries to interrupt the ceremony while clutching her baby—a poignant reminder of Tom's rejection. Hogarth employs satire and social commentary throughout this moral tale. Through his sharp caricatures and clever symbolism, he exposes London's greed-driven society where prosperity is pursued at any cost. This cautionary tale serves as a warning against moral downfall and vulnerability in urban environments. This particular print from Sir John Soane's Museum captures every intricate detail of Hogarth's masterpiece—allowing viewers to delve into its rich narrative while appreciating its artistic brilliance.
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